It works to find a place for digital art in the real world through hosting exhibitions, workshops, and performances. The Glitch Art is Dead project aims to deny its title, introducing the viewer to a wide spectrum of glitch artworks & showing the vitality of the genre. GAID exhibitions showcase selected works from open calls in Glitch Artists Collective, which is a vast, open artistic community th
at unites glitch artists from all over the world. Founded in 2015 by Aleksandra Pieńkosz and Ras Alhague, fueled by ∞ energy of glitch community. Cooperation proposals –> [email protected]
H I S T O R Y
–> First exhibition took place in Kraków, Poland: http://thecreatorsproject.vice.com/blog/glitch-art-is-dead. Curated by Aleksandra Pieńkosz, Ras Alhague, Jakub Zataj and Troy Ford. Part of its output is a glitch art book that can be downloaded for free here: http://ść-ch.pl/glitch-art-is-dead/
–> Second exhibition was held in Gamut Gallery in Minneapolis, USA. http://www.gamutgallerympls.com/2017/02/10/glitch-art-is-dead/ #:~:text=Hosted%20by%20Gamut%20Gallery%2C%20the,performances%20curated%20by%20Alex%20Kmett. Curated by Miles Taylor, Aleksandra Pieńkosz and Ras Alhague.
–> GAID 2022 is a 3rd international exhibit of Glitch Artists, featured at the K.K. Berge Gallery as part of the Prairie Fyre Arts & Music Festival. Located in the historic Berge building in Granite Falls, Minnesota, USA the 2022 exhibition will be curated by a team of talented artists and organizers:
Miles Taylor (Wood Lake)
Aleksandra Pienkosz (Kraków)
Jeremy Nealis (Madison)
Autumn Cavender-Wilson (Granite Falls)
Scott DeMuth (Granite Falls)
B (Pittsburg)
John Bumstead (Minneapolis)
Kaspar Ravel (Paris)
