Henrique Faria Fine Art

Henrique Faria Fine Art Gallery specialized in Geometric Abstraction and Conceptual Latin-American Art.

Henrique Faria opened an art cabinet on Madison Avenue, New York, in 2001, specializing in Latin American geometric abstract artists such as modern masters Jesus Soto, Raul Lozza, Gego, Mathias Goeritz, Mira Freire, Helio Oticia and Alejandro Otero as well as contemprary midcareer artists such as Luis Roldan, Jose Bechara, Eugenio Espinoza and Jose Gabriel Fernandez. In 2007, the gallery decided t

o venture into the much lesser known world of conceptual practices from Latin America including artists Juan Downey, Claudio Perna, Nicolas Garcia Uriburu, Diego Barbosa, Marta Minujin, Clemente Padin, Guillermo Deisler and Horacio Zabala. In 2009, we opened a new gallery with an exhibition by argentine artist, poet and filmmaker Leandro Katz. The next year, we doubled the size of the gallery which allowed us to continue exhibiting historical Latin American works from the 50's, 60's and the 70's in addition to a program of exhibitions by contemporary artists such as Emilio Chapela, Alessandro Balteo, Miler Lagos, Javier Tellez and Alexander Apostol. Since we opened the gallery, the demand for Latin American works has increased exponetially. Our client base has expanded from mainly from Latin American collectors to international institutions, foundations and museums.

“Repetir y dominar la forma, haciendo esferas de arcilla, es como elevar una plegaria sin principio ni final en el tiemp...
04/23/2026

“Repetir y dominar la forma, haciendo esferas de arcilla, es como elevar una plegaria sin principio ni final en el tiempo. Cuando miro, escucho una música lejana” Carlos Runcie Tanaka.

Dedicamos este Special Project en Pinta Lima 2026 a Carlos Runcie Tanaka, cuya obra dejó una huella profunda en la historia del arte peruano y latinoamericano. Un homenaje a su legado, a la arcilla como memoria y a una práctica guiada por la forma, el paisaje y la reconstrucción.

Henrique Faria is pleased to present JUNGLE, Jaime Gili’s second solo exhibition with the gallery. Centered primarily on...
04/16/2026

Henrique Faria is pleased to present JUNGLE, Jaime Gili’s second solo exhibition with the gallery. Centered primarily on works from his MONTE series and featuring one painting from his Black Paintings series , the exhibition brings together a group of recent works that deepen Gili’s longstanding exploration of abstraction as a site of tension, movement, and transformation.

The title, JUNGLE, operates on multiple levels. It is, in part, an homage to Wifredo Lam, whose work remains a touchstone for any imagining of the tropical, the psychic, and the political within modern art. But here the jungle also emerges as a broader metaphor for the condition of the present: a world marked by density, fragmentation, volatility, and excess; a space where beauty and threat, vitality and confusion, coexist. In this sense, the jungle is not only landscape, but atmosphere—an image for the complexity and instability of contemporary life.

On view through May 9.

El Jaime Gili
design Ritual

Emilia Azcárate, Fernando “Coco” Bedoya y Yerko Zlatar presentan MAÑANA, un homenaje a Juan Javier Salazar. 🇵🇪 Jueves 23...
04/15/2026

Emilia Azcárate, Fernando “Coco” Bedoya y Yerko Zlatar presentan MAÑANA, un homenaje a Juan Javier Salazar. 🇵🇪

Jueves 23 y viernes 24 de abril de 2026 a las 8 pm en Casa Bulbo, Lima.

Proyecto Bulbo Coco Bedoya YerkoZlatar Casa Bulbo HENRIQUE FARIA | NEW YORK eugenia sucre • projects

04/03/2026

Last days to visit Threads of Modernity, featuing works by Genaro de Carvalho, Jacques Douchez, Norberto Nicola, Carlos Páez Vilaró and Willys de Castro.

On view until April 11 •
+

We’re proud to announce thatJesús “Bubu” Negrón joins the National Gallery of Art, Washington, DC. ✨   In 2006, Puerto R...
03/27/2026

We’re proud to announce thatJesús “Bubu” Negrón joins the National Gallery of Art, Washington, DC. ✨

In 2006, Puerto Rican artist Bubu Negrón carried out Cruce Frontera in Frontera Corozal, a small town in Chiapas situated along the Usumacinta River, the natural boundary between Mexico and Guatemala. Developed in collaboration with the Mexico City collective Laboratorio Curatorial 060, the project emerged as part of their long-term “Frontera” initiative, which sought to test whether art could generate dialogue and shared concerns outside institutional or urban contexts.



Negrón’s contribution focused on the everyday infrastructures of border life. Through direct engagement with residents, he worked to modernize crossroads, pedestrian crossings, gardens, and bike paths—modest yet transformative improvements that highlighted the intersections between public space, mobility, and community life in this frontier town. The work foregrounded art’s capacity to operate beyond the white cube, positioning creativity as a tool for negotiation, coexistence, and local empowerment. Cruce Frontera stands as a key example of Negrón’s practice: socially engaged, collaborative, and grounded in the material realities of place.

