Eloise Mendez, 948 Skips, Lane, OK (2026)

01/31/2026

We need a big A'ho 🦅

01/31/2026

On December 4, 1910, a quiet ceremony in Oklahoma closed a chapter of heartbreak that had stretched across decades of war, loss, and identity.
Cynthia Ann Parker was taken by the Comanche in 1836 during a raid when she was still a child. What began in violence grew into something deeper she was adopted into the tribe, married Chief Peta Nocona, and became the mother of three children, including Quanah Parker, the last free chief of the Comanche.
At about 33 years old, Cynthia was recaptured by Texas Rangers. Torn from her Comanche family, she was forced to live once more among settlers. But she never adjusted her spirit remained with her people. She died in 1870 and was buried in obscurity in a small Texas cemetery.
Decades later, her grave was found by her son-in-law, Aubra Birdsong, who brought the small white coffin to Quanah. As it arrived, he asked quietly:
“Are you sure this is my little white mother?”
Birdsong confirmed. Quanah wept.
On that cold December day, Cynthia Ann Parker was finally laid to rest among her people. In the now-famous photograph, Quanah stands tall beside his daughter Neda and granddaughter Anona, dressed in her checkered dress.
Less than three months later, on February 23, 1911, Quanah Parker passed away as if his final purpose had been fulfilled.

01/31/2026

"In the 1930s, on the Wind Rock Navajo Reservation in Arizona, an evocative moment was captured by photographer H. Armstrong Roberts, showcasing a Navajo baby in a traditional cradleboard, an iconic symbol of Native American child-rearing practices. The cradleboard, made of wood and leather, was a vital part of the Navajo culture, designed to keep the infant secure and comfortable, while also offering protection as the mother worked or traveled. The scene, which shows the baby peacefully being approached by a lamb, illustrates the deep connection between the Navajo people and the animals that played a central role in their daily lives, from livestock to spiritual significance. The Navajo, whose territory spans across Arizona, New Mexico, and Utah, have always had a profound relationship with the land and animals, which is reflected in their traditional art, culture, and beliefs
This photograph, taken at Wind Rock, a location in the northeastern part of the Navajo Reservation, not only captures a fleeting moment but also preserves a glimpse of life during a time of transformation for Native American communities. In the early 20th century, the Navajo people, like many indigenous groups, were facing challenges such as forced assimilation policies, land displacement, and the impacts of modernity on their way of life. Despite these challenges, the Navajo remained resilient, maintaining cultural traditions, including the cradleboard and the nurturing of their young in an environment where they were surrounded by nature and family
The image stands as a testament to the beauty of Navajo traditions and the intimate, yet often overlooked, moments that define a culture. This photograph is a reminder of the enduring strength and connection of the Navajo people to their heritage and land, captured through the lens of a photographer who was able to witness and document this quiet yet profound interaction between child, nature, and animals. The year 1930 marked a pivotal time for Native American communities, and images like this one offer valuable insights into the resilience and enduring cultural practices of the Navajo nation."

01/30/2026

Happy 78th Birthday to the legendary Wes Studi!
A trailblazing Native American actor whose powerful performances and cultural impact have inspired generations.
Thank you for your unforgettable contributions to cinema and storytelling!

01/30/2026

When people picture Buffalo Bill’s Wild West Show, they often imagine cowboys, trick riders, and stage battles. But on that global stage, Native men like Iron Tail and Black Fox carried something heavier — the weight of cultural survival.
Chief Iron Tail, an Oglala Lakota warrior, had fought to defend his people before stepping into the world of show business. In the arena, dressed in his traditional regalia, he wasn’t simply “performing.” He was reminding the audience that Native nations were still alive, still proud, still here. His striking profile even became the inspiration for the U.S. Buffalo Nickel — a face millions carried in their pockets without realizing the man behind it.
Beside him stood Black Fox, another Lakota figure who, while less remembered today, shared that same dignity. Every time he rode into the spotlight, he wore not just beads and feathers, but centuries of history, ceremony, and resilience.
The Wild West Show was full of myth — turning conquest and colonization into entertainment. For the Native performers, it was more complicated. They had to balance survival with representation, knowing the world was watching. By standing tall, they pushed back against stereotypes and showed audiences across Europe and America that Native people were not relics of the past.
Iron Tail and Black Fox were not props in Buffalo Bill’s fantasy. They were ambassadors of survival. Their presence made sure that even in the middle of America’s most famous spectacle, Native pride refused to vanish from view..

01/29/2026

Piegan men giving prayer to the Thunderbird near a river in Montana. 1912. Photo by Roland W. Reed. Source - Denver Museum of Nature and Science.

