The Remix Studio

06/02/2026

05/31/2026

The Remix Studio — Founder’s Story

Stephanie Green writes and produces music. What distinguishes her is who has performed it.

Gerald Albright. Ron Affif. Brian Simpson. Marc Nelson of Boyz II Men. Michael White of Frankie Beverly & Maze. Sam Sims of the Michael Jackson camp. Winston Johnson — credits include Teena Marie, Barbra Streisand, and the Jacksons. Tim Hurley of Red Red Meat. Elle B, principal collaborator for Katy Perry. Denaine Jones of Sony Music. Tollak Olestad. Paul Jackson, Jr. — credits include Michael Jackson, Stevie Wonder, Whitney Houston, and Quincy Jones.

Green composed and produced the music each of them brought to life.

A classically trained pianist with fluency across jazz, hip-hop, R&B, electronic, and orchestral composition, Green founded The Remix Studio in 2003 as the house where that range operates. The catalog spans tempos, moods, and genres — exactly the adaptive range that immersive, interactive scoring requires.

05/27/2026

What this leaderboard shows:

The Remix Studio is #2 with “I’m Lost In Your Love” at 10,201 plays. Within 117 plays of the #1 track.

The Man Behind The Music portal is Big Tank’s submission system — these aren’t passive streams from random listeners. These are plays by Tank’s team (and a broader network of A&Rs, execs, music supervisors) evaluating submissions.

Thank you, The Man Behind The Music!

05/10/2026

📸 Roland

05/07/2026

The Roland TB-303: The Failure That Built Acid House

Few pieces of gear have rewritten music history quite like the Roland TB-303. Released in 1981 by the Japanese manufacturer Roland and designed by Tadao Kikumoto — the same engineer behind the legendary TR-909 drum machine — the TB-303 was marketed as a “computerised bass machine” intended to replace the bass guitar in solo musicians’ home setups.

It was, by every commercial metric, a flop.

Retailing for $395 (about $1,400 in today’s dollars), the unit shipped in the U.S. without an English-language manual, making its quirky sequencer notoriously difficult to program. Worse, its sound bore little resemblance to an actual bass guitar — too thin, too synthetic, too strange. Roland pulled the plug in 1984 after roughly 10,000 units had been produced.

That should have been the end of the story.

Instead, cheap second-hand 303s found their way into the hands of Chicago and Detroit underground producers in the mid-1980s, who discovered that the machine’s bizarre liquid squelch — created by a sawtooth or square wave fed through a 24 dB/octave low-pass filter and shaped by an envelope generator — was unlike anything else on the market. When DJ Pierre, Spanky, and Herb J of Phuture used a 303 on their 1987 track “Acid Tracks,” they didn’t just make a record. They named a genre.

Acid house exploded out of Chicago and into the U.K., powering the late-‘80s rave movement and giving rise to acid techno, acid trance, and countless offshoots. The 303’s signature chirp became the sonic DNA of an entire era of electronic dance music — and remains instantly recognizable nearly four decades later.

Today, original TB-303s sell for thousands of dollars, and the unit has spawned an entire industry of clones, software emulations, and tribute hardware from Roland itself. Not bad for a discontinued failure.

Sometimes the wrong tool builds the right revolution.

04/28/2026

Plus8 Equity: The Techno-Born VC Backing the Future of Music Tech

Plus Eight Equity Partners has spent the past decade quietly building one of the most distinctive early-stage venture portfolios in entertainment technology. Founded in 2014 by techno pioneers John Acquaviva and Richie Hawtin alongside Wall Street investor Rishi Patel, the firm operates at the intersection of music, live events, and emerging tech — a thesis informed by its founders’ direct experience inside the global electronic music industry.

The fund writes pre-seed, seed, and seed-plus checks into startups across music tech, entertainment platforms, consumer media, and AI-enabled tools tied to the broader entertainment ecosystem. Its portfolio reflects a sharp eye for category-defining companies, with early bets including Beatport, the dominant digital music store for DJs and electronic music professionals; Splice, the cloud-based sample and collaboration platform that reshaped modern production workflows; and LANDR, the AI-powered mastering and distribution service used by millions of independent artists.

Since launch, Plus Eight has evaluated more than 2,500 companies and currently holds a concentrated portfolio of roughly 12 to 13 active investments spanning North America and Europe.

Headquartered in Miami with a second office in Ibiza, the firm’s geography reflects its DNA. Acquaviva and Hawtin — both globally touring artists and producers — bring decades of insider fluency in club culture, festival economics, and the technical infrastructure of live performance. Patel contributes the discipline of a Wall Street veteran. Together, the team offers founders strategic guidance, deep industry networking, and mentorship calibrated to the realities of the music and entertainment sectors.

As AI continues to reshape music creation, distribution, and live entertainment, Plus Eight is positioned at the front edge of one of the most rapidly evolving corners of consumer technology. For founders building at the convergence of sound, software, and experience, the firm represents one of the few venture platforms with native credibility in the culture it funds.

04/26/2026

Book me to produce your next track. [email protected]

04/26/2026

Book me to produce your next track.