Born into Jewish families in Europe, both artists rebuilt their lives in Latin America amid the upheavals of the twentie...
03/19/2026

Born into Jewish families in Europe, both artists rebuilt their lives in Latin America amid the upheavals of the twentieth century. Gego fled N**i persecution in 1939 and immigrated to Venezuela, where she would develop one of the most influential bodies of work in postwar Latin American art. Landau —born in Bucharest— fled Romania with her family in 1940, finding refuge in Brazil before later establishing a decisive chapter of her practice in Mexico.

In Reading Between the Lines, these parallel trajectories are not offered as biography alone, but as a key to their shared commitment to reinvention: how an artist can build form from fragments, and a new language from what remains.

Reading Between The Lines landau +
On view in New York.

We’re proud to announce that Cascada (2007) by Álvaro Gómez Campuzano has been acquired by the Colección de Arte del Ban...
03/13/2026

We’re proud to announce that Cascada (2007) by Álvaro Gómez Campuzano has been acquired by the Colección de Arte del Banco de la República, Colombia.

Nos enorgullece anunciar que Cascada (2007)
de Álvaro Gómez Campuzano ha sido adquirida por la Colección de Arte del Banco de la República, Colombia.

Threads of Modernity offers a view of textile as a decisive and intellectually rigorous language within Brazilian modern...
03/12/2026

Threads of Modernity offers a view of textile as a decisive and intellectually rigorous language within Brazilian modernism—one that continually negotiates the boundary between art, craft, and design. Rooted in a dialogue between tradition and experimentation, the exhibition foregrounds works in which materiality, rhythm, and composition become the structural engines of form, situating textile practice within wider international conversations around modern expression.

Featuring works by Genaro de Carvalho, Jacques Douchez, Norberto Nicola, Carlos Páez Vilaró, and Willys de Castro, the exhibition traces multiple pathways through which weaving, fiber, knotting, and tapestry operate not as ornament, but as modern thought made tactile.

On view in New York until April 11 • FRENTE+FARIA +

📍  | Stand 7A04. diana.lopez    .j.olavarria.g   .ecology  .valerie
03/06/2026

📍 | Stand 7A04. diana.lopez .j.olavarria.g .ecology .valerie

Madrid, nos vemos mañana • Stand 7A04
03/03/2026

Madrid, nos vemos mañana • Stand 7A04

RETREAT is conceived as a pause, a threshold. In a moment when the world feels saturated -by speed, conflict, opinion, a...
02/21/2026

RETREAT is conceived as a pause, a threshold. In a moment when the world feels saturated -by speed, conflict, opinion, and the constant pressure to react- this exhibition proposes something quieter and, in its own way, more radical: a space to step back from the noise and return to presence. Henrique Faria New York becomes, temporarily, a site of retreat -not as escape, but as recalibration; not as withdrawal, but as a re-entry into perception.

Last day to visit!

Frente + Faria is pleased to present Threads of Modernity, the second exhibition of the partnership between Henrique Far...
02/21/2026

Frente + Faria is pleased to present Threads of Modernity, the second exhibition of the partnership between Henrique Faria and Galeria Frente, opening Wednesday, February 25, 2026, 6:00–9:00 PM.

Threads of Modernity offers a view of textile as a decisive and intellectually rigorous language within Brazilian modernism—one that continually negotiates the boundary between art, craft, and design. Rooted in a dialogue between tradition and experimentation, the exhibition foregrounds works in which materiality, rhythm, and composition become the structural engines of form, situating textile practice within wider international conversations around modern expression.

Featuring works by Genaro de Carvalho, Jacques Douchez, Norberto Nicola, Carlos Páez Vilaró, and Willys de Castro, the exhibition traces multiple pathways through which weaving, fiber, knotting, and tapestry operate not as ornament, but as modern thought made tactile. Carvalho’s vibrant approach elevates tapestry into a fully autonomous field, where chromatic intensity and compositional rigor carry the charge of modern abstraction. Douchez and Nicola—pivotal figures in redefining the medium in Brazil—push textile toward constructive precision and sculptural presence: Douchez through modulation, repetition, and architectural clarity; Nicola through three-dimensionality, gesture, and an expanded relationship to space and the body. As a Uruguayan, who lived in Brazil, Páez Vilaró extends the conversation outward, situating textile within a broader Latin American visual imagination—where symbolism, collective experience, and cultural synthesis inform modern form. Willys de Castro’s contribution underscores the constructive intelligence of Brazilian modernism, bringing a sharpened attention to structure, cadence, and the poetry of form.

Founded in 2015, Galeria Frente has presented landmark exhibitions of Brazilian modern and contemporary masters. Since 2001, Henrique Faria has played a pivotal role in bringing overlooked Latin American artists to global recognition. Together as Frente + Faria, the galleries forge a dynamic platform that bridges historical legacies with contemporary expression in New York.

Address

New York, NY

Opening Hours

Tuesday 11am - 6pm
Wednesday 11am - 6pm
Thursday 11am - 6pm
Friday 11am - 6pm
Saturday 11am - 6pm

Telephone

+12125174609

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