20x200 A curated selection of limited edition prints by emerging, established and legendary artists. Customer service q's? E-mail [email protected].

We pay meticulous attention to every print we produce, from $24 to $10,000. Each print comes with an artist-signed and numbered certificate of authenticity that ensures the work you own is part of a limited edition created by the artist exclusively for 20x200. So far, we've released more than 1,000 editions by 300 artists—legendary, established and emerging. Follow us on Twitter and Instagram at , read our blog, and sign up for our email newsletter to get behind-the-scenes updates.

Yesterday, we shared some of 20x200's tallest peaks, and today, we're sharing another favorite mountain scene. "Morning ...
01/05/2025

Yesterday, we shared some of 20x200's tallest peaks, and today, we're sharing another favorite mountain scene. "Morning Sun Up to Forester Pass" by Ariel Lee is truly a perfect image for the beginning of a new year: there's light, there's freshness, there's newness, there's hope...and there's a long, sometimes challenging, sometimes beautiful road ahead. Lee, an avid hiker, paints the natural world as she feels it. This piece is derived from one of the painter's trips backpacking in the iconic Sierra Nevadas--no easy feat, but a rewarding one.

"Morning Sun Up To Forester Pass" is a beautiful thing to behold in and of itself, but we also see it as an exhortation to get out there. To clear your head, to feel the crunch of earth beneath your feet, to be humbled by the magic of our natural world and to make some memories of your own. Let's do this.

Images of peaks and mountains aren't only inspirational for hikers and nature enthusiasts. For thousands of years, man h...
01/04/2025

Images of peaks and mountains aren't only inspirational for hikers and nature enthusiasts. For thousands of years, man has revered these topographical wonders as holy, as awe-inspiring, and as physical metaphors for what we all traverse on the journey of life. It's no wonder that we at 20x200 are drawn to gaze at the ranges, too--our beautiful mountainous editions (some of which are pictured here) span not only time, but the globe. From Peru to Iceland, from America to Austria, we humans are always looking upwards. As we enter this new year considering the climb ahead of us, these pieces feel extra poignant.

1. Mazamas Making Their Way up the Hogsback towards the Summit of Mt. Hood, 1963, Vintage Editions (detail)
2. Mazamas Making Their Way up the Hogsback towards the Summit of Mt. Hood, 1963, Vintage Editions
3. Lizard Range, British Columbia, Jessica Zollman
4. Passing Through Kaweah Gap, Ariel Lee ()5. The Tetons, Snake River, Ansel Adams
6. Austria, Ski Lodge in the Alps, Vintage Editions
7. Machu Picchu, Holy Mountain series, Rudy Shepherd ()
8. Long's Peak from Road, Rocky Mountain National Park, Ansel Adams
9. Dalvík, Tom Kondrat ()
10. Winter landscape with small snow-covered building on the coast and view of Mount Fuji, Vintage Editions
11. North Dome, Yosemite, Carleton Watkins

Get on and strap in: it's time for another year on that ride we call "life"! Photographer John Margolies's "Disco Star" ...
01/03/2025

Get on and strap in: it's time for another year on that ride we call "life"! Photographer John Margolies's "Disco Star" was taken during an exploration of a boardwalk in Seaside Heights, New Jersey in 1978. As part of his over 30 year-long Roadside America project, Margolies walked around this particular summer fun spot, capturing its various booths, rides, and games along with a sense of possibility, play and magic. The slide film used by Margolies lends a finer grain, richer colors, and more contrast to the image than standard negative film would have.

This specific New Jersey boardwalk dates back to 1932, where it began with one carousel. By 1937, it had expanded to include arcade games, concessions, a ballroom and a roller rink. Disco Star: Heartbreaker eventually joined the many rides on the pier, which had transformed from the home of that first carousel to an amusement park destination. The Disco Star: Heartbreaker had a circular, undulating track, and remained a popular attraction until Hurricane Sandy struck in 2012, destroying the pier and many of its rides, including Disco Star. This is a bittersweet common denominator of a number of Margolies’ photographs—they were often the last image of a structure before it was torn down or destroyed.

Our New Year's sale is ending SOON! Put that money your great aunt gave you to good use--we're offering 24% off of print...
01/02/2025

Our New Year's sale is ending SOON! Put that money your great aunt gave you to good use--we're offering 24% off of prints and framing with a $50 order minimum through TOMORROW, January 2nd at 11:59 PM PT. Use code PEACEOUT24 at checkout.

01/01/2025

Your inner monologue is everything. Artists who incorporate text into their work like Martha Rich (), Amos Paul Kennedy, Jr. (), Jenn Graves (), , Jessica Hische (), William Powhida (), Trey Speegle (), Debbie Millman (), Lisa Congdon () and others know the impact that can be made when word-based art is your field of vision. In this new year, we know we're going to value pep talks and nudges in the right direction. Here are some of the things we'll be saying to ourselves in 2025!

01/01/2025

HAPPY NEW YEAR! We're celebrating 2025's arrival by offering 24% off of prints and framing with a $50 order minimum. Act fast, though--it only runs through January 2nd at 11:59 PM PT. Use code PEACEOUT24 at checkout.

