Hollis Taggart

Hollis Taggart Fine art gallery specializing in Abstract Expressionist, Contemporary, Pop, and Post-War art. The gallery can also provide appraisal services.

Hollis Taggart was founded in 1979, with a mission to present museum-quality works of art, maintain a program motivated by scholarship, and offer personalized support in all aspects of art collecting. For over 40 years, the gallery has offered significant works of American art, showcasing its trajectory from the Hudson River School to the American Modernism and Post-War and Contemporary movements

through countless critically acclaimed shows developed in collaboration with the foremost leaders in the field. Hollis Taggart has also worked with more than thirty museums and institutions to produce scholarly catalogues. In addition, Hollis Taggart has sponsored four catalogue raisonné projects. The first was the two-volume catalogue raisonné of Pennsylvania Impressionist Daniel Garber, which was published in 2006 and includes over 1,500 entries. In 2000, the gallery launched the Frederick Carl Frieseke catalogue raisonné, which is currently being compiled by the artist's grandson. In 2018, the gallery published the catalogue raisonné of Surrealist artist Kay Sage, in partnership with Mark Kelman and Sage scholar Stephen Robeson Miller. Most recently the gallery has undertaken the compilation of the online catalogue raisonné of Abstract Expressionist painter Michael Corinne West. In the summer of 2015, Hollis Taggart opened its first space in Chelsea, moving from the Upper East Side where it had been operating since its inception. In fall 2018, Hollis Taggart moved to the street-level space at 521 W. 26th Street and opened a private viewing and storage annex across the street, fully consolidating its operations in Chelsea. Together, the spaces provide Hollis Taggart with nearly 4,000-square-feet to host exhibitions and engage clients with select works of art in its inventory, while improving ease of access between its locations. In addition to its flagship location in Chelsea, the gallery also operates a space in Southport, Connecticut. In 2019, the gallery announced the formal expansion of its primary market business, increasing its focus on the presentation of contemporary work. Today, the gallery's program encompasses contemporary practitioners, as a vital component to art historical discourse. It also continues to show significant works of historic American art, with a particular focus on the Post-War era. These two intersecting threads offer Hollis Taggart's audiences and clients a dynamic and diverse set of offerings. As the gallery looks to the future, fostering scholarship and dialogue on American art through time remains core to its work with artists, scholars, and curators. The gallery also continues to advise private collectors, corporations, and museums on acquisitions and assists its clients in the development of their personal collections. Hollis Taggart welcomes all inquiries from collectors who may wish to sell or consign works of art or estates.

Bryan Martin () for Artnet News – “He Was a Leathersmith Sought Out by Rock Stars. Then, Frank Diaz Escalet Turned to Ar...
03/09/2026

Bryan Martin () for Artnet News – “He Was a Leathersmith Sought Out by Rock Stars. Then, Frank Diaz Escalet Turned to Art”

A 1987 newspaper article about the artist Frank Diaz Escalet noted that his inlaid leather paintings were joined by seams so fine that they were barely noticeable, even upon touch. The imperceptibility of Escalet’s methods is akin to his presence in art history: extraordinary but often overlooked. The Puerto Rican-born, New York-raised artist began his career operating a renowned Greenwich Village leather shop that catered to famous clients, including the Rolling Stones and Aretha Franklin.

Link to full article in bio.

Images:
1)  Frank Diaz Escalet seated by the ocean in a casual portrait, ca. 1995.
2) Installation view: “Frank Diaz Escalet: Leather “Paintings”
3) Frank Diaz Escalet, NYC 1920’s, 1989, Acrylic on Masonite, 30 x 48 in. (76.2 x 121.9 cm)

On View Now | Renée Miller: The Devil’s Snare, through April 11, 2026. Renée Miller was born in Brooklyn in 1929, and st...
03/05/2026

On View Now | Renée Miller: The Devil’s Snare, through April 11, 2026.

Renée Miller was born in Brooklyn in 1929, and studied art at various institutions including the New York School of Painting & Sculpture, the Hans Hoffman School of Fine Arts, and the Brooklyn Museum Art School, among others. In the 1950s, she became an important member of the Reuben Gallery, an informal gallery space that played a formative role in the development of New York City’s avant-garde cultural scene. Among others, the gallery hosted Allan Kaprow’s first public “Happening,” Jim Dine’s first solo show, and exhibitions by Claes Oldenburg, Red Grooms, and Renée Miller. The title of Hollis Taggart’s exhibition Renée Miller: The Devil’s Snare, is taken from the artist’s statement for her first solo show at Reuben Gallery in 1960, in which she wrote ““Of all the devil’s snares to damn the souls of painters, the most deadly is concern with theories and results. It seems to me that the exultation of not caring about the outcome is an essential of the truly free spirit, being compelled only by an intense emotional response and the desire to explore.”

