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She Walked Away Unaware Her Dress Was Caught—The Mafia Boss Couldn’t Look AwayThe gallery was a chore. Roman Costa had k...
10/10/2026

She Walked Away Unaware Her Dress Was Caught—The Mafia Boss Couldn’t Look Away

The gallery was a chore. Roman Costa had known that before he arrived, and confirmed it within four minutes of walking in.

Sterile, bright, glass-walled. Two hundred people trading smiles that never reached their eyes. Ch*****ne that cost more than the caterers carrying it. A canvas slathered in primary colors hung at the center of the room, and by midnight it would be listed as sold to a shell company in Malta for three million dollars that had, until Tuesday, been sitting in a duffel bag in the trunk of a car.

Roman stood on the mezzanine and watched them all from above. A shadow looking down at a sea of expensive ghosts.

He didn't hate these people. Hatred required energy. He simply found them uninteresting — the same way a man finds a spreadsheet uninteresting after he has already balanced it. He leaned against the wrought-iron railing. Ice clinked against the crystal in his hand.

Below him, the room was thinning out. Caterers were stacking trays of half-eaten crab cakes. The last investors were performing the final ritual of the evening: the slow drift toward the coat check while pretending they had somewhere better to be.

Then he saw her.

She wasn't an investor. She wasn't the wife of an associate. Roman knew everyone who mattered and everyone who pretended to matter, and this woman was neither.

She was carrying a wooden crate of supplies toward the back exit. Her hair was piled into a messy twist at the nape of her neck, held with a single cheap plastic claw clip. She wore an emerald green slip dress — silk, or a very good imitation of it, cut on the bias so that it moved like water when she walked.

It was not a dress meant for lifting heavy crates.

The way she shifted her weight said she'd been on her feet for twelve hours. There was paint under her fingernails. A smudge of charcoal on her collarbone. She set the crate down by the heavy oak doors of the service exit and let out a sigh — long, low, bone-deep. The kind of sound a person makes only when they believe they are entirely alone.

Roman knew that sigh. He heard it in his own chest every morning at four, when the city was quiet and the apartment was too large and there was nothing left to negotiate.

He watched her, not with lust — not yet — but with the cold, precise attention of a man trained to notice anomalies. And she was one.

She turned to walk back into the main hall for her coat.

She didn't see the brass fitting protruding from the base of the temporary partition wall. Some careless installer had left it jutting out at knee height, a jagged edge of metal waiting in the dim light of the service corridor.

The hem of her dress dragged slightly as she passed.

The metal caught it.

Roman took a sip of scotch. He expected her to stop — to feel the tug and turn around. Anyone would.

She didn't. She was too tired. Her mind was already on the subway, the cold walk, the heavy sleep waiting at the end of it.

She took another step.

The fabric didn't tear right away. It held.

And as she moved forward, the silk pulled violently taut.

Time seemed to fracture in the quiet gallery. Roman froze. The emerald stretched, snapping tight against the back of her legs, and the momentum of her stride dragged the silk flat against her body — pulled deep into the dip of her lower back, flaring over the curve of her hips, clinging to the long heavy line of her thighs.

For two agonizing steps, she was anchored.

The dress became a second skin. It exposed a vulnerability so sudden and so stark that Roman felt a physical jolt behind his ribs. His grip tightened on the crystal until his knuckles went white.

He could not look away. He did not want to.

In a life dictated by control, by violence, by rigid expectation, this was entirely unscripted. It was raw geometry. It was gravity and tension and a woman who did not know she was being watched.

She took a third step.

The fabric reached its limit.

With a harsh, ugly rip, the silk surrendered. The sound echoed in the cavernous space.

The dress tore from the hem all the way up the back of her left thigh, stopping inches below her hip.

She stopped. The tension broke. For a second she simply stood there.

Then her shoulders dropped.

There was no theatrical gasp. No clutching of pearls. She just let her head fall forward and stared at the floor.

God damn it, she whispered.

Her voice carried easily in the empty hall — raspy, worn thin, and full of something Roman recognized better than he recognized his own reflection.

She reached around, fingers finding the catastrophic tear. A cold draft swept in from the vents and brushed against the exposed skin of her leg. She shivered, wrapped her arms around herself, and looked down at the ruined dress with a look of pure, unadulterated defeat.