12/31/2024

What a year! We're so thankful to have gotten to do what we love the most: helping connect people with art they love. In that spirit and to close out 2024, we're offering 24% of prints and framing with a $50 order minimum with code PEACEOUT24. The year ended quickly, and our sale will too--it only runs through January 2nd at 11:59 PM PT.

New Year, New....Art! It's our New Year's Sale...to bid 2024 farewell, we're offering 24% off of prints and custom frami...
12/30/2024

New Year, New....Art! It's our New Year's Sale...to bid 2024 farewell, we're offering 24% off of prints and custom framing with a $50 order minimum using code PEACEOUT24. Set your home, office or backyard shed retreat up right for this coming year and adorn your walls with art that makes you feel great and reminds you who you are. Act soon--our sale only runs through January 2nd at 11:59 PM PT.

12/29/2024

It's that time again--as the year turns, so too do the gears of our reflective minds. Whatever your feelings about New Year's resolutions, it's undeniable that this season sparks both introspection and an almost universal wish to improve upon what we've accomplished in the last 12 months. Why not visualize your resolutions with art? Here are a few of the things our staff aims to do in 2025:

1. Read more ("Dig", Sadie Wendell Mitchell)
2. Drink less ("Late Night Snack", Albert Francis King)
3. Remember that we have food at home -- don't order. ("Display of home-canned food", Vintage Editions)
4. Call mom ("Glamour Break Diva (No. 2)", Ruben Natal-San Miguel)
5. Take a fashion risk ("Why not take a fashion risk", Jamie Pearl)

12/28/2024

2024 has been such a fulfilling year for us at 20x200 because of our incredible artists--and YOU, our amazing collectors. We've been privileged to release a stunning variety of editions this year from artists like Amos Paul Kennedy, Jr. (), Amber Costley (), Lou Haney (), Isabela Humphrey (.humphrey), Ariel Lee (), JJ Manford (), Helena Wurzel (), Jamie Pearl (), and many more. The work we released this year was created as long ago as 1745 and as recently as 2024...because no matter what time period you're living in, there is always great art and there are always great artists.

Thank you to each of you for being there with us--we look forward to bringing you SO much more goodness in 2025!

Almost all New Yorkers are familiar with this classic, beautiful sight--the Fanelli Cafe's neon sign, all lit up at nigh...
12/27/2024

Almost all New Yorkers are familiar with this classic, beautiful sight--the Fanelli Cafe's neon sign, all lit up at night. The Prince Street establishment () has been around since 1847, and it's one of the city's most enduring gems. There's a romance about it--a Film Noir-ness about it--and artist Jorge Colombo captures it perfectly in this piece, "Corner Cafe". Colombo started sketching scenes of the city on location using his finger and iPhone a little after 2009. "It all started when I realized I could draw while night-riding in a car", he explains. "Soon, I found myself sketching New York spots that are part of my life. I've lived in the USA for 20 years, and I'm still looking at its urban landscape as if I was discovering it for the first time."

That's the thing about this city, and the thing about fantastic art--both richly reward close looking, and through that act, one comes to a richer understanding and deeper love of what's there. "Corner Cafe" is an instant mood....one that we hope stays around forever.

Photographer Joseph O. Holmes's "North of the Tennis House" is so serene, you can almost hear the silence (except for th...
12/26/2024

Photographer Joseph O. Holmes's "North of the Tennis House" is so serene, you can almost hear the silence (except for the sound of a man and his pup in the distance). Captured in Brooklyn's beloved and expansive Prospect Park, this image is extra meaningful to Holmes. On the first snowfall of every year, the artist finds himself "transported to the winter meadows and hills of my childhood and to the hikes and backpacking trips around the tiny Pennsylvania factory town where I grew up. My town was surrounded by Christmas tree farms, apple orchards, corn fields and forested hills....a hike through Prospect Park in the winter is the closest thing I can manage these days to those walks through the snowy hills of my childhood."

With the delicious lull of this part of the holiday season upon us--after Christmas and Hanukkah have begun, and before New Year's Eve has arrived--the peace and calm of this scene is deeply resonant. May we all take some much-needed rest and pause in the momentary stillness to appreciate the friends, family, and chosen family we hold dear.

Happy holidays from all of us here at 20x200. We are truly thankful for you and hope you have a joyous, restful season. ...
12/25/2024

Happy holidays from all of us here at 20x200. We are truly thankful for you and hope you have a joyous, restful season.

1. (detail) Belmont Harbor Tree II, Chicago, Daniel Seung Lee ()

There's more than one kind of potluck, and while we're eyeing holiday treats, we're also salivating at art that exalts t...
12/24/2024

There's more than one kind of potluck, and while we're eyeing holiday treats, we're also salivating at art that exalts the joys of eating. We added some delicacies to our pantry (https://buff.ly/4fAjHbj) this year: a tropical drink, cheese, and the creamiest splash of milk you could ever imagine. And we're looking to share! Swipe through for some bites.

