Culture Place by Dallas Art Fair

Culture Place by Dallas Art Fair Culture Place by Dallas Art Fair is a digital marketplace for contemporary art collectors to discove

“My weavings are meant to give people hope, to give people comfort, and to inspire and challenge people to think deeper ...
02/22/2021

“My weavings are meant to give people hope, to give people comfort, and to inspire and challenge people to think deeper and do more.” ⠀
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Jana Vander Lee, When Peace Like a River, 1983. 🤎⠀
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On view from and available on cultureplace.com

Kelli Vance, My Thoughts Came Like Balloons Floating Over the Desert, 2019. ⠀⠀🍃 On view and available from at culturepl...
02/20/2021

Kelli Vance, My Thoughts Came Like Balloons Floating Over the Desert, 2019. ⠀
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🍃 On view and available from at cultureplace.com 🍃⠀
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Eric Stefanski, Cynicism, 2020. ⠀⠀🌷 On view from at cultureplace.com through March 3 🌷⠀⠀“My work is a reflection on the...
02/19/2021

Eric Stefanski, Cynicism, 2020. ⠀
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🌷 On view from at cultureplace.com through March 3 🌷⠀
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“My work is a reflection on the humor and rejection that comes with having a studio practice. The intention is to point outward to larger issues in our culture and art history while also reflecting on my own personal history.“ —⠀
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Jamal Cyrus, Lemon’s New World Blues, 2014. 🍋⠀⠀This work, a collaboration with Walter Stanciell, a Houston-based sign pa...
01/25/2021

Jamal Cyrus, Lemon’s New World Blues, 2014. 🍋⠀
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This work, a collaboration with Walter Stanciell, a Houston-based sign painter, references Blind Lemon Jefferson, "Father of the Texas Blues," and the text is taken from a poem by K. Curtis Lyle that was incorporated into an album by Julius Hemphill. ⠀
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For Cyrus, there is a natural connection between oral history and vernacular painting. The work is also an homage to the artist’s teacher and mentor, Terry Adkins, who turned him on to the history of the blues and Blind Lemon Jefferson.⠀
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Bert L. Long, Jr., Happiness, 2010. ⠀⠀Long’s paintings and sculptures incorporate a high level of skill and sophisticate...
01/25/2021

Bert L. Long, Jr., Happiness, 2010. ⠀
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Long’s paintings and sculptures incorporate a high level of skill and sophisticated knowledge of art history, along with complex philosophical and social issues. Long describes the philosophy behind his work as "a quest to help people diagnose their inner self," believing his art to be "the vehicle to help facilitate the process."⠀
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Jim Love, Flowers, 1997. ⠀⠀🌷🌷🌷⠀⠀Available on Culture Place from ⠀⠀
12/28/2020

Jim Love, Flowers, 1997. ⠀
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Available on Culture Place from ⠀
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Adrian Esparza, Midnight Kite #2, 2017 🌈🪁⠀⠀Available on Culture Place from ⠀⠀
12/22/2020

Adrian Esparza, Midnight Kite #2, 2017 🌈🪁⠀
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Available on Culture Place from ⠀
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Meghan Borah, Cobalt Eyes, 2020. ⠀⠀Available on Culture Place from ⠀⠀Borah’s paintings combine oil with the fragile medi...
12/16/2020

Meghan Borah, Cobalt Eyes, 2020. ⠀
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Available on Culture Place from ⠀
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Borah’s paintings combine oil with the fragile medium of distemper in ways thatevoke the faded surfaces of vintage fabrics and decorative textiles. Her expressionless, female-presenting figures occupy dreamlike scenarios that may not be tranquil as they firstappear. Their faces appear aloof and almost impatient, suggesting the presence of sometype of negotiation between the public, outward facade and private inner longings. In this way Borah’s paintings are an ongoing examination of how we see and present ourselves, and how we may sometimes ache to become something else.⠀
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Lu Ann Barrow, Big Snake, 1989.⠀⠀Available on Culture Place from 🍎🐍⠀⠀
12/15/2020

Lu Ann Barrow, Big Snake, 1989.⠀
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Available on Culture Place from 🍎🐍⠀
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Take a seat 🪑with Ara Thorose’s 7M Chair, 2019. ⠀⠀Available on Culture Place at ⠀⠀
12/11/2020

Take a seat 🪑with Ara Thorose’s 7M Chair, 2019. ⠀
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Available on Culture Place at ⠀
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Benjamin Terry, Ankle Bracelet, 2020. ⠀⠀Available on Culture Place from ⠀⠀Known for intricately constructed objects that...
12/10/2020

Benjamin Terry, Ankle Bracelet, 2020. ⠀
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Available on Culture Place from ⠀
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Known for intricately constructed objects that combine painting, drawing, and sculpture, Benjamin Terry's latest paintings appear deceivingly simplified. In the absence of the artist’s characteristically dense line work, these paintings approach craftsmanship from another angle. Cutouts are made to appear clumsy, initially masking the high level of skill used to create them. In the end, Terry's paintings encapsulate sophistication and crudeness all at once. ⠀
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In the words of the artist: “be clever. then, be dumb.”⠀
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Jackie Tileston, Expanse of the Space Treasury, 2018. ⠀⠀Available on Culture Place from ⠀⠀Jackie Tileston brings a globa...
12/09/2020

Jackie Tileston, Expanse of the Space Treasury, 2018. ⠀
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Available on Culture Place from ⠀
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Jackie Tileston brings a global sensibility to her work by drawing from many different cultures. Her cosmopolitan background lends authority to her painterly affirmations of the medium's innate capacity to absorb, transform and interpret the global nature of contemporary society. Dense areas of vivid color and imagery exist alongside nebulous dustings of powdered pigment and expanses of bare linen, creating opulent and sophisticated surfaces. Into this wide spectrum, the artist also overlaps recognizable fragments of Chinese landscape painting, with transfers of French wallpapers and rustic panoramas from art history directly onto the surface.⠀
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