http://superpositiongallery.com/

Superposition Gallery, New York, NY (2026)

09/14/2026

Superposition Gallery proudly introduces a new exhibition by Zoë Pulley at The Armory Show 2026. A Conversation had on February 27th is a presentation that positions lineage as both material and method. It marks Pulley’s first ever fair presentation at The Armory Show and her first gallery presentation in New York. The project extends research and material experimentation developed during Pulley’s recent residencies at The Studio Museum in Harlem, Smack Mellon, and the International Studio & Curatorial Program (ISCP).

Drawing from the archive of her grandmother, Sandra Olivia Moon Hightower, a prolific fashion designer and educator who staged independent fashion shows in Philadelphia in the early 1980s, Zoë Pulley reconsiders how histories of Black making circulate, disappear, and are reassembled across generations. Hightower’s shows were self-organized and self-financed, held outside the institutional fashion calendar and largely outside its record. What survives of them is partial: clippings, programs, photographs, patterns, the paper infrastructure of a practice that was never archived by anyone but the family. Pulley takes that partiality as her working condition rather than a problem to be solved.

Zoë Pulley
Look No. 22, 2026
UV ink on readymade, enamel, waterbased ink.
16 x 20 x 3 inches
40.64 x 50.80 x 7.62 cm

Zoë Pulley (b. Chicago, Illinois) is a maker and educator based in Brooklyn, NY. She works with artists, writers, and institutions alongside her personal self-initiated projects. Her work utilizes textiles, writing, and digital media to examine American heritage and the seemingly ordinary stories of Black folks. Pulley received her MFA in graphic design from Rhode Island School of Design in 2023 and her BFA from Virginia Commonwealth University in 2015. Most recently, Pulley was an Artist-in-Residence at The Studio Museum in Harlem and Smack Mellon. She has exhibited work at MoMA PS1, The Studio Museum in Harlem, The Newport Art Museum, and The RISD Museum. Pulley is currently in residence at the International Studio & Curatorial Program (ISCP) in New York.

Portrait by Alice Plati
Object Photography by Jazz Wong

Zoë Pulley in her studio
by Alic

09/09/2026

Superposition Gallery is pleased to present new artwork by Diana Eusebio at Textile Arts Center. Born and raised in Miami, Eusebio has worked with the gallery in Miami and in the Dominican Republic. These works were made in a new environment: an encounter with cold, snow, and a palette drained of tropical warmth, through the natural dye process for which she is known.

Field of Dreams is an ongoing body of textile and photographic works, first presented as a solo museum exhibition of the same name at MOCA North Miami. The project asks: how can natural dyes become a way of mapping migration, tracing the movement of plants, people, knowledge, and memory across the Americas?

A first-generation American born to Peruvian and Dominican parents, Eusebio explores migration and belonging through the material histories of natural dyes. Her grandmother immigrated from the Dominican Republic to New York in the 1970s. During her 2025–26 residency at Textile Arts Center in Brooklyn, Eusebio returned to the city where her family’s American migration story began, retracing those movements through color, family photographs, landscape, and plants.

For Field of Dreams, Eusebio worked exclusively with plants she could grow or harvest in the Northeast. In collaboration with the New York Restoration Project, she grew indigo in a Brooklyn community garden and harvested goldenrod in Vermont, transforming them into blue and yellow dyes. Original photographs of a harsh New York winter and a lush Vermont summer are digitally printed onto fabric, then dyed, wax resisted, quilted, and embroidered into layered works.

Indigo is both material and metaphor: a plant that has traveled across continents, carrying Indigenous and African diasporic knowledge while becoming cultivated and commodified. Tracing her own roots through unfamiliar soil, Eusebio imagines her grandmother doing the same decades before, finding home in a new place.

superpositiongallery.com Textile Arts Center

OPENING RECEPTION
SEPTEMBER 10, 2026
6:30–9:30PM
505 Carroll St, Brooklyn NY

On view through September 24 💫

09/04/2026

Superposition Gallery proudly introduces a new exhibition by Zoë Pulley ( Zoë Pulley ) at 2026! ‘A Conversation had on February 27th’ is a presentation that positions lineage as both material and method. The project extends research and material experimentation developed during Pulley’s recent residencies at The Studio Museum in Harlem, Smack Mellon, and the International Studio & Curatorial Program (ISCP).

Drawing from the archive of her grandmother, Sandra Olivia Moon Hightower, a prolific fashion designer and educator who staged independent fashion shows in Philadelphia in the early 1980s, Zoë Pulley reconsiders how histories of Black making circulate, disappear, and are reassembled across generations. Hightower’s shows were self-organized and self-financed, held outside the institutional fashion calendar and largely outside its record. What survives of them is partial: clippings, programs, photographs, patterns, the paper infrastructure of a practice that was never archived by anyone but the family. Pulley takes that partiality as her working condition rather than a problem to be solved. It marks Pulley’s first ever fair presentation at The Armory Show and her first gallery presentation in New York.

Zoë Pulley (b. Chicago, Illinois) is a maker and educator based in Brooklyn, NY. She works with artists, writers, and institutions alongside her personal self-initiated projects. Her work utilizes textiles, writing, and digital media to examine American heritage and the seemingly ordinary stories of Black folks. Pulley received her MFA in graphic design from Rhode Island School of Design in 2023 and her BFA from Virginia Commonwealth University in 2015. Most recently, Pulley was an Artist-in-Residence at The Studio Museum in Harlem and Smack Mellon. She has exhibited work at MoMA PS1, The Studio Museum in Harlem, The Newport Art Museum, and The RISD Museum. Pulley is currently in residence at the International Studio & Curatorial Program (ISCP) in New York.

Fair Information
The Armory Show 2026
Jacob K. Javits Center
429 11th Avenue, New York, NY
Presents Section,
Booth P10
Public days: September 24–27, 2026

Zoë Pulley
Sa

08/17/2026

🖤

‘Clippers tightened fades. Oils nourished tresses. And conversations about life, liberty and justice filled the air. Barbershops and hair salons have always been spaces where Black entrepreneurship boomed, offering services that cultivated looks and fostered community. Barbershops and beauty parlors became a natural gathering place to stay connected to culture and ideas. The Southampton African American Museum, housed in the building of Southampton’s first African American historic landmark, was one such space. And now, it revisits those entrepreneurial roots with its latest exhibit, artist Damien Davis’ “Hedges and Edges: Barbershops, Community Gardens, and the Architectures of Care.”

Presented by Hamptons Black Arts Council, which was founded by artist, curator and writer Storm Ascher, Davis’ exhibition explores the social histories of Black barbershops, salons and community gardens as spaces of care, maintenance, ritual and collective gathering through sculpture and live activations.

“Growing up, there was a barbershop adjacent to the church I grew up in. So, we would almost always get our hair cut there“ Davis shared with EBONY. “What I loved about that space, which is also similar to the museum, is that it was a barbershop/beauty parlor. So, it was Black men and Black women caring for themselves.”’

✍🏽 Delaina Dixon 🙏🏽

07/29/2026

Alex Anderson
River, 2026
Earthenware, Glaze
48 x 48 inches
121.92 x 121.92 cm

07/23/2026

Thank you Elephant Magazine Vittoria Benzine for speaking with us about our debut of Alex Anderson in his hometown of Seattle 🫶🏽

07/17/2026

We are ecstatic to present Material Realities, a homecoming presentation for Alex Anderson with Seattle Art Fair at Lumen Field Event Center! This marks the first iteration of Superposition Gallery’s presence in Seattle, and a ceramics debut in Anderson’s hometown where he was born and raised before moving to Los Angeles. Stay tuned for our programming with local institutions SAM and Frye Art Museum throughout the week.

Alex Anderson
Predator/Prey, 2026
Earthenware, Glaze, Gold Luster
16.5 x 9 x 10 inches
41.91 x 22.86 x 25.40 cm

Seattle Art Fair, July 23-26
Superposition Gallery, Booth C7
Lumen Field Event Center
800 Occidental Ave S
Seattle, WA 98134

07/07/2026

Superposition Gallery is honored to announce that Crown (Makeda), 2026 by Helina Metaferia has entered the permanent collection of the Philadelphia Museum of Art.

Extending the visual language of Metaferia’s Headdress series, this brass sculptural crown honors Makeda — the Ethiopian name for the Queen of Sheba — and bears etchings of smiling Black children alongside the likeness of Shirley Chisholm and the words “a woman for president.” The work continues Metaferia’s ongoing practice of reclaiming monument and adornment as sites of Black feminist power.

This acquisition was made possible through the generosity of the Women’s Committee Fund for Contemporary Craft at the Philadelphia Museum of Art, together with three private collectors from the Black Collectors Guild, longtime supporters of Superposition Gallery. We congratulate Helina Metaferia on this milestone recognition by one of the nation’s leading institutions.

06/10/2026

Join us on JUNETEENTH for our annual Hamptons Black Arts Council retreat! Beginning with our opening reception at Eastville Heritage House Museum. We have some big announcements coming regarding our plans for the region 🩶

“The title of this exhibition holds two truths at once. IT IS WRITTEN: eternal, present-tense, divine, unerasable. In the sand: temporary, humble, exposed, human. These two halves contradict each other perfectly. That contradiction is the show.

The sand says: “I received the writing.” The wave says: “I have authority over human inscriptions.” The stars above say: “We were not consulted, because we are the original text.”

The sea erases the sand not to destroy the message, but to remind you the real message was never in the sand, it was always truth written in the stars; our destiny.

IT IS WRITTEN in the sand is presented by Superposition and the Hamptons Black Art Council at Eastville Heritage House Museum and St. David AME Zion Church, Sag Harbor. The pairing is not incidental. Superposition, as a gallery concept, takes its name from the quantum principle in which a thing exists in two states simultaneously, and only resolves into one when observed.

That framework lends itself naturally to this show’s central paradox: a history that is both erased and present, both written and unrecorded, both sacred and endangered, held in superposition by a community that refused to let it erode and fade into the mists of history’s lost passages.

In 2025, the keys to St. David AME Zion Church returned to the stewardship of the Eastville Community Historical Society after years out of reach. The Underground Railroad trap doors are still there. So is the cemetery. So are the descendants. It was written here in trap doors and whispered routes, in a church that held freedom in its floor, in a beach town that kept coming back, in a people who remembered what others tried to make them forget. The present tense of IT IS WRITTEN in the sand signals that this writing is still happening.”— ✍🏽

04/17/2026

Thank you for your YouTube review of Black Owned Galleries at 🙏🏽

Superposition Gallery

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