Brianthomasfilms

Brianthomasfilms Award Winning Director, Emmy Nom. Choreographer, Commercial Photographer

05/08/2026

MSG, 1999-2000.

brought everything to every stage, an absolute pro! Incredible dancer and singer and sweet person. Honored to dance with her and choreograph these unforgettable moments. This song will always be one of my favorites.
Special love to Maya and my NYC dancers — you’re the best. #1999

Wow! I found some cool memorabilia from 30th Anniversary show that the producer gave me in 2001.An invite for the show a...
04/29/2026

Wow! I found some cool memorabilia from 30th Anniversary show that the producer gave me in 2001.

An invite for the show and the blueprint layout of the stage…I should frame this;)

04/29/2026

04/28/2026

Watching *NSYNC and the Jackson 5 side by side from the Michael Jackson 30th Anniversary Celebration… you see it clearly.

From the raw grind in rehearsal to commanding the stage at Madison Square Garden… that transition is everything. That’s where the work shows up. That’s where stars are made.

Different eras. Same frequency.

04/23/2026

Some memories never leave your body. Getting to share the stage with Michael Jackson and Britney Spears, performing to “The Way You Make Me Feel” — original choreography from the music video — was the kind of moment that reminds you exactly why you became a dancer. Alongside the incredibly gifted choreographers Lavelle Smith, Rich & Tone, who I also got to dance with in the 1995 mtv music awards. it was pure magic. Grateful doesn’t even cover it. 🎶✨

04/21/2026

48 hours. A living room mirror. Madison Square Garden.

David, the executive producer, called me Sept. 5th at 8pm: "We need choreography for Michael's solo tribute — pick a song, get your dancers, and you have TWO DAYS." (David was not the most patient person, lol)

BEAT IT, came to my brain instantly. That night I turned to my choreo partner for help. I was told I was crazy, that this would never happen — and they left.

I was alone. Give up or do this myself.

I slowed my breathing and remembered why this song meant so much to me. As a kid I was bullied constantly. Bloody noses every day, afraid of my own shadow. My grandmother introduced me to Taekwondo at 8. I joined with my cousin Karen and it changed everything — discipline, focus, and the confidence I never had.

"Beat It" was never just about gangs. It was always about the inner struggle. The choice to elevate.

My greatest strength was my ability to take a risk even when terrified. To do what martial arts taught me — DO YOUR BEST. So I stayed up that night alone and created. I pulled from my martial arts training — I wanted futuristic martial arts characters. And selfishly, I kept the original chorus for myself. The first dance I ever taught myself in the 80s. The one I dreamed of doing beside Michael.

Taught the dancers the next day. Third day, Michael came in and loved it. Even the moment where a female gang member (the incredible Nina Lafarga) gets accidentally stabbed.

What followed was the true gift, 4 precious hours alone with Michael at SIR Studios, creating and dancing together. A quantum state I'd never felt before. He gave me advice I'll never forget and keep buried in my heart.

The night everyone said it couldn't happen — I beat it.
"Do Your Best"

04/08/2026

Look what I found 💯

Rehearsals were grueling, I had little time to put these numbers together back in 2001…but in the end it was an out of body experience. Having such an amazing group of dancers is what saved me!!!

04/01/2026

Side by side.
Fred Astaire in The Band Wagon (1953).
Michael Jackson in Smooth Criminal (1988).

You can see the inspiration.
The style, the precision, the cool, the cinematic energy.

What I always loved about Michael was that he studied the greats. He was inspired by them, honored them, and then turned that inspiration into something completely his own.

Working with MJ inspired my career in a major way. It deepened my understanding of what it means to be an artist — not just to perform movement, but to shape it, elevate it, and give credit to the people who helped spark it.

That’s the lineage.
That’s the art.
And that’s why inspiration matters.

03/27/2026

Side by side.

Michael Jackson — 1983
Bill Bailey — 1955

Same move. Different eras.

The difference?
Michael studied the greats… and said it out loud.

That’s the part people skip.

Inspiration isn’t stealing—it’s lineage. It’s respect. It’s evolution.

When I started choreographing, I pulled from
Cecilia Marta, AC Ciulla, Travis & Lavelle, Tina Landon, Paula Abdul.

I’ve always credited them.
Because their movement lives in me—and becomes something new through me.

That’s how this works.

Study. Acknowledge. Transform.

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New York, NY

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