Elissa Cox Wenthe Ceramics

03/01/2026

Exciting summer plans!

Explore the Twenty-Flourish Podcast about navigating your twenties, featuring episodes on travel, relationships, and personal growth. Tune in for relatable insights.

01/07/2026

❤️

Today we're sharing work from Elissa Cox Wenthe in our "gesamtkunstwerk" exhibition; "Botanical Study," Ceramic, Glaze, 2025
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01/03/2026

Reflecting on 2025 - lots accomplished! I had the opportunity to participate in three art fairs, a 3-person exhibition , a group traveling exhibition, a solo exhibition, and an online exhibition. I also donated to three fantastic fundraisers. In 2026, I'm aiming for a bit less but still create just much art .

12/03/2025

As an artist, I have a lot of art/curator “crushes,” and at the very top of that list is Daniel Krysa . I’ve read all her books, followed her socials for years, and listened to her podcast forever.
So when the amazing crew put out a call for Gesamtkunstwerk with Daniel as the curator, I was beyond excited—and even more thrilled to be selected for the online show!
There are so many incredible artists included, including , who I spent my childhood with!
Huge thank you to for all your incredible work and to for including me. Feeling very grateful and very inspired. ✨🎨

11/24/2025

Wrapped up my show at today. Great to see my artwork again, and all pieces made it home safely except for two that found new owners. Thanks to for having me.

10/15/2025

https://www.nwestiowa.com/discover/organic-ceramics/article_3e01aca8-4bb6-4f93-a7c3-5c03d11379b2.html

New art exhibit showcases work of Elissa Cox Wenthe

09/28/2025

All set up downtown Ames, IA. I am at booth 77 with Andrew all day.

09/13/2025

09/07/2025

Perfect weather. Excellent partner. Ready for the last art festival of 2025 in Ames Iowa on the 28th

09/05/2025

What Remains, 2025

Ceramic, Glaze



These vessels carry the memory of bloom. Ephemeral forms—petals, stems, and seed pods—are molded into clay, frozen in time on the surface. They stand as quiet containers, covered with traces of the natural world, yet empty within. Their hollowness is intentional: a reminder that what remains is not the thing itself, but its impression, its echo. Both fragile and enduring, the vessels hold absence as much as presence.