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So much more than just a jolly fat man, John Candy was one of those performers who seemed to have comedy right down in h...
30/01/2022

So much more than just a jolly fat man, John Candy was one of those performers who seemed to have comedy right down in his bones. When he added a pinch of pathos, the results could be devastating. By far the finest in that elite subgenre of movies about stressed-out guys trying to get back to their loved ones for the holidays, Planes, Trains and Automobiles works not because both its frontmen (Candy is joined by Steve Martin) are effortlessly hilarious – though they are, and it’s wonderful. But it’s all leading up to that finale, a sequence of unforgettable, tear-jerking poignancy.

It takes some kind of genius to make a comedy out of a thermonuclear holocaust – and arch pessimist and master filmmaker...
30/01/2022

It takes some kind of genius to make a comedy out of a thermonuclear holocaust – and arch pessimist and master filmmaker Stanley Kubrick was that very genius. Originally intent on a serious treatment (based on Peter George’s book Red Alert), Kubrick abandoned the attempt because most of his ideas for it ‘were so ludicrous’. The black comedy that resulted – detailing the terminal implications of a mad, lone general’s decision to push the nuclear button – was arguably the director’s greatest achievement.

What to say when a film is creeping towards its first century but still feels as timely, relevant and subversive as it d...
30/01/2022

What to say when a film is creeping towards its first century but still feels as timely, relevant and subversive as it did on release? The Marx Brothers’s best movie, Duck Soup takes them far out of their New York music hall milieu and into a kind of twisted miniature Mittel-Europa filtered through immigrant memory and fairytales, where war is brewing between the proud people of Freedonia and the crypto-fascists of neighbouring Sylvania. With a far lighter touch than Chaplin’s Great Dictator, the film lampoons not just fascism but patriotism and politics in general: this is satire deployed both with a sledgehammer and a scalpel, often in the same scene.

This first (and so far only) feature from British TV and radio comedian Chris Morris dared to mock the stupidity of home...
30/01/2022

This first (and so far only) feature from British TV and radio comedian Chris Morris dared to mock the stupidity of homegrown British jihadis in the wake of 2005’s terror attacks on London. Framed as a slapstick sitcom and built on solid satirical foundations, Morris and his co-writers based much of their script on evidence and court transcripts relating to real cases of DIY terrorism. In the years since, the film has become a regular reference point in the news as life – tragically and comically – continues to imitate art.

Mel Brooks’s finest genre parody succeeds as a hilarious send-up because it’s also a love letter to the classic 1930s Fr...
30/01/2022

Mel Brooks’s finest genre parody succeeds as a hilarious send-up because it’s also a love letter to the classic 1930s Frankenstein movies. As the old Baron’s grandson (co-writer Gene Wilder) brings the family business back to life, Brooks milks the familiar material to the point of absurdity – notably when Wilder performs a tuxedo-ed song-and-dance duo to prove his monster (Peter Boyle) is a civilised creation. The knockabout is great fun, but knowing the originals only increases one’s appreciation.

When New York is invaded by ghastly ghouls, who you gonna call? You know the answer: four self-styled Ghostbusters ready...
30/01/2022

When New York is invaded by ghastly ghouls, who you gonna call? You know the answer: four self-styled Ghostbusters ready to dash in and zap the spirits into oblivion. Much of this sci-fi-comedy’s charm lies in its have-a-go-heroes: these underdogs are thrown into the spotlight with delightful results. Bill Murray’s deadpan, womanising scientist is an undoubted highlight, while Rick Moranis brings crazy character humour as the dork living in the most haunted building in Manhattan.

Sure, this is Dustin Hoffman’s show – he’s the gut in a dress, after all. But it’s Bill Murray who sticks in the memory:...
30/01/2022

Sure, this is Dustin Hoffman’s show – he’s the gut in a dress, after all. But it’s Bill Murray who sticks in the memory: the source of most of the film’s big laughs and a goodly portion of its soul. Looking back, the concept of a guy dressing up as a woman to get a better job is a vaguely uncomfortable one, and its approach to feminism is badly out-dated. But the performances still shine, the script still sparkles and director Sydney Pollack’s smooth ’80s style still charms. Now hang on while I fix my lippy.

Woody Allen establishes his on-screen persona as a haplessly neurotic would-be lover in this sparkling adaptation of his...
30/01/2022

Woody Allen establishes his on-screen persona as a haplessly neurotic would-be lover in this sparkling adaptation of his 1969 Broadway play, where he’s a movie critic so obsessed by Casablanca that he’s conjured up an imaginary Humphrey Bogart to dispense hard-boiled wisdom. Bogey’s kiss-or-kill strategies couldn’t be less appropriate, which is where the fun starts, and Diane Keaton makes a most appealing romantic foil as events head to a wittily achieved airport finale with deliciously misappropriated classic movie dialogue.

Bridesmaids is way more than just a lads comedy with the genders switched. Sure, there are some of the bad-taste trappin...
30/01/2022

Bridesmaids is way more than just a lads comedy with the genders switched. Sure, there are some of the bad-taste trappings, but it more than outgrows them with its silly-but-smart script and the lively direction from Freaks and Geeks legend Paul Feig. Even better, though, is the note-perfect casting. Kristen Wiig's performance as Annie is raucously hilarious (her impersonation of a p***s is a highlight), as is Rose Byrne, whose deadpan performance as Helen is severely underrated. Mostly, though, it works because the relationships between the women feel real and honest.

Voted Australia’s favourite homegrown film, this modest fable about ordinary folk battling the vested interests who have...
30/01/2022

Voted Australia’s favourite homegrown film, this modest fable about ordinary folk battling the vested interests who have issued a compulsory purchase order on their property manages the rare trick of laughing with its characters while getting significant comic mileage from their deficiencies of taste, common sense and general knowledge. The Kerrigan household aren’t the sharpest tools in the box, but their affectionate family bond creates a sense of home as something you just can’t put a price on. An irresistible feelgood charmer.

‘My movies rise below vulgarity,’ Mel Brooks once quipped in the salad days of his career. Exhibit A for that claim, sur...
30/01/2022

‘My movies rise below vulgarity,’ Mel Brooks once quipped in the salad days of his career. Exhibit A for that claim, surely, is Blazing Saddles. A satire of Hollywood’s white-centric accounts of the American West, and told from the perspective of the first black sheriff in an all-white town, the film can be wince-inducing in the politically-charged, highly racial tone of its humour. Co-written by Richard Pryor (and co-starring Gene Wilder), it remains a riot of bad taste. John Wayne was offered a cameo role, Brooks once claimed in an interview. After reading and considering the script, the iconic Cowboy declined the opportunity. The dialogue, he said was ‘too dirty’. Amen to that.

Did someone say fish in a barrel? Okay, so the fashion world isn’t exactly a challenging subject for satire but Ben Stil...
30/01/2022

Did someone say fish in a barrel? Okay, so the fashion world isn’t exactly a challenging subject for satire but Ben Stiller’s tale of international intrigue, haute couture and ludicrous pretension has such great gags, committed performances and cod sincerity that it’s hard not to guffaw. Stiller’s Zoolander is a supermodel on the slide, threatened by up-and-comer Owen Wilson, exploited by grasping designer Will Ferrell and constrained by his gargantuan stupidity, source of most of the big laughs. But he’s also insecure, well-meaning and basically quite sweet, which makes his story all the more amiable.

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