Marina Costa-Jackson

Marina Costa-Jackson Marina Costa-Jackson is an Italian-American operatic soprano.

07/26/2026

Come see how we’ve reimagined Donizetti’s The Daughter of the Regiment! Utah Valley Operafest
It’s been an incredible experience adapting this beloved opera, and I can’t wait to share it with you. We’ve transformed it into a heartfelt, one-hour story of family, love, sacrifice, and finding where you belong—all while preserving Donizetti’s unforgettable music.

Free to attend, family-friendly, and just one hour long.

Don’t miss this opportunity to hear an outstanding cast of exceptional singers. Performances of this quality are rarely available free of charge. Thomas Glenn Miriam Swan Demaree Clayson Brown

🇺🇸 July 27 • July 29 • August 3

🎟️ Reserve your free tickets:
https://www.utahvalleyoperafest.org/

We’d love to see you there! 🎭❤️

07/12/2026

What an incredible honor it was to sing tonight with my phenomenal colleagues at the Trentino Music Festival. It was made even more special having my daughter there with me—held in my arms for my final song that was about mothers. Having her there meant the world to me, as it was the first time she has been able to attend one of my performances.

Singing Mamma for an Italian audience was especially moving! I dedicated it to all mothers—to my beautiful mother, whose love has shaped my life, and to my daughter, who, by making me a mother, has shown me the true depth of a mother’s love.
Thank you to my colleagues, our Italian audience, and everyone at the Trentino Music Festival for such a memorable evening. My heart is full. ❤️ Trentino Music Festival Emilia Costa-Jackson

04/22/2026

Let’s talk about support. True vocal support doesn’t come from gripping or driving—it comes from allowing. We need buoyancy and flexibility, not rigidity. In my studio, we have a saying: when there’s extra tension anywhere in the body, you are “disallowing your diaphragm from coming to the party.” And it’s true. Try tightening your neck and jaw right now and do puppy panting—you can’t really do it, right? When the jaw tightens, the neck grips, the shoulders lift, or the sternum locks, we start recruiting the wrong muscles. In doing so, we interfere with the natural coordination of breath—and the very support system we’re trying to access gets shut out. Support is not about force, it’s about freedom and balance. When the body is released, the breath becomes responsive: the ribs can expand and stay alive and the diaphragm can function the way it’s designed to—without being micromanaged. So instead of asking, “How can I do more?” ask, “Where am I getting in my own way?” or “Where can I do less?” Because the moment we release unnecessary tension, we finally allow our support… to come to the party. 🎉

04/21/2026

Baryshni-Cat. 🩰🐾👏

04/13/2026

There’s something so satisfying about revisiting pieces that feel like home. Nedda has always felt that way to me—that rush of freedom in the music never gets old. 🕊️
Coming back to her music reminds me how much there still is to discover… and the trills? Still just as fun (and humbling)! 🎶🤡🎭

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1600 Elizabeth Ave
Charlotte, NC
28204

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