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Timothy Taylor

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Timothy Taylor

Focusing on contemporary and modern art, Timothy Taylor has gallery spaces in London and New York. Timothy Taylor was founded in 1996 on Bruton Place, Mayfair.

Timothy Taylor is a fine art gallery with spaces in Mayfair, London and Chelsea, New York City. Over the past twenty years Timothy Taylor has developed a multigenerational roster of contemporary artists and post-war artists’ estates. Its rotating exhibition program includes curated group and solo exhibitions that emphasize the gallery’s strong presence in the secondary market as well as its repres

entation of living artists. In 2003, the gallery moved to a larger space at 24 Dering Street and continued to amass a strong UK and international client base. Since 2017, Timothy Taylor has operated from a four-story townhouse on Bolton Street in Mayfair. In 2016, Timothy Taylor opened a second space in Chelsea, Manhattan.

04/15/2026

A painting by Marina Adams (Marina Adams) is included in “Shaping Color,” on view at the Longlati Foundation (Longlati Foundation) in China. Bringing together fourteen artists, the exhibition considers colour as a constructive force in contemporary art, with works presented in dialogue across varied approaches to chromatic form.

Learn more at the link in our bio.

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Installation view, “Shaping Color,” Longlati Foundation, China, 2026

04/13/2026

Wishing a happy birthday to Jorge Eielson who would have turned 101 today!

To mark the centenary of the artist’s birth last year, Timothy Taylor presented “A Room in Rome,” an exhibition which centred on a critical moment in Eielson’s career when he moved from his native Lima to Europe, settling first in Paris and then in Rome. Organised in collaboration with the Jorge Eielson Archive and , this exhibition inaugurated a year of events celebrating his life and artistic work, highlighting the connections that the young artist developed in Europe with other modern artists such as Lucio Fontana, Enrico Castellani, Antoni Tapiès, and Alberto Burri.

04/05/2026

“Untitled Rabbit #6” (2025) by Sean Landers fills the frame with a quiet, focused presence. The hare looks straight at us—alert, aware of its surroundings. Its fur is built from fine, careful strokes, giving the figure a sense of closeness and tactile detail.

In Landers’s work, the rabbit appears again and again, standing in for a human mix of uncertainty, reflection, and self-awareness.

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Sean Landers, “Untitled Rabbit #6,” 2025

03/31/2026

“Antoni Tàpies: The Perpetual Movement of the Wall,” a monographic exhibition exploring the artist’s work and its context, is on view at Museu Tàpies () in Barcelona.

The exhibition examines four shows staged by Tàpies in the 1950s, each with a unique selection of works. Together, they reveal how his practise engaged with contemporary debates in architecture, design, urban space, and the social and cultural currents of the time.

Learn more and plan your visit at the link in bio.

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Installation view, “Antoni Tàpies: The Perpetual Movement of the Wall,” Museu Tàpies Collection, Barcelona, 2026 ©️ Comissió Tàpies / VEGAP, 2025

03/27/2026

Public Art Fund celebrates the 18 artists selected to commission projects for JFK Airport’s new Terminal 6, including Eddie Martinez (.martinez.studio).

This year’s annual auction features works by Martinez, Hayal Pozanti (), and Paul Anthony Smith (), supporting Public Art Fund’s mission to bring contemporary art to a broader public.
The online auction is now live on Artsy through 8 April.

Place your bids and learn more at the link in bio.

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Eddie Martinez, “Untitled,” 2024-25; Hayal Pozanti, “Study for When the Heart Meets Delight,” 2024; Paul Anthony Smith, “Untitled,” 2025

03/23/2026

Wishing a happy birthday to Alicia Adamerovich (), who was born on this day, 23 March in Latrobe, Pennsylvania!

This summer marks the artist’s first solo institutional exhibition, opening 5 June at the San Luis Obispo Museum of Art () in California.

Adamerovich’s work explores interior, emotional landscapes through dreamlike scenes shaped by memory and imagination. Across painting, drawing, and sculptural frames, her compositions suggest spaces that feel at once familiar and subtly otherworldly.

Learn more about the artist at the link in our bio.

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Alicia Adamerovich, “Happy sad,” 2024; The artist in her studio, 2023. Photo: Lance Brewer

03/18/2026

We’re returning to (Booth 1D22) next week with a presentation of new and recent paintings, sculptures, and works on paper by Marina Adams, Katherine Bradford, Aaron Garber-Maikovska, Alex Katz, Sean Landers, Jonathan Lasker, Sahara Longe, Chris Martin, Eddie Martinez, Richard Patterson, Hilary Pecis, Hayal Pozanti, James Prapaithong, Kiki Smith, and Paul Anthony Smith.

Follow the link in bio to learn more or contact the gallery at [email protected] for more information and request a preview.

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Sean Landers, “Panda Cub With Bamboo” (detail), 2026; Katherine Bradford, “Night Swimmers” (detail), 2025; Alex Katz, “Roman Tree 5” (detail), 2023; Eddie Martinez, “Loggiacally’ (detail), 2025; Hayal Pozanti, “The Breath of the Passing Breeze” (detail), 2026

03/16/2026

“Framing Nature: Gardens and Imagination” at the MFA Boston () brings together works from across the museum’s global collection to consider how artists have pictured gardens across time and place, including Hilary Pecis’s () “Hopie in the Garden” (2021).

In the painting, Pecis approaches the garden as both a lived environment and a carefully structured composition. A familiar outdoor setting becomes a vivid orchestration of colour and pattern: leaves, pathways, and saturated passages of colour interlock across the canvas, while a quiet figure anchors the scene.

Both observational and composed, the work reflects Pecis’s distinctive approach to translating everyday environments into dynamic, layered paintings.

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Hilary Pecis, Hopie in the Garden, 2021

03/13/2026

Join us this evening from 6–8pm for the opening of James Prapaithong’s debut solo exhibition in the US.

"So We Won’t Forget" brings together a group of paintings that consider how particular qualities of light can trigger involuntary memory. Here, light becomes both subject and agent—obscuring, abstracting, revealing, and intensifying what it touches. In these works, light recasts familiar surfaces and scenes, giving them an otherworldly quality.

Learn more about this presentation and plan your visit: https://timothy-taylor.visitlink.me/sbXril

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James Prapaithong, “Years Gone By (diptych),” 2025

03/04/2026

Join us tomorrow evening, from 6 – 8pm, in London for the opening of "Alex Katz: Various Trees."

Over the years, Katz has increasingly turned his attention to capturing the fleeting effects of light and movement in the natural world, including trees, clouds, and blossoms, translating the experience of seeing into paint. At ninety-eight, the artist continues to distill the sensations of these encounters, focusing on perception rather than literal representation.

In these latest works, the mottled patterns of light and shadow lean more heavily into abstraction, moving freely between figure and ground. Each scene, like a brief passage of a much larger narrative, offers a transportive glimpse into the artist’s profound engagement with nature and with seeing.

This presentation marks our fourteenth solo exhibition of the artist’s work.

Learn more and plan your visit: https://timothy-taylor.visitlink.me/JlmTc3

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Alex Katz, "September 3," 2024 © 2026 Alex Katz / Licensed by VAGA at Artists Rights Society (ARS), NY

03/03/2026

Opening next week in New York: a debut presentation by Thai-born, London-based artist James Prapaithong. Join us for the opening on Friday 13 March, from 6–8 pm!

In his gauzy oil paintings, Prapaithong explores the evocative power of light, creating scenes that feel like memories rather than fixed places. Drawing from photographs—both his own and found—he transforms them into intimate, atmospheric compositions that hover between memory and perception, where light becomes both subject and guide.

This exhibition is his first with the gallery and his first solo presentation in the United States: https://timothy-taylor.visitlink.me/vYURlj

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James Prapaithong, "The World Made of Cloud" (detail), 2025; the artist in his studio, February 2026. Photo: Prudence Cuming

Address

74 Leonard Street
New York, NY
10013

Opening Hours

Tuesday	10am - 6pm
Wednesday	10am - 6pm
Thursday	10am - 6pm
Friday	10am - 6pm
Saturday	11am - 6pm

Website

http://www.timothytaylor.com/

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