1. Mound of Butter, Antoine Vollon (detail)
2. Milk Drop Coronet, Harold Edgerton (detail)
3. Yes Please, Martha Rich (detail)
4. Hershey's Kisses, Andrew Miller (detail)
5. Still Life with Cheeses, Artichoke, and Cherries, Clara Peeters (detail)
6. Ugly Peach, Ian Baguskas (detail)
7. Late Night Snack, Albert Francis King (detail)

The hauntingly beautiful "someday" by painter and illustrator  calls to mind the lush jungles of Henri Rousseau and Maur...
12/23/2024

The hauntingly beautiful "someday" by painter and illustrator calls to mind the lush jungles of Henri Rousseau and Maurice Sendak, the dreamy surrealism of Leonora Carrington, and the figural articulation found in globe-spanning folk painting traditions. "As I was painting this piece, I became interested in South Pacific and South American cultures. I feel strongly attracted to those atmospheres of mesmerizing tropical illusions. Maybe it comes from an awe and adoration of mysticism, of all the invisible power and the structures of nature", Yamaguchi explains of the piece.

Indeed, a mystical and dreamlike element threads through Yamaguchi's body of painted work. His pieces often present more questions than they answer--it's up to you, the viewer, to work out what is happening in his scenes. The artist crafts his painted environments so that they're enveloped in some manner of darkness. That dimness instructs the reader's mind to reference the subconscious while drawing attention to the pops of color he uses to underscore his fluid narratives.

Yamaguchi was born in and resides in Tokyo, Japan.

"Cutting the pies and cakes" by Russell Lee is making us hungry in anticipation for the holiday treats that are (hopeful...
12/22/2024

"Cutting the pies and cakes" by Russell Lee is making us hungry in anticipation for the holiday treats that are (hopefully) coming our way. For this image, Lee spent several months in Pie Town, New Mexico, photographing the daily lives of the homesteaders there. In October, there was a large gathering called the Pie Town Fair, during which Lee took several images. In addition to this image of the spread of desserts, there was barbecue, a rodeo, fruit wagons, and an exhibition hall. Lee's penchant for documentation allows the present-day viewer to completely travel back to 1940 Pie Town, New Mexico.

Russell Lee was known for his ability to enter a community and document every aspect of it, becoming friendly with the locals and capturing honest moments of their daily lives. Lee was a prominent Farm Security Administration (FSA) photographer--the FSA was a US governmental agency created in 1937 to combat rural poverty during the Great Depression as part of the New Deal.

One of the FSA's most enduring legacies is that of its influential photography program, The Farm Security Administration/Office of War Information (FSA/OWI) Photograph Collection forms a massive archive cataloguing, among other things, the issue of rural poverty between 1935 and 1944. Unlike his fellow FSA photographers, Lee loved shooting in series rather than single images, feeling that was the only way to truly capture the story of a society.

HAPPY HOLIDAYS! We here at 20x200 will be taking the holiday to be full of gratitude for friends, family, and YOU, our w...
12/21/2024

HAPPY HOLIDAYS! We here at 20x200 will be taking the holiday to be full of gratitude for friends, family, and YOU, our wonderful collectors. We hope your holiday season is full of love....and art. We'll be back in the office after 1/1!

"Skiing the Haute Route" (cropped), Toni Frissell

"Automat, 977 Eighth Avenue, Manhattan" by Berenice Abbott is an instant sigh-maker. Imagine: it's the 1930s. You're hun...
12/20/2024

"Automat, 977 Eighth Avenue, Manhattan" by Berenice Abbott is an instant sigh-maker. Imagine: it's the 1930s. You're hungry. You're downtown. And there it is: the mighty automat—a gleaming testament to instant gratification in its heyday, seen here doling out America’s go-to baked good. This sweet slice of then-modern food service innovation was photographed by renowned artist and NYC chronicler Berenice Abbott in 1936.

Abbott was an American artist best known for her black and white photography of '30s New York City architecture and urban design. Photography wasn't her first medium, however: in 1921 and 1922, Abbott studied sculpture in Paris and Berlin, where she also published poetry in the experimental literary journal "Transition". The artist first became involved with photography in 1923, when Man Ray, looking for somebody who knew nothing about photography and thus would do as he said, hired her as a darkroom assistant at his portrait studio in Montparnasse. In 1926, she had her first solo exhibition (in the gallery Au Sacre du Printemps) and started her own studio on the rue du Bac.

In early 1929, Abbott visited New York and was struck by its photographic potential. She moved to the city and commenced her New York project, which she worked on independently until 1935, when she was hired by the Federal Art Project as a project supervisor for her Changing New York project. She continued to take the photographs of the city, but she had assistants to help her both in the field and in the office. This arrangement allowed Abbott to devote all her time to producing, printing and exhibiting her photographs. By the time she resigned from the FAP in 1939, she had produced 305 photographs that were then deposited at the Museum of the City of New York. We can only assume that Abbott consumed some wonderful slices of automat pie throughout her artistic journey.

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