Please join us on Wednesday, July 16, from 6 to 8pm for the annual ADAA Chelsea Gallery Walk. This will be our first tim...
07/13/2025

Please join us on Wednesday, July 16, from 6 to 8pm for the annual ADAA Chelsea Gallery Walk. This will be our first time participating since becoming a member of ADAA earlier this year. Visitors can explore all three of our current exhibitions by gallery artist Ralph Iwamoto, Abstract Expressionist Sam Francis and a dynamic group of recent RISD MFA graduates and RISD alumni.
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“Overlooked Minimalist Ralph Iwamoto is Back in the Frame of New York Abstraction” by Maxwell Rabb for Artsy. Ralph Iwam...
06/27/2025

“Overlooked Minimalist Ralph Iwamoto is Back in the Frame of New York Abstraction” by Maxwell Rabb for Artsy.

Ralph Iwamoto: Octagonal Permutations, on view through July 18, explores the artist’s geometric works from the early 1970s to the early 1990s, focusing specifically on Iwamoto’s meticulous study of the octagon, a form which preoccupied him for nearly a quarter of a century.

Hollis Taggart Downtown is pleased to present John Knuth: The Hot Garden, a solo exhibition of new paintings and a sculp...
06/06/2025

Hollis Taggart Downtown is pleased to present John Knuth: The Hot Garden, a solo exhibition of new paintings and a sculptural installation by the Los Angeles-based artist John Knuth. The presentation marks Knuth’s fourth solo exhibition with Hollis Taggart, and his first major body of work following the devastating Eaton Fire in January 2025, which destroyed the artist’s home and archive. The exhibition will feature a selection of new “fly paintings” as well as a sculptural installation — including fragments of artworks recovered from Knuth’s home — that the flies will “paint” in the gallery during the first week of the exhibition.

The Hot Garden will be on view at Hollis Taggart Downtown, 109 Norfolk Street, New York, from June 26 through August 16, 2025, with an opening reception on Thursday, June 26, 6 - 8 PM.

Images:
1. John Knuth, Hot Garden, 2025. Acrylic/flyspeck on canvas.
2. John Knuth, Lavender Sunrise, 2025. Acrylic/flyspeck on canvas.
3. John Knuth, The Kiss, 2025. Acrylic/flyspeck on plaster Auguste Rodin miniature sculpture
4. John Knuth, Untitled, 2025. Acrylic/flyspeck on paper

Happy Birthday to the inimitable Audrey Flack (1931–2024), whose groundbreaking contributions to Abstract Expressionism,...
05/30/2025

Happy Birthday to the inimitable Audrey Flack (1931–2024), whose groundbreaking contributions to Abstract Expressionism, Photorealism, public sculpture, and beyond have left an enduring mark on the history of American art. We’re honored to have worked alongside such a visionary force - her legacy continues to inspire.

On view | Pablo Atchugarry: Secrets of the Material, through May 31. Known as one of the few living masters of the mediu...
05/14/2025

On view | Pablo Atchugarry: Secrets of the Material, through May 31.

Known as one of the few living masters of the medium, the sinuous forms and sense of motion Pablo Atchugarry is able to achieve in marble are unparalleled. Pablo Atchugarry: Secrets of the Material is the artist’s first solo show in New York in five years. Having recently turned seventy-years-old – which also marks the forty-fifth anniversary of his first marble sculpture – the exhibition celebrates Atchugarry’s continued passion for the material. At a time when many artists create models they send elsewhere to be fabricated into artworks by others or by machines, Pablo Atchugarry: Secrets of the Material celebrates an artist who has devoted his life to honing his ability to transform marble into undulating layers and folds, a process he has always done by himself, by hand. As he stated in the interview, “That is what differentiates me. I work with the material, always hands-on, every day. I stive to discover the message within the material. I have absolutely no detachment from my sculpture. I create intentionally and directly.”

“We’re honored to celebrate Pablo Atchugarry’s seventieth birthday with our fifth exhibition of his work at the gallery,” said Hollis Taggart. “By devoting his life to pushing the boundaries of what’s possible with the time-honored artistic material of Carrara marble, Atchugarry followed in the footsteps of Michelangelo and Moore and has already entered art history. We are very lucky that he continues to perfect his sculptural practice, and that we are able to share his most recent works with our audiences.”

Closing Today | The American Art Fair at Bohemian National Hall, through May 13 | Booth 1DHollis Taggart is pleased to p...
05/13/2025

Closing Today | The American Art Fair at Bohemian National Hall, through May 13 | Booth 1D

Hollis Taggart is pleased to participate in The American Art Fair for the first time, which will be held through today, May 13. Our 2025 booth features key works from our inventory of American post-war art with a focus on Abstract Expressionist painters Norman Carton, Michael Goldberg, Albert Kotin, Joan Mitchell and Charles Seliger. Other highlights include surrealist works by Dusti Bongé and figurative works by Charles Cajori. In addition, we are presenting an exciting selection of paintings by Audrey Flack, Ruth Lewin, and Knox Martin.

Opening today | The American Art Fair at Bohemian National Hall through May 13th | Booth 1DHollis Taggart is pleased to ...
05/09/2025

Opening today | The American Art Fair at Bohemian National Hall through May 13th | Booth 1D

Hollis Taggart is pleased to participate in The American Art Fair for the first time, which will take place through May 13. Our 2025 booth features key works from our inventory of American post-war art with a focus on Abstract Expressionist painters Norman Carton, Michael Goldberg, Albert Kotin, Joan Mitchell and Charles Seliger. Other highlights include surrealist works by Dusti Bongé and figurative works by Charles Cajori. In addition, we are presenting an exciting selection of paintings by Audrey Flack, Ruth Lewin, and Knox Martin.

Images:
1. Jack Tworkov, Indiana IV, 1956.
2. Albert Kotin, Untitled, 1957.
3. Sam Francis, Untitled (Blue, Green, Red), 1964.

On view | Teruko Yokoi: Noh Theater, through June 14. Born in Japan in 1924, Yokoi trained in traditional Japanese paint...
05/08/2025

On view | Teruko Yokoi: Noh Theater, through June 14.

Born in Japan in 1924, Yokoi trained in traditional Japanese painting at the encouragement of her father, a calligrapher and poet who taught her both art forms. In 1953, in the wake of World War II, she left Japan for San Francisco. As one of two Japanese students at the California School of Fine Arts, Yokoi turned to abstraction and received many scholarships and grants, one which allowed her to move to New York in 1955 to study with Hans Hofmann. Becoming one of the few women artists in the 1950s New York milieu of Abstract Expressionism, Yokoi developed deep friendships with Joan Mitchell, Kenzo Okada, and Mark Rothko, among others. In 1957, Yokoi met and later married Sam Francis, with whom she lived in the Hotel Chelsea for a few years before separating and moving to Paris. Yokoi ultimately settled in Switzerland, recognizing in its pristine landscapes the characteristics of the Japanese landscape of her childhood.

Throughout her many travels and relocations, Yokoi remained deeply rooted in Japanese cultural traditions while embracing certain modern sensibilities. She drew heavily from Japanese influences such as calligraphy, traditional music, the tea ceremony, and Noh Theater, amassing a collection of hundreds of Noh Theater books. The exhibition at Hollis Taggart suggests Noh Theater as a conceptual lens through which to view the many layers of Yokoi’s work. Much like Noh actors change masks to reveal new dimensions, Yokoi shifted identities across her various international moves. Noh Theater offered the artist a framework for maintaining the delicate balance between tradition and modernity that resulted in her masterful integration of East Asian visual aesthetics with experimental lyrical abstraction. Beyond this, Noh Theater is actually physically present in some of the artist’s works, as Yokoi sometimes incorporated antique mulberry washi paper, traditionally used to print libretti for Noh performances. This symbolic layering of fragments of Japanese visual culture within her compositions demonstrates how foundational Yokoi’s heritage was to her work, even as she travelled the world and participated in dialogues that shaped the future of modern art.

Hollis Taggart is pleased to announce that it will open a second location on the Lower East Side, Hollis Taggart Downtow...
05/02/2025

Hollis Taggart is pleased to announce that it will open a second location on the Lower East Side, Hollis Taggart Downtown, at 109 Norfolk Street realized through a partnership between Hollis Taggart, Paul Efstathiou, and Eleanor de Ropp Flatow. Located on the ground floor of the Switch Building, designed by the Brooklyn-based architectural studio nARCHITECT, the new space is around 2600 square feet across two floors. As Hollis Taggart’s main space in Chelsea has become more focused – though by no means exclusively – on the gallery’s notable work with estates and more established artists, Hollis Taggart Downtown represents the gallery’s continued commitment to emerging and mid-career artists. Hollis Taggart Downtown will open with a group exhibition, Boundless, that captures the momentum of the new expansion. The exhibition will be on view from May 17 through June 21 with a reception celebrating the artists and new location on Saturday, May 17, from 6 to 9PM.

Featuring the work of ten artists whose compositions embrace the limitless vocabulary of abstraction, Boundless is a meditation on freedom of form, gesture, and perception. Curated by Paul Efstathiou, Director of Hollis Taggart Downtown, the exhibition will showcase the work of gallery artists, André Hemer, Dana James, and Osamu Kobayashi as well as Elizabeth Abel, Chellis Baird, Katherine Boxall, Joanne Greenbaum,, Margaux Ogden, Matt Phillips, and Kelly Worman. More than a celebration, Boundless marks a renewed commitment to the gallery’s ongoing mission: to champion artists whose practices move with and against the grain of tradition, pressing toward ever-expanding possibilities.

Address

521 West 26th Street
New York, NY
10001

Opening Hours

Tuesday 11am - 5pm
Wednesday 11am - 5pm
Thursday 11am - 5pm
Friday 11am - 5pm
Saturday 11am - 5pm

Telephone

+12126284000

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