15/08/2026
๐ต๐๐๐ ๐จ๐๐ ๐ฎ๐๐๐๐