Numaish Gah

Numaish Gah Numaish Gah represents contemporary art from around the globe with particular focus on Pakistani Art.

Zulaiha Hassan's work series explores the transformation of negative energy into positive energy, journey towards the en...
16/05/2026

Zulaiha Hassan's work series explores the transformation of negative energy into positive energy, journey towards the enlightenment after delusions. It's about the journey through adolescence into adulthood. Her work captures this evolution and portray the process of turning personal adversity into a source of empowerment. The contrast between darkness and subtle vibrancy within her work symbolizes the coexistence of struggle and strength, negativity and growth.

Enlightenment After Delusion IX
Oil on Canvas
12 x 17.5 inches
2026

The exhibition continues till May 19, 2026 - 11 am to 8 pm, every day. The gallery remains closed on Fridays and national holidays only.

Zukhruf's work explores the emotional bond between people and their past, focusing on the fragile relationship between p...
16/05/2026

Zukhruf's work explores the emotional bond between people and their past, focusing on the fragile relationship between presence, absence, and time. The paintings depict imagined scenes drawn from memory, evoking the visual language of old photographs. Faces are often omitted, allowing posture, gesture, and bodily presence to become the primary carriers of memory.

Through simple actions such as standing, sitting, or holding another person, the body communicates narratives of love, loss, and togetherness. Absence plays a central role in the work, referencing those who are gone, memories that have faded, and moments that cannot be revisited. This absence creates a quiet space for viewers to pause, remember, and reflect where, even in silence, the body speaks.

The exhibition continues till May 19, 2026 - 11 am to 8 pm, every day. The gallery remains closed on Fridays and national holidays only.

The painting series by Zuha Khan displays the suppressed emotions of traumatized children. The illustrative drawings are...
16/05/2026

The painting series by Zuha Khan displays the suppressed emotions of traumatized children. The illustrative drawings are the essence of childhood that are nostalgic parts of everyone's life. The first glance of the artwork looks relatable on humble terms, but the horrors of child abuse and childhood trauma lie in the depth of concept which often goes unnoticed by a major part of society. These paintings demonstrate different aspects of childhood trauma that can ruin child's innocence. These traumas are the consequences of multiple reasons, like the dark effects of wars, sexual abuse, loneliness, child labour and lack of children safety in our society. These are the dark sides of society that can affect the whole life of cheerful children and can push them into abyss of torment and anguish.

This approach allows the viewers to sense the emotional weight of these experiences without resorting to graphic imagery. By highlighting these subtopics, the paintings collectively argue that these issues are not isolated incidents but interconnected forms of systemic neglect toward children’s wellbeing.

Yellow Hope
Oil on Canvas
12 x 18 inches
2026

The exhibition continues till May 19, 2026 - 11 am to 8 pm, every day. The gallery remains closed on Fridays and national holidays only.

Zehra Ali's art is inspired by her father’s life and the challenges he faced in his profession. Due to insufficient trai...
16/05/2026

Zehra Ali's art is inspired by her father’s life and the challenges he faced in his profession. Due to insufficient training, he suffered repeated injuries over several years. These physical struggles affected his emotions and sometimes changed his behavior at home. As a family, they experienced the impact of his pain, anger, and silence.

Through her miniature paintings, she turns these memories into visual stories. She uses different flowers as symbols, with each flower representing a specific emotional state. The strength and resilience of flowers reflect endurance, survival, and emotional power. By combining Mughal miniature techniques with personal experience, her work connects tradition with lived reality.

Perspectives 16
Watercolour on Paper
8.5 x 12 inches
2026

The exhibition continues till May 19, 2026 - 11 am to 8 pm, every day. The gallery remains closed on Fridays and national holidays only.

Wazir Khan's practice is rooted in painting the space between the seen and the felt. As an artist from Loralai, Balochis...
16/05/2026

Wazir Khan's practice is rooted in painting the space between the seen and the felt. As an artist from Loralai, Balochistan, and a graduate of the National College of Arts, Lahore, he uses figures and landscapes to explore what it means to be human.

He is drawn to themes of identity, vulnerability, and the quiet weight of everyday life. Through bold brushstrokes and vivid color, he tries to capture not just how people look, but what they carry inside: resilience, doubt, tenderness, and strength.

He paints ordinary moments that are often overlooked — a face lost in thought, a landscape that feels like a memory, the mundane and the poignant existing side by side. Wazir’s aim is to reveal the extraordinary within the ordinary, to celebrate imperfection, and to trace the invisible threads that connect us.

If his work can make a viewer pause, feel seen, or reflect on their own humanity, then the painting has done its job. He believes art is a conversation, and each canvas is an invitation to empathy.

Thinker
Oil on Canvas
18 x 30 inches
2026

The exhibition continues till May 19, 2026 - 11 am to 8 pm, every day. The gallery remains closed on Fridays and national holidays only.

By synthesizing a maternal lineage of fine art with a paternal heritage in finance. Tanzeef Zaidi’s work examines the "v...
16/05/2026

By synthesizing a maternal lineage of fine art with a paternal heritage in finance. Tanzeef Zaidi’s work examines the "value" of the image. He draws from the formal language of the Pahari and Mughal schools to investigate how the aesthetic labor of the miniature mirrors the intricate security features of global currency.