It wasn't about the dress. Roman could see that from thirty feet up. It was the last straw at the end of a brutal week, and he knew exactly how heavy a last straw could be.

He set his glass on the railing.

He did not think about what he was doing. For a man who orchestrated hostile takeovers and buried enemies with chess-like precision, stepping away from the shadows without a plan was a first.

He walked down the marble staircase. His leather oxfords announced him long before he reached the ground floor.

She turned, startled, and crossed her arms — instinctively angling her body to hide the tear.

Roman stopped ten feet away. He kept his hands out of his pockets, loose at his sides.

The exhibit is closed, she said.

Her voice was defensive. He heard the tremor under it.

I know. His voice came out low and rough. I own the building.

She blinked, absorbing it. She didn't cower. She looked more annoyed.

Great. Tell your crew to hammer in their hardware. Your partition just ruined my clothes.

He looked at the brass fitting. Then back at her. Her eyes were hazel, striking against the exhaustion paling her face.

I'll have it addressed.

He closed the distance slowly. He did not look at her leg. He kept his eyes locked on hers.

You're bleeding.

She frowned and looked down. A thin line of blood was beading near her ankle where the metal had grazed her before it caught the silk.

It's just a scratch, she muttered, reaching for a napkin off an abandoned catering tray.

She was shivering. The gallery was aggressively air-conditioned to preserve the artwork, and she was half naked in it.

Without a word, Roman unbuttoned his jacket. He slipped it off, revealing the dark leather holster strapped to his ribs over his white shirt.

He didn't try to hide it. He didn't care.

He grabbed the heavy black cashmere overcoat draped over a nearby chair and held it out.

Take it.

She stared at the coat. Then at his face. Then her eyes flicked to the faint outline of the holster under his arm.

Her breath hitched — a small, involuntary survival reflex.

I'm fine, she lied, teeth chattering. My coat is in the back.

Your coat is a denim jacket. I saw you walk in with it. He didn't move. It's thirty degrees outside. The wind off the river is brutal tonight. Take the coat.

She hesitated. Pride warring with a body temperature that was losing.

The cold won.

She reached out and took the heavy cashmere. It swallowed her. The hem hit her mid-calf and the sleeves hung past her fingertips.

Roman watched the way she buried her nose in the lapel for a fraction of a second — one unconscious, private gesture.

He knew what it smelled like. Cedarwood, cold air, and the faint metallic tang of gun oil.

Thank you, she said, guarded. I'll have it dry-cleaned. Where do I send it?

Don't worry about it.

He pulled out his phone and pressed one button.

Paul. Pull the car around to the alley doors. Keep the heat on.

He hung up before the man on the other end could answer.

I take the subway, she protested, stepping back.

Not tonight.

Roman looked at her. Really looked. The stubborn jut of her chin. The way the oversized coat made her look fragile and the fierce independence in her eyes made that a lie.

You're bleeding, your dress is ruined, and you look like you're about to pass out. My driver is taking you home. That isn't up for debate.

For a long moment she just stared at him. A smart woman would run. A smart woman would recognize the danger coming off him like heat off an engine block.

She was too tired to run.

Gemma, she said finally. My name is Gemma.

Something foreign tightened in Roman Costa's chest.

He nodded once.

Roman. ....................................
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The Billionaire Tested The Waitress—Her Unexpected Answer Stunned HimThe Ivory Room had one rule nobody had ever written...
10/09/2026

The Billionaire Tested The Waitress—Her Unexpected Answer Stunned Him

The Ivory Room had one rule nobody had ever written down: the room belonged to the people who could afford it, and everyone else was furniture that moved.

Elena Marquez moved well.

Twenty-six years old, black uniform pressed at the cuffs, shoes resoled twice, a small silver pin fastened to her collar — a bird in flight, wings worn almost smooth. Her mother's. She touched it sometimes without noticing, the way other people touched a wedding ring.

She had learned the geometry of rich rooms. Where to stand. When to step back. How to pour without leaning across a shoulder. How to hold a tray so it never entered a conversation, and how to smile at the exact second a smile was expected and not one second longer. Invisibility wasn't a talent she'd been born with. It was a skill, earned the way calluses are earned.

A single dinner here cost more than her family spent in a month. Crystal chandeliers. A piano player who never once looked up from the keys. Every table occupied by someone whose watch could cover a year of her rent.

