09/21/2025
At the CROSSFADE show this past Thursday, asked me the simple question of “Why Bison?” Which is a fair question as I grew up in the Midwest and my current body of work, bison, Black cowboys, Western landscapes, glaciers, lighthouses and their keepers, explores a number of themes that I was not exposed to growing up and might at first glance seem disconnected from one another. So here goes…
My current art practice is focused on the forgotten or the disappearing: figures, animals, and landscapes that history or time has left behind. Simply put… I don’t want to see them lost twice. My art centers on subjects that live at the edge of memory or survival. People and places forgotten by history, and natural forms that may disappear in my lifetime. I’ve been drawn to stories like Black cowboys and lighthouse keepers, whose contributions and livelihoods shaped culture but are rarely acknowledged.
At the same time, I explore bison, wolves, and glaciers that act as symbols of the natural world that at some point were on the verge of extinction or that are currently in danger of disappearing. Through layered materials and imagery, I want to capture the tension between endurance and loss, reminding us that forgetting can happen both in human history and in nature itself. The work becomes a record, but also a confrontation asking what we choose to remember, and what we allow to fade.