Through this lens, the wasli becomes a site where landscape, ornament, and technical precision coexist as signifiers of control. By recontextualizing traditional motifs within the framework of financial design, he challenges the viewer to consider how visual systems—both historical and contemporary—are engineered to project stability, legacy, and power. Using gouache on wasli with photo-transfer, his practice examines the inherited systems to show how art and economics continually collaborate to shape cultural meaning and visually consolidate power across different eras.

The exhibition continues till May 19, 2026 - 11 am to 8 pm, every day. The gallery remains closed on Fridays and national holidays only.

A story narrated to Taha Abbas during his childhood spoke of a massacre that took place in Theri, a village near Khairpu...
16/05/2026

A story narrated to Taha Abbas during his childhood spoke of a massacre that took place in Theri, a village near Khairpur, Sindh, where more than 100 people were brutally killed. The injured hid among the corpses, but the attackers drove buffaloes over them, crushing the survivors.

‘Buffaloes crushed the injured beneath their feet’ — this line haunted him the first time he heard it, and every time the elders retold the story afterward. He could never comprehend how such an innocent creature, one that harms no one and quietly goes about eating and bathing on its own, could be made to commit such an act.

As time passed and he continued his studies in Karachi, the same feeling resurfaced when he heard news of a police raid on university students later found to be involved in criminal activities; of a person in a bomber jacket taking hundreds of lives with him; of people giving their time, money, and lives to the corrupt and the evil; of societies living by distorted principles. Once again, he saw buffaloes running over corpses.

The buffaloes were never the true culprits behind the violence, but merely tools controlled by a ringmaster. To him, the world began to resemble a circus — where university students become target killers, politics steals people’s rights, and religion is twisted into violence.

Having chosen Miniature Painting as his major, a technique historically used to narrate stories of kings, wars, and courtly life, he employs satire to express these feelings. He paints the stories he grew up with in Karachi, the stories that remained embedded in his heart and mind. Calling it a circus, he portrays the innocent beings manipulated into acts of destruction with the full force of their strength. His work stands as a socio-political satire.

Gunny Bags of Karachi
Watercolour on Paper
12 x 16 inches
2026

The exhibition continues till May 19, 2026 - 11 am to 8 pm, every day. The gallery remains closed on Fridays and national holidays only.

For Sheharbano Hussain, multiple experiences in life are a process of moving through small details, which makes her ques...
16/05/2026

For Sheharbano Hussain, multiple experiences in life are a process of moving through small details, which makes her question and respond to ideas and words in many different ways. During her degree program in miniature painting, she began to explore, through her work, how structured environments condition the way we perceive our surroundings. In her recent body of work, she thinks of the self as a landscape, something we continuously construct and deconstruct over time, much like the urban shifts in her city, where land is constantly being transformed or manipulated.

Her practice is less about producing and more about existing through the act of making. She avoids preconceived ideas and allow the work to grow organically.

Aerial
Gouache on Archival Paper
5 x 5.7 inches
2026

The exhibition continues till May 19, 2026 - 11 am to 8 pm, every day. The gallery remains closed on Fridays and national holidays only.

Shakaib Ahmed’s process is a rejection of the calculated outcome. Guided by pure intuition, he allows the act of making ...
16/05/2026

Shakaib Ahmed’s process is a rejection of the calculated outcome. Guided by pure intuition, he allows the act of making to dictate the life of the work, where the physical gesture and the weight of the medium serve as the primary carriers of meaning. By manipulating materials like emulsion, he captures the atmospheric and the ephemeral—transforming transient moments into tactile, permanent records of time.

The exhibition continues till May 19, 2026 - 11 am to 8 pm, every day. The gallery remains closed on Fridays and national holidays only.

Shadab Saeed's practice settles within the traces of his being and lived experience, unfolding through intuitive, proces...
16/05/2026

Shadab Saeed's practice settles within the traces of his being and lived experience, unfolding through intuitive, process-driven material gestures and image-making. Soft pastels ground and soften the work, alongside other mediums.

The exhibition continues till May 19, 2026 - 11 am to 8 pm, every day. The gallery remains closed on Fridays and national holidays only.

Uncertainty runs through Saman Shabbir's work as a constant undercurrent—not something to resolve, but to inhabit and em...
16/05/2026

Uncertainty runs through Saman Shabbir's work as a constant undercurrent—not something to resolve, but to inhabit and embrace. It becomes a threshold where transformation and new ways of seeing can emerge.

Working with Gadrang on wasli, she paints, cut, and reassemble layered fragments. The act of cutting disrupts the surface, turning wholeness into possibility.

She thinks of life as a series of unopened doors—each decision shaping a different outcome. To know what lies beyond, one must first choose to enter. In this way, multiple doors and choices together form the structure of a life.

The work does not offer certainty, but holds space for ambiguity and quiet tension, inviting the viewer to move through uncertainty with curiosity rather than fear.

The exhibition continues till May 19, 2026 - 11 am to 8 pm, every day. The gallery remains closed on Fridays and national holidays only.

Address

31-F, Main Market, Gulberg 2
Lahore
54000

Opening Hours

Monday 11:00 - 20:00
Tuesday 11:00 - 20:00
Wednesday 11:00 - 20:00
Thursday 11:00 - 20:00
Friday 11:00 - 20:00
Saturday 11:00 - 20:00

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