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Art Strategies LLC

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Art Strategies provides curatorial, strategic planning and project management services to individuals, not-for-profit organizations, government entities, and corporations that want to incorporate fine art and artists into their public and private spaces. Providing strategic planning to individuals, corporations, and government agencies that want to integrate fine art into the spaces where we live,

work, and play. Managing the selection and procurement of fine art as well as the commissioning of site specific projects (public and private) by local, regional, national, and international artists.

08/27/2026

🖤⚫️🖤⚫️🖤⚫️🖤⚫️🖤⚫️🖤⚫️

08/25/2026

✨🦋💎💖Love you Dolly ✨🦋💎💖

08/19/2026

Art Strategies has worked with artist Jacob Hashimoto Studio on several monumental projects over the last three years. We are thrilled to see his largest work to date ‘Giant Arc’ open SFMOMA tomorrow! Comprising nearly 75,000 hand-built kites of bamboo and Japanese paper, this monumental site-specific installation transforms SFMOMA’s Roberts Family Gallery into an immersive cloud canopy that stretches floor to ceiling and wall to wall.

If you are in the Bay area join Jacob and SFMoMA Curator of Architecture and Design Joseph Becker TOMORROW at 6 PM for an in-depth conversation exploring Hashimoto’s practice, the aspects of physicality and meditation in his craft, and how he transforms kites into a medium of extraordinary scale and wonder. The event includes a live sound performance by keyboard player, experimental composer, songwriter, and producer Nico Georis ◯ Milky Way Radio.

Jacob Hashimoto Studio uses sculpture, painting and installation to create complex worlds from a range of modular components: bamboo-and-paper kites, model boats, even astroturf-covered blocks. His accretive, layered compositions reference video games, virtual environments, and cosmology, while also remaining deeply rooted in art-historical traditions, notably landscape-based abstraction, Modernism, and handcraft.

Hashimoto has presented solo exhibitions and installations at the Museum of Contemporary Art Pacific Design Center, Los Angeles, CA; Boise Art Museum, Boise, ID; Crow Museum of Asian Art, Dallas, TX; Governors Island, New York, NY; and many more. His work can also be found in the permanent collections of institutions around the globe, including The Metropolitan Museum of Art and Los Angeles County Museum of Art.

08/11/2026

Art Strategies is headed to NYC for a few days this week for an install and new client site visit. We have a list of things to try and see before they close, and the Marcel Duchamp show MoMA The Museum of Modern Art is high on the list. Reposting some content from MoMA about some of the work in the exhibition. Can’t wait to 👁️!

“Everything important that I have done…can be put into a small suitcase.”
- Marcel Duchamp

🧳 Marcel Duchamp’s “Box in a Valise”—of which 10 examples are currently on view MoMA The Museum of Modern Art in the artist’s retrospective—functioned as a portable museum for the artist’s work.

In order to create these boxes, Duchamp painstakingly reproduced his life’s work to date in miniature using a wide range of reproduction techniques, from collotype printing to ceramics. Among the 69 copies were three-inch replicas of “Fountain”. First exhibited at Peggy Guggenheim’s gallery Art of This Century in New York in 1942, the “Box in a Valise” ushered in a new wave of visibility around the extent of Duchamp’s creative output.

“Marcel Duchamp” MoMA The Museum of Modern Art is on display through August 22
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Marcel Duchamp. “from or by Marcel Duchamp or Rrose Sélavy (Box in a Valise).” Paris–New York, 1935–41/1943. Series A, IX/XX for The Museum of Modern Art. The Museum of Modern Art, New York. James Thrall Soby Fund © 2026 Artists Rights Society (ARS), New York/ADAGP, Paris/Estate of Marcel Duchamp

08/05/2026

The art world is entering August holiday mode -- the final relaxing calm before the storm that is the Fall art season. To celebrate, we are sharing this incredible collection of images curated by Charles Geoffrion featuring famous artists at the beach. See how many you can guess now. Captions coming later today. Enjoy! 😎🖤AS

06/21/2026

Congratulations to COMPANION on the opening of ‘Coordinates of Belonging,’ a beautiful exhibition celebrating the summer solstice, and a group of artists who share a slow, curious relationship with land, with spacetime, and with each other.

Presented in verdant gardens designed by Merritt Chase and intimate cottage spaces, the exhibition features sculpture, painting, ceramic, textile, video, and sound works.

ON VIEW
June 20 — July 19, 2026
 Kevin Allison, Aleyah Austin, Stephanie Barlow, Kim Beck, Ellery Diaz, Meris Drew, Lalana Fedorschak, Stuart Hyatt, Dana Lynn Harper, Maura Jasper, Danicia Monét Malone, James R. McKenna, Chris Merritt, Rebekah Nolan, Shamira, Max Trumpower, Seneca Weintraut ___________ 
White River Farm is a beloved multi-generational family property and former farmstead along the White River in Indianapolis. The original landscape was designed by renowned Danish- American landscape architect Jens Jensen in the 1920s. Landscape architects revisited these plans in the 2020s, with a focus on preserving the property’s historic character and honoring the legacy of the landscape while enhancing the environmental stewardship of the property.

Guided garden walks are included with open hours viewing appointments. View exhibition events and book appointments online.