She was carrying coffee toward the corner table when the temperature of the room changed.

She felt it before she understood it. Four men in dark suits, backs straight, all angled toward one chair. Two lawyers with open folders. And in the middle of them, a man she recognized from the cover of a magazine in her dentist's waiting room.

Adrien Vale. Forty-two. He owned technology companies, luxury hotels, construction projects, and six investment firms, and the magazines described him as brilliant, disciplined, and nearly impossible to impress. Elena had read one of those profiles in a laundromat two years ago, waiting for a dryer, and had thought: he built that from nothing. So can I.

He did not look like a man building anything tonight. He looked like a man reading the same paragraph for the fourth time.

Page forty-one, one of the lawyers said, tapping the paper. Standard environmental liability language. It protects the buyer.

Adrien didn't answer. He turned the page back and read it again. Elena saw the way his thumb moved down the margin — slow, deliberate, the way a person reads something they don't trust.

She set the cup beside his right hand and stepped back.

And her eyes caught the page.

She froze.

It was two seconds. Maybe three. Long enough that the executive nearest her glanced up and found a waitress staring at a contract worth eight hundred million dollars, and looked away again, because a waitress staring at anything was not information worth keeping.

Elena walked to the service station with her tray against her hip and stood there with her back to the room, breathing.

Valuation adjustment tied to an environmental liability reserve.

She knew that sentence. She had written a paper on it — twenty-two pages, second year, hidden liabilities in property acquisitions, the kind of clause that looks like protection and behaves like a trapdoor. Her professor had written this is the paragraph that eats companies in red ink at the top and given her the only A-plus she'd ever gotten.

She had been twenty years old and certain of her life.

Now she was twenty-six, and her textbooks were stacked in a corner of a one-bedroom apartment beside a brother who was asleep by eleven and a stack of bills she had stopped sorting by urgency because all of them were urgent.

She looked back at the table.

The lawyers were talking. The executives were laughing at something small. Adrien Vale was holding the page up to the light as if the paper itself might confess.

Elena wiped the same clean spot on the counter three times.

It's not your table. It's not your contract. It's not your life.

She picked up a water pitcher she didn't need and walked the long way back through the room, past the corner table, close enough to see the bottom of the page.

The figure sat there in the total, black on white, neat and confident.

She kept walking. She poured water into a glass that was already full.

And then she stopped, because the number was wrong.

Not slightly wrong. Not a rounding error, not a typo a junior associate would catch by lunch. Wrong by an order that made the back of her neck go cold — wrong by almost thirty million dollars.

At the table, one of the lawyers capped his pen and set it down in front of Adrien Vale.

Adrien picked it up. ....................................
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Everyone Ignored The Mafia Boss’s Autistic Son—Until The Waitress Asked Him To DanceThe Grand Lombardi smelled of roaste...
10/09/2026

Everyone Ignored The Mafia Boss’s Autistic Son—Until The Waitress Asked Him To Dance

The Grand Lombardi smelled of roasted garlic, expensive ci**rs, and the metallic tang of unearned arrogance. Norah Hayes had been on her feet for four hours, and her right arch had started screaming somewhere around hour three — a steady, insistent throb that climbed her calf every time she shifted her weight.

She balanced a silver tray on her fingertips. Four glasses of scotch. Heavy crystal, condensation already beading, cold against her palm. She waited for the men at table one to stop laughing so she could set them down.

They didn't stop. They didn't look at her.

To the Russo family and their capos and lieutenants and the soft, well-dressed men who orbited their attention, Norah was not a person. She was a delivery mechanism for alcohol. That was fine by her. Invisibility was a shield. When you carried drinks for men whose jackets were cut to hide the bulge of a shoulder holster, being forgettable was a survival strategy — and Norah had spent her whole life perfecting it.

She found a gap in the laughter and slid the glasses onto the linen. Condensation pulled dark rings into the cloth immediately. Nobody noticed.

Dominic Russo sat at the head of the table, holding court. He had a face like a slab of cured meat — tough, weathered, with eyes that seemed to price everything they landed on. Beside him sat his eldest son, Enzo, who had his father's jaw and none of his stillness: hair slicked back, a smile that never reached his eyes, a laugh that sounded like something being dropped down a stairwell. Enzo was miming a golf swing, mocking a city councilman who had been in the family's pocket for eleven years. The table roared.