01/29/2026

Happy 78th Birthday to the legendary Wes Studi!
A trailblazing Native American actor whose powerful performances and cultural impact have inspired generations.
Thank you for your unforgettable contributions to cinema and storytelling!

10/05/2025

Lucy Nicolar was born June 22, 1882, on Indian Island, Maine, the daughter of Joseph Nicolar and Elizabeth Joseph. Every summer, her family traveled to the resort town of Kennebunkport to sell baskets. Lucy and her sister performed in Indian dress for the tourists. In her late teens she started performing at public events such as sportsman’s shows.
During those performances, she came to the attention of a Harvard administrator who hired her as his assistant. He took her into his household and gave her musical and educational opportunities in Boston and New York. In 1905, she married a doctor and moved to Washington, D.C. Eight years later they divorced, and Lucy moved to Chicago to study music.
Lucy Nicolar also toured as part of the Redpath Chatauqua Bureau, then the Keith vaudeville circuit. She married a lawyer who became her manager. He took all her money and fled to Mexico after the stock market crashed in 1929.
When vaudeville died, she returned to the Penobscot Indian Island Reservation with her husband Bruce Poolaw, a Kiowa entertainer from Oklahoma. They opened a gift shop — a teepee 24 feet in diameter — called it Poolaw’s Indian TeePee and sold traditional Indian crafts. They also continued to entertain locally.
Lucy and her sister Florence campaigned to improve life for their people on the reservation,. Their land stretched along the Penobscot River from Indian Island near Old Town to East Millinocket.
The sisters raised the educational standards for Penobscot children by gaining access to the public schools. And they persuaded the state to build a bridge to the island.

09/27/2025

✨ The Indigenous Met Gala returns Oct 11. ✨
Headlining Indigenous Peoples Day 2025 (U.S.), the Indigenous Fashion Gala returns for its second year — promising a star-studded celebration of Indigenous style and sovereignty.
Held at the Autry Museum of the American West in Los Angeles (Tovaangar) on October 11, 2025, the gala is co-chaired by Quannah ChasingHorse and Taboo of the Black Eyed Peas, and founded by Sarah Eagleheart, Twila True, and Lillian Sparks. 📍⚡️
This year’s theme — “Fashion for Sovereignty” — spotlights Indigenous excellence through fashion, art, music, and cultural expression, featuring:

09/17/2025

.BATTLE OF THE LITTLE BIGHORN, history from elders 51 years later. In 1927, Wooden Leg, right, was pointing to a map of the Little Bighorn Battlefield, drawn by historian Thomas B. Marquis. The other Cheyenne warriors were, L to R, Little Sun, Wolf Chief, and Big Beaver. All had fought at the 1876 Battle in Eastern Montana. Three of the men held eagle wing fans when Marquis took the photo.
Marquis lived on the Northern Cheyenne reservations for some years, and learned Plains Indian sign language. He interviewed many warriors and wrote extensively on Custer’s defeat. Marquis’ most popular book was “Wooden Leg: A Warrior Who Fought Custer,” a volume rich in detail on Cheyenne life and the Battle of the Little Bighorn. Click or zoom photo for more detail.

09/17/2025

Portrait of Strikes with Nose, an Oglala Sioux Native American Chief, 1899. Second in a series of four hand-colored platinum prints gifted to the Library of Congress by David A. Rector.
This late 19th century Native American History photo features Strikes With Nose, one of the chiefs of the Oglala Sioux tribes, which were famous for their hunting and warrior culture. Warfare formed a central part of the culture of the Plains Indians which often led to inter-tribal conflicts and violent clashes with the white settlers and the US Army.
The Pine Ridge Indian Reservation (Pine Ridge) covers a vast geographical area in southwestern South Dakota and northwestern Nebraska. Pine Ridge is among the largest of the reservations in the United States. It consists of 3.5 thousand square miles, more than twice the size of Rhode Island. Pine Ridge consists of nine districts and over fifty distinct communities/neighborhoods. Individuals of both American Indian and non-Indian ancestry reside within reservation land boundaries.
Established in 1889, the Pine Ridge Indian Reservation is home to the Oglala Sioux Tribe, which is the sovereign governmental entity with regulatory authority within reservation land boundaries. The Oglala Sioux Tribe maintains a membership of more than 52,000 enrolled tribal members. While not all members reside on the reservation, OST tribal members are connected through very rich historical, social, racial, and ethnic ties.

09/16/2025

Kuun-nux Tunawiinx (aka Rushing Bear, aka Son Of The Star, aka Son Of Star), the son of Star Robe, in Washington D.C. - Arikara - 1880
{Note: Rushing Bear was the husband of the Arikara woman known as Red Eagle Woman, and was also the husband of the Hidatsa woman known as Buffalo Bird Woman.}

Eloise Mendez

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