Wade Artist Management

Wade Artist Management Wade Artist Management offers classical singers, conductors, and stage directors a personal approach and provides outstanding talent to arts organizations.

04/27/2026

WAM mezzo Holly Sorensen and tenor Chad Kranak are featured soloists in Greenwich Choral Society’s spring concert “100 Years of Song” on May 16, 2026.

WAM's Andy Dwan outside Carnegie Hall after singing the bass solos in Mozart's "Coronation Mass."
04/27/2026

WAM's Andy Dwan outside Carnegie Hall after singing the bass solos in Mozart's "Coronation Mass."

Wade Artist Management is delighted to welcome soprano Hannah Madeleine Goodman to the roster.
04/27/2026

Wade Artist Management is delighted to welcome soprano Hannah Madeleine Goodman to the roster.

WAM’s Damian Savarino at the Carnegie Hall stage door after appearing as the bass soloist in the Mozart “Coronation Mass...
04/25/2026

WAM’s Damian Savarino at the Carnegie Hall stage door after appearing as the bass soloist in the Mozart “Coronation Mass” with MCP on April 20.

04/24/2026

WAM mezzo soprano Teresa Buchholz will sing the alto solos in Bach’s B minor Mass with the Portland (ME) Symphony Orchestra, Eckart Preu conducting, on April 28, 2026.

04/07/2026

WAM tenor Taylor Comstock will sing the role of Cherea in “Caligula’s Favorite Play” with Regium Lepidi Opera at Teatro Olimpico, summer 2026. The production will be filmed for future release in a cinematic form.

04/07/2026

WAM tenor Taylor Comstock will cover Roméo in “Roméo et Juliette” with Opera Maine, summer 2026.

Alison Bolshoi, contralto
03/23/2026

Alison Bolshoi, contralto

03/23/2026

WAM soprano Brianna Murray will sing the role of Tzeitel in “Fiddler on the Roof” with Union Avenue Opera, summer 2026.

03/23/2026

WAM's Alexandra Dietrich, Mezzo-Soprano & Stage Director, will be the assistant director for “The Ballad of Baby Doe” at Central City Opera, summer 2026. This is the 70th anniversary of its premiere there!

03/13/2026

Congratulations to WAM tenor Taylor Comstock for the glowing reviews he received for his performance in Gounod’s “Roméo et Juliette” at Winter Opera Saint Louis. According to Chuck Lavazzi (“St. Louis Arts Scene”), Comstock “was a credibly youthful and impetuous Roméo, with a heroic voice and powerful high notes.” In addition, Steve Callahan writes in “Broadway World,” Comstock’s Roméo “shows a sweet, pure tenor voice that grows in power as he rises into those higher notes. And as the passions intensify, Comstock’s vocal power grows even more impressive...and conveys intense passions. In the final scene, after finding that his love is “dead,” his grief and torment as he chooses to take poison are heartbreaking.” Finally, Gerry Kowarski (HEC) notes that “Comstock…, in addition to singing beautifully, ...projected youthfulness and deep feelings in (his) portrayal.”

03/04/2026

WAM contralto Heather Petrie will be the alto soloist in Beethoven’s “Symphony No. 9” with the Purchase Symphony Orchestra at the Purchase Performing Arts Center on March 6, 2026.

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