And at the far end, separated by two feet of empty space that nobody had sat in all night, sat Elliot.

Norah stepped back with her empty tray and watched him.

Everyone else in the room was aggressively loud, taking up as much oxygen as they could hold. Elliot took up none. He was twenty-four, maybe twenty-five, with sharp, fine features that should have made him the most striking person at the table and instead made him look like something valuable left out in the rain. He wore a dark wool suit that fit perfectly, and he wore it the way a man wears a suit lined with sandpaper.

His shoulders were hunched. His eyes were fixed on his water glass.

In his right hand he held a silver butter knife, and with the rounded tip he tapped the side of the glass. Not randomly. Clink. Clink. Clink. Clink. Clink. Clink. His lips moved in a whisper too small to hear. He was counting condensation — watching the drops swell, merge, and slide down the curve of the glass, and tapping once each time a drop let go and hit the cloth.

Nobody spoke to him. It was a studied, aggressive ignorance. When the bread basket needed to move down the table, the men leaned forward awkwardly to pass it themselves rather than ask Elliot to hand it over, as if he gave off some low radiation they were all trying not to absorb.

Stop doing that.

Enzo's voice cut through his own laughter. The tapping stopped. Elliot didn't look up, but his knuckles went white around the knife handle.

You're giving me a headache, El. Enzo reached across the gap and snatched the water glass, sliding it down the table, out of reach. Sit on your hands if you have to.

Dominic didn't intervene. He took a slow sip of scotch and looked at the middle distance, deliberately, the way a man looks at a wall he has decided is more interesting than his son. To Dominic Russo, a boy who couldn't move a shipment or frighten a debtor wasn't a son at all. He was a rounding error. A biological mistake he had long ago stopped trying to correct.

Elliot's chest rose and fell once, sharp and shallow. He didn't argue. He didn't look at Enzo. He laid the butter knife down and aligned it perfectly parallel to his fork. Then he adjusted his spoon. Then he nudged the bread plate a quarter inch to the left, and then a little further, rebuilding the geometry of the only two feet of table he was allowed to own.

Norah felt something hot move through her chest. It wasn't pity. Pity was useless and she had no room for it. It was a deep, cynical fury at the sheer stupidity of the men in this room — hardened criminals who would break a jaw over a mispronounced name, and who were visibly unnerved by a young man who needed his silverware straight.

They built empires on violence and went squeamish at a nervous system that worked differently from theirs.

Hey. A heavy voice barked from the far side of the table. Valente, a thick-necked capo, snapped his fingers at her like she was a dog. More ice. And another bottle of the Macallan.

Norah blinked, pulling her eyes off Elliot. Right away, sir.

She turned on her heel and walked for the service doors. As she pushed through the heavy wood, she glanced back over her shoulder.

Elliot was sitting perfectly still, hands flat on the cloth. And she saw it then — two small, flesh-colored discs seated deep in his ears, high-grade, the kind you had to look for. Even with them in, she could see the tension running down his jaw like a wire pulled tight.

The room was getting louder. The alcohol was flowing. And Elliot Russo looked like a man locked in a submarine, listening to the water come in.

By ten o'clock the dining service was over and the real drinking had begun. The kitchen had become a war zone of clattering pans and chefs screaming at each other over the last dessert plates. Norah had been on her feet nine hours. Her lower back felt like it had been assembled out of crushed glass.

She dragged a plastic milk crate out of the corner beside the walk-in freezer and carried it into the narrow service hallway that ran between the kitchen and the loading dock. It smelled of stale grease and bleach. It was filthy. It was also the only quiet place in the building.

She sat. She pulled a squashed roll from her apron pocket and took a bite, and closed her eyes.

The heavy metal door to the main hallway cracked open.

Norah didn't open her eyes. She assumed it was one of the busboys sneaking a cigarette. But there was no heavy footfall, no flick of a lighter. Just breathing — ragged, uneven, too fast.

She opened one eye.

Elliot Russo was standing in the hallway. ....................................
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Her Family Bet She’d Arrive Alone—Then The Mafia Boss Beside Her Said, “Not Tonight.”The Northeast Regional had two kind...
10/09/2026

Her Family Bet She’d Arrive Alone—Then The Mafia Boss Beside Her Said, “Not Tonight.”

