Studio WUWU

Studio WUWU A photographer's eye, a designer’s precision, and an artist's sensibility.

Cheng-Tse understands the creative process from the inside out, ensuring your masterpieces are documented with absolute fidelity. 吳承澤橫跨視覺藝術與平面設計兩端,可藉由其攝影系列作品《河,城市。》(2022-)、《Landscape》(2020-)、《自主健康管理》(2021)看出端倪。藝術家的感性直觀促使其將自身感受藉由相機投射到現實世界中;設計師的理性思維則思考鏡頭語彙與現成物符碼,透過攝影轉譯真實世界,並藉由影像中符碼的交互指涉來探討其背後隱藏的象徵性內容。


吳承澤是藝術團體《OGA超限游擊》成員之一(2020-2021)。在這期間他以藝術家身份參與臺北市立美術館《2021 X-site《爆炸容器》-多重真實》以及臺灣當代文化實驗場C-LAB《超編碼

—地理圖/誌的當代藝術測量術》等展覽。其中更以《爆炸容器》獲得臺北市立美術館《第 8 屆X-site 計畫-多重真實》首獎。

除藝術家身份之外,吳承澤也以平面設計師身份介入當代藝術展覽場域。他曾擔任有章藝術博物館《特別容器-合一與分別地界》(2021)、《2021年典藏展-沉積物》、臺灣當代文化實驗場C-LAB《超編碼—地理圖/誌的當代藝術測量術》(2021)視覺設計統籌,以及臺北市立美術館《2021 X-site《爆炸容器》-多重真實》、有章藝術博物館《2021大臺北當代藝術雙年展-複調神話》視覺設計。

Artwork Documentation by Cheng-Tse Wu, 2024All information from exhibition booklet.PIERRE HUYGHELIMINAL2024 Palazzo Gras...
14/08/2026

Artwork Documentation by Cheng-Tse Wu, 2024
All information from exhibition booklet.

PIERRE HUYGHE
LIMINAL
2024
Palazzo Grassi - Punta della Dogana, Venice, Itally

"Liminal," an exhibition conceived by Pierre Huyghe in close collaboration with curator Anne Stenne, presents important new creations alongside works from the last ten years, notably from the Bourse de Commerce - Pinault Collection.

Pierre Huyghe has long explored the relationship between the human and the non-human and conceives of his works as speculative fictions from which other modalities of the world emerge. For him, fictions are "vehicles for accessing the possible or the impossible—what could be or not be."

With "Liminal," Pierre Huyghe transforms the Punta della Dogana into a dynamic and sensitive environment in perpetual evolution. The exhibition is a transitional state populated by human and non-human creatures and becomes the site for the formation of subjectivities that are constantly learning, changing, or hybridizing. Their memories are continually amplified by information gleaned from events that traverse the exhibition, both perceptible and imperceptible.

For Pierre Huyghe, the exhibition constitutes an unpredictable ritual, where new possibilities are generated and coexist, without hierarchy or determinism. With "Liminal," the artist questions our perception of reality as if we were becoming strangers to ourselves, from a perspective other than that of the human—the inhuman.

恭喜品潔^^也很榮幸這組照片上台新藝術基金會的網站了
09/01/2026

恭喜品潔^^也很榮幸這組照片上台新藝術基金會的網站了

𝐀𝐑𝐓𝐚𝐥𝐤𝐬: 藝論紛紛 特約評論人 #許家峰
► 在褪色之後…生命綴化與記憶漂洗的感官敘事——伍品潔個展《在褪回底色之前》
⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯

❝伍品潔的「藍」,在無數層布料的擠壓與浸漬中,試圖捕捉那些隨遷移而丟失、關於「家」與「時間」的殘片。這些被染液覆寫的物件不再只是靜態植栽,而是藝術家身體勞動後的記憶的顯影現場。❞

▍閱讀全文 ▷ https://reurl.cc/pK2Myl

#伍品潔 #在褪回底色之前 #綴化 #存在 #消逝 噪山

圖說|伍品潔〈在褪回底色之前〉, 紙漿、⾺藍、3D列印結構、角料、珍珠石、灑水裝置,100x100x95cm,2025|吳承澤攝影|噪山藝術空間提供|

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