06/10/2026

brings the international art world together. Open 18-21 June, the fair features over 200 leading galleries and more than 4,000 artists from five continents. The fair was founded in Basel, Switzerland, in 1970 as a bold experiment—one conceived by gallerists, for the benefit of galleries, artists, and collectors. From the outset, it combined commercial rigor with curatorial ambition, reinforcing quality, transparency, and curatorial coherence that have helped define the professional standards shaping the sector today.

Over the last 25 years has launched fairs in Miami, Hong Kong, Paris, and now Qatar. It operates as the preeminent global marketplace for art, bringing international fairs, year-round initiatives, research, awards, and partnerships onto a single powerful platform.

has previewed many of the gallery presentations and put together a selection of some of our favorite artworks from the fair.
richter ‘STRIP’, 2005, Digital print on paper
‘LOVE’, 1966–2006, Portoro marble
‘Unsui (Duet)’, 2026, Sequins and felt
Günther Förg ‘Untitled’, 2007, Acrylic and oil on canvas
‘Untitled’, 2006, Oil on linen
Lynne Drexler ‘Untitled’, 1960, Oil on canvas
Marcel Broodthaers ‘Untitled’, 1967, Egg shells, resin, and feathers
‘Six Bardos: Luminous Appearance’, 2018, 19 color aquatint
Robert Rauschenberg ‘Awn/ROCI MEXICO’, 1985, Silkscreen ink, acrylic, fabric, and graphite on canvas
‘Rising’, 2019, Mixed media on canvas
’Speed’, 2026, bronze and lacquer
‘Numbers and Trees: Tanzania Series’, 2026, Acrylic sheet, acrylic, and photograph

06/03/2026

While in NYC for , auctions, and gallerie openings in May, had the opportunity to visit with two incredible artists. We did a studio visit with , and we went to a book signing hosted by for at a private residence. It is important to be able to hear from artists about their work in their own words, and both of these artists incorporate intricate detail and layer upon layer of meaning in all the work they create.

Known for his provocative interventions into Western European and American art history, (Canadian, b. 1965) explores themes of colonization, sexuality, loss, and resilience—the complexities of historic and contemporary Indigenous experiences—across painting, film/video, performance, and installation. Monkman’s gender-fluid alter ego Miss Chief Eagle Testickle often appears in his work as a time-travelling, shape-shifting, supernatural being who reverses the colonial gaze to challenge received notions of history and Indigenous peoples. is a member of ocêkwi sîpiy (Fisher River Cree Nation) in Treaty 5 Territory (Manitoba, Canada), he lives and works between New York City and Toronto.

’s (American, b. 1950) works on paper are a complex melange of materials and mediums, which can include acrylic and gouache paint, graphite drawing, rubber stampings, color copier transfers, transfers from magazine illustrations and fruit labels, linoleum block printings, and ink drawings. Hammond derives her images from a multitude of interests. As she works, seemingly dissimilar elements begin to trigger associations.

05/06/2026

builds bespoke art collections for our clients that align with the mission, vision, and values of each project, place, and space. The campus is also a 300-acre arboretum, home to over 6,000 trees and shrubs representing more than 190 plant species.

As part of our program for Kirkland Hall, we invited artist to create a pair of site-responsive paintings for the building. This video captures Sam’s time on campus making the paintings outside the building where they now reside.

In fact, time and mortality are the metaphorical undercurrent of his subject matter. Originally working with photography, Falls abandoned the medium-specific tools such as the camera, film, and printing over a decade ago to work more intimately with the conceptual precepts of photography – time, exposure, and representation.

Known for his site-specific, durational works that engage nature as both medium and subject, Falls creates artworks that serve as primary sources of prolonged exposure to the atmosphere and environment, bridging the gap between artistic production and the viewer of the finished piece and carrying the ecology of a place and the history of its experience.

’ fourth solo exhibition , “Amongst the Living,” brings together a new body of work that incorporates painting, ceramics, and photography. In the exhibition, Falls returns to traditional photography, integrating it with his idiosyncratic processes for painting and sculpture, developed through working with the environment en plein air, and expands and collapses the media together. On display through 30 May 2026.

Video
Photography and

04/29/2026

Paul Villinski has been creating studio and large-scale artworks for over three decades. A pilot of sailplanes, paragliders, and single-engine airplanes, he often uses metaphors of flight and soaring in his work. He explains, “Much of my work has wings of one sort or another. As an ‘Air Force brat,’ I grew up surrounded by planes and pilots with clouds in their eyes, and eventually got my own license to fly. I can't glance out the window without studying the sky and wishing I were in it. I'm not alone in this: from Leonardo to Lindbergh to Lenny Kravitz, the desire to "fly away" has had a grip on our collective imagination for millennia.”

Villinski has also had a lifelong passion for environmental issues. His art often reuses discarded materials, resulting in surprising and poetic transformations. This custom installation for historic Kirkland Hall features different species of birds made from LPs by musicians connected to Nashville. The artist aimed to create a piece that celebrates Nashville’s renowned and storied role in music.

Paul’s work with LP records mainly revolves around the ideas and efforts of musical artists sharing their work with the world, spreading influence and inspiration like migrating birds carried by the wind. It’s about how music, and by extension all art, can connect us, comfort us, shape us, and transform us in small and big ways – in ways its creators may never even imagine.

Paul Villinski (American, b. 1960)
Conversation, 2025
Vinyl LP records
Site-specific installation created for Vanderbilt University

Address

Carmel, IN
46032

Telephone

+13178090403

Website

http://www.art-strategies.com/

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