Steven Minchin

Steven Minchin A spot to share the art, the inspirations, the influences and the experience of living w. creating

06/02/2026

• This's about the poem:

La Armament.
Shatter the binary and step into the fray where Steven’ing becomes a kinetic verb; this piece is an identity-runway collision, a sweet-and-sour strike against the mundane that demands you stop the malfunction and embrace the beautiful, jagged friction of the Now.

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Kinetic ID: ​Steven Minchin explodes the boundaries of moving image media in the digital debut of the armament, a piece where high-contrast industrial glare meets the raw momentum of concrete visual poetry. This high-velocity edit locks the viewer into a luminescent split-frame battlefield, splitting the screen into a dual-portrait symmetry that radiates bright teal electronic halos and intense mechanical tension. Words do not merely sit on the screen; they function as a rhythmic, percussive overdrive, stacking bracketed typography like kinetic masonry directly across the terrain of the face. It is an uncompromised, non-destructive surge of avant-garde energy—a precision-engineered intersection of text-fragmentation and digital symmetry that commands total screen presence and absolute visual dominance through sheer aesthetic velocity.

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• BEWARE POETRY . OH NO, MARY It may be unconventional to boot»•« • «drop the malfunction«This is the urgent, cutting c...
06/01/2026

• BEWARE POETRY . OH NO, MARY

It may be unconventional to boot

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• «drop the malfunction«
This is the urgent, cutting call to action to cease the internal feedback loop, where “Steven’ing” transforms into a swerved verb that constructs an entirely new identity runway—strip away the misleading and claim your own momentum.
to get a way—your way.

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Free Sample from 100subtexts literary magazine №. 45 - I've got 5 new poems there.

Hit the ol Link in Bio and Get Some

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Kinetic ID: Steven Minchin injects a high-voltage avant-garde poetry takeover directly into the digital art slipstream. This visual poetry activation disrupts conventional literary structures, transforming experimental text into a kinetic engine of pure contemporary poetry momentum. By anchoring the strategic deployment of modern concrete poetry and innovative language arts, this movement establishes an uncompromised artistic footprint across underground publishing channels. Every element operates as an assertive vector for progressive visual text and independent authorship, driving maximum audience growth and commanding immediate structural tension within the avant-garde arts landscape

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• BEWARE POETRY . OH NO, MARY It may be unconventional to boot»•« • Resume´ /or/ Limited TherapyThe ultimate merger of ...
05/31/2026

• BEWARE POETRY . OH NO, MARY

It may be unconventional to boot

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• Resume´ /or/ Limited Therapy
The ultimate merger of digital decay and high-art therapy, this piece is the “hot thrust” of the bare underside of existence, daring the reader to quit the therapy, take the endorsement, and finally destroy the old version of Steven to get a way—your way.

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Free Sample from 100subtexts literary magazine №. 45 - I've got 5 new poems there.

Hit the ol Link in Bio and Get Some

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​Kinetic ID:
Poet and artist Steven Minchin calibrates a high-voltage typographic transmission, wielding the luminous vertical friction of a ruptured light shaft to propel this visual poem through atmospheric cyan, transforming the structural tension of the verse into an indestructible, kinetic broadcast.

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05/31/2026

• ​This, Love, This sequence flares with the pulse of 5 distinct kinetic strikes featured in Issue № 45 of 100subtexts, framing a celebratory collision between structural tension and high-art momentum.

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ID: A high-voltage digital reel featuring Steven Minchin driving a kinetic typographic transmission of five distinct poetic strikes. The continuous forward motion of a pulsing, high-contrast silhouette vibrates against an electric cyan frequency, creating a luminous manifesto. Text overlays inject sheer, unvarnished visual velocity, merging moving image and literature into a radiant industrial assembly that captures viewers through structural tension.

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.☆. Of Course «• I hope you check out my Poems in Iss. №. 45 of 100subtexts literary magazine - .☆. But Then Forget abo...
05/30/2026

.☆. Of Course «• I hope you check out my Poems in Iss. №. 45 of 100subtexts literary magazine -

.☆. But Then Forget about me and Read the Amazing Poets , Artists •&• Writers that are keeping me company . [Slide 2 Please] .

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《 Endure Now 》

• a weird from our wonderful publisher and editor

Welcome to issue 45 of 100subtexts - a monthly issue of creative writers and poets across the planet.
Over 250 pages, packed with fiction, fact, fantasy, poetry, in short, long, dark, light, and all spaces between, featuring 96 pieces of work by 42 contemporary writers and poets.

Issue 45 has a whole range of work from contemporary writers and poets, from the subtle to the edge, giving you a line up of independent fiction and poetry that is fresh and bursting to go.

Enjoy this new issue of 100subtexts, this new collection of work, creative writing and poetry, combined in one dynamic package. grab yourself a copy, instantly available planet-wide, just click on the link [on bio - line/ their's]: https://payhip.com/b/m2TnY

《 Endure Now 》

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ID: Steven Minchin propels the kinetic velocity of the digital frame, driving a brilliant light column against mirrored typography in slide one before expanding the collaborative momentum across a high-voltage, unified typographic grid of featured contemporary writers in slide two.

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• Here's a little cut up Poem from my recent set of 5 Poems out in the current issue of 100subtexts literary magazine »•...
05/29/2026

• Here's a little cut up Poem from my recent set of 5 Poems out in the current issue of 100subtexts literary magazine

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[bang] [bangin]

So I can't tell you that the bare malfunction slipped in, with a hot thrust of revelry

Swerved, died, and got out your salacious poetry codename, to rebirth and merge

Endorsements of an apathy, that swerved verb creating the fatality of you/me

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Kinetic ID: Steven Minchin amplifies the structural frequency of 100subtexts 45, wielding this luminescent beam to galvanize the visual architecture and propel his poetic contribution into a state of permanent, high-voltage acceleration.

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• CATCH THE CUT: 100subtexts № 45's OUT IN THE WILD ... . •&• . ... ​I've got 5 wanton pieces Steven'ing their way 'roun...
05/29/2026

• CATCH THE CUT: 100subtexts № 45's OUT IN THE WILD ... . •&• . ...

​I've got 5 wanton pieces Steven'ing their way 'round the pages of 100subtexts literary magazine № 45. [Thank You] John Hopper [] 's curated a space that demands attention, and these poems are the result of that alignment—five distinct, kinetic strikes at the machine that invite you to see the work for what it is. The anatomy of each piece's broken down below, so get into the bare underside of these poems, uncover the pulse of what's been crafted, and see where they're cutting right now.

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​La Armament
Shatter the binary and step into the fray where Steven'ing becomes a kinetic verb; this piece is an identity-runway collision, a sweet-and-sour strike against the mundane that demands you stop the malfunction and embrace the beautiful, jagged friction of the Now.

​«drop the malfunction«
This is the urgent, cutting call to action to cease the internal feedback loop, where Steven'ing transforms into a swerved verb that constructs an entirely new identity runway—strip away the misleading and claim your own momentum.

​In-between ATB et Me et al.
An exorcism of memory and pop-culture apathy, where the Hulkster and the DNC collide in a fever dream of regret and raw, unvarnished confession that asks: who are you when the script finally burns, and you’re caught between names, memories, and the absolute finality of what's already out there?

​Cashman Casino
Don’t miss the merge into the high-stakes digital void, where the 《!》 signals a sudden, sharp rupture in the expected narrative; this is a frantic, high-energy dash through the casino of existence, daring you to confront the symbols that define your current reality.

​Resume´ /or/ Limited Therapy
The ultimate merger of digital decay and high-art therapy, this piece is the "hot thrust" of the bare underside of existence, daring the reader to quit the therapy, take the endorsement, and finally destroy the old version of Steven to get a way—your way.
​
• be well

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ID: Electric blue, terminal and humming, this screen-state void bisects the silence with a single, brutal slash of light. It is a geometric rupture, a clinical horizon line that frames the stark, white, sans-serif typography of 100subtexts № 45 and Steven Minchin, locking them into a rigid, terminal focus to reveal the bare, humming frequency of a signal about to break.

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05/29/2026

• This is what I was found saying about me in a certain magazine where 5 of my poems may or may not currently be saying something. This may or may not be a biography.

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ID: Steven Minchin dominates the screen with a calculated surge of kinetic energy, the raw, glitch-saturated imagery aligning perfectly with the rapid-fire cadence of the narrative to transform the viewing experience into a masterclass of structural tension and digital momentum.

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05/27/2026

• Live Signal Live «!»

​The visual velocity keeps accelerating with this transmission. Pushing past, pushing on the pump of the 100subtexts feature, and riding the hot, humming, unanchored momentum of the core glitch.

​Run the rhythm, flood the feed.

Broadcast this abstract frequency to anyone who needs a high-contrast shock of adrenaline.

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ID: Steven Minchin drives a high-voltage digital manifesto, utilizing multi-layered red and black frames that pulse with a celebratory kinetic rhythm to broadcast his multidisciplinary evolution through an abstract digital film.


05/24/2026

• Signal locked «!»

This is the visual reentry of a relentless audio broadcast.
Turn the volume up, let the glitch take hold, and transmit this frequency to anyone whose feed needs a high-voltage shock today.

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​ID: Steven Minchin electrifies this digital broadcast, syncing the high-altitude momentum of a cosmic reentry with a rapidly shifting, glitch-vibrant video portrait of his face pulsing under thick, crimson-laced scan lines. As bold, moving typography layers over the shadowed, visceral textures of his portrait, the sheer kinetic energy of an asteroid clearing the atmosphere is channeled directly into the visual noise, projecting a triumphant, omnipresent transmission of his arrival into the avant-garde underground.

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