The Northeast Regional had two kinds of passengers at eight o'clock on a Thursday: the sleeping and the drunk. Audrey Palmer was neither. She was thirty-nine, still wearing the conference lanyard she'd forgotten to take off, and holding a soft pretzel in a paper sleeve like it was the only thing that had gone right all day.

The man in the aisle was swaying before he ever reached her row.

He grabbed her arm.

She twisted — fast, the way you learn when you have brothers — and he stumbled sideways into the seat back. Her phone flew out of her hand and landed face-up in the lap of the man in the window seat.

The drunk lunged again.

The stranger stood. One movement. Not violent, exactly. Economical. The drunk man's face met the floor between the seats with a sound Audrey felt in her teeth.

Two men in dark suits came down the aisle at a run. One of them hauled the drunk upright and walked him forward without a word.

Audrey stared at the man who had done it.

I had that, she said.

I noticed.

He picked up her phone to hand it back. The screen lit up in his palm.

Family (6)
Dad: 20 says Audrey walks in alone again.

He read it before he could look away. He handed the phone over with the exact expression of a man who had not read it.

Pretend you didn't see that, Audrey said.

Difficult.

Why?

His eyes moved from her to the empty seat beside her, then back.

Twenty seems low.

She stared at him. For what?

He settled back into his seat, unhurried, as if the whole carriage were his living room.

Betting against you.

You've known me for thirty seconds.

A faint smile touched the corner of his mouth. And your family still has better odds.

That was rude.

It was statistical.

You don't have statistics.

I have thirty seconds of data.

And somehow you've already become unbearable.

Forty seconds.

Audrey almost smiled.

She refused to give him the satisfaction. Instead she looked toward the front of the carriage. The drunk was gone. One of the suited men remained by the door — no uniform, no badge, and he kept glancing toward the stranger beside her like a dog waiting on a command.

Audrey noticed. She noticed everything. She noticed the watch, too, and the coat that had never seen a discount rack, and the shoes she would have bet a month's rent had never touched a sidewalk in the rain.

You're not an accountant, she said.

His eyebrow lifted. I never said I was.

You have a man standing six feet away pretending not to guard you.

The man in the aisle looked straight ahead with tremendous discipline.

Audrey pointed at him. He's not very good at pretending.

He can hear you.

Good. Constructive feedback is important.

The stranger glanced toward the door. You can sit down, Daniel.

Daniel moved two rows back.

That actually worked, Audrey said.

It usually does.

That is deeply concerning.

Her phone buzzed. She looked down.

Dad: 20 says she changes the subject when someone asks if she's dating.
Brother: 30 says she leaves before dessert.

She turned the screen face-down on her thigh.

Beside her, the stranger said nothing. He said nothing extremely loudly.

Don't, she said.

I didn't say anything.

You were about to.

I wasn't.

You have a very judgmental silence.

I've been told. Frequently.

No one says it twice.

He delivered the line without changing expression. Audrey laughed — one short, involuntary laugh — and immediately regretted it.

He'd noticed. Of course he'd noticed.

Was that funny?

No.

It sounded like a laugh.

Respiratory issue.

I see.

You don't.

Her phone buzzed again. She ignored it. Outside, the dark had gone completely black past the window glass, and the train's reflection showed her own face looking slightly more awake than it had an hour ago.

So they do this often, he said.

Do what?

Gamble on you.

They gamble on everybody.

Comforting.

My father burns steaks. There's usually money on that.

Reasonable.

My brother is incapable of arriving anywhere on time.

Also reasonable.

Aunt Ruth brings the same potato salad to every family event.

That seems less worthy of gambling.

You haven't eaten the potato salad.

He considered that fair.

Audrey adjusted the strap of her bag. They're not cruel.

I didn't say they were.

They think it's funny.

Do you?

She looked at him. That one landed somewhere she hadn't been expecting, and so she smiled instead of answering.

Sometimes he waited. She disliked that. Most people rushed to fill a silence. This man sat inside it comfortably, like it belonged to him, until somebody else surrendered.

She wasn't going to surrender.

She pointed at his wrist. Do you always interrogate strangers between assaults?

You weren't assaulted.

Attempted assault. You handled it.

I did.

I noticed.

That line was better the first time.

He looked down at his watch. Audrey caught it.

What?

The watch. You've checked it four times.

You counted.

I notice things.

So do I.

Apparently.

She leaned slightly toward him. You have somewhere to be.

Yes.

And yet you're on a train.

That is generally how transportation works.

She stared at him. You're very irritating.

I'm beginning to understand why your family bets on you.

She gave him a flat look. That didn't even make sense.

No.

Then why did you say it?

I wanted to see that expression again.

Audrey paused. He had said it so calmly that it took her a full second to realize he was teasing her. She looked away.

That was annoying, too.

What's your name?

He asked it casually. She looked back.

You already know mine.

Against my will. Your phone attacked me.

It was aggressive.

You survived.

Barely.

She waited. He understood.

Dominic Serrano.

Audrey held out her hand. Audrey Palmer.

He looked at her hand. Then at her. I already know.

That's how introductions work. Dominic.

He took her hand. His grip was warm, brief, entirely normal.

For some reason, normal surprised her.

She pulled her hand back. So, Dominic Serrano. Where are you going?

Boston.

Audrey looked at him. Then up at the digital route display above the carriage door. Then back at him.

Boston?

Yes.

She pointed upward. He followed her finger. The display showed the next three stops. None of them were Boston.

In fact, the train was moving in precisely the wrong direction.

Audrey looked delighted. Dominic did not.

This train is going south, she said.

I'm aware.

You're going to Boston.

Yes.

Which is north.

I'm also aware of that.

She sat back for the first time since he had opened his mouth.

This is wonderful, she said.

It isn't.

Oh, it absolutely is.

My flight was grounded.

That doesn't explain why you're traveling away from your destination.

My assistant arranged an alternative connection.

Your assistant.

Yes.

She glanced toward Daniel. Then toward the second suited man farther down the carriage. Then back at Dominic.

You have an assistant and two bodyguards, and all three of you got on the wrong train.

Dominic's expression tightened by perhaps a millimeter.

Temporary routing error.

Audrey laughed. This time she didn't try to hide it.

That is the most expensive phrase for lost I have ever heard.

I am not lost.

Where are you?

He looked at her.

On a train, he said.

Going where?

He said nothing.

Lost, Audrey said. Temporarily misdirected. Lost with vocabulary.

Dominic looked away. She caught the faint movement at the corner of his mouth.

Oh, you think I'm funny?

No.

You smiled.

Respiratory issue.

She stared at him. He looked perfectly, professionally serious.

Audrey laughed again. Thief.

I prefer efficient.

You stole my joke.

You weren't using it.

Her phone buzzed. This time Dominic looked deliberately toward the window — away from the screen, away from her.

She noticed that, too. He could have looked. He didn't.

They were somewhere past the state line when the announcement chimed and the train began to slow.

Dominic checked his watch. Daniel stood immediately. So did the second man.

Audrey looked between them. This is you?

Yes.

I thought Boston was several hundred miles in the other direction.

A car is waiting.

Ah.

He buttoned his coat, and suddenly the strange little conversation had an ending, and Audrey found herself noticing that. She disliked noticing it. So she reached for sarcasm.

Try to make sure the car is facing north.

He looked down at her. I'll mention it.

Maybe draw your assistant a map.

I'll mention that, too.

The brakes hissed. Dominic stepped into the aisle. Daniel collected a leather case from the overhead rack. The second man moved to the door.

Audrey lifted two fingers in a small salute. Goodbye, temporarily misdirected.

Goodbye, twenty dollars.

She snorted. That is not my name.

It's the only verified information I have.

You know my full name.

Twenty dollars is more memorable.

The doors opened. Cold air rolled through the carriage, carrying diesel and rain.

Dominic stepped onto the platform. Daniel followed. So did the second man.

Audrey watched them through the glass. A black sedan waited beyond the station entrance, engine running, another man standing beside the rear door.

She frowned. Three men. A car waiting at a station he hadn't planned to use. An assistant who could rearrange transportation in under four minutes.

Whatever Dominic Serrano did for a living, she doubted it involved quarterly spreadsheets.

Then he stopped.

Halfway to the exit, Dominic Serrano stopped walking, turned his head, and looked at a small food stand near the platform steps.

Daniel said something to him.

Dominic looked at the black sedan. Then back at the stand. Then — Audrey leaned closer to the window — he started walking toward it.

She watched the vendor hand him something in a paper sleeve.

No, she said out loud, to no one.

The warning chime sounded. The doors began to close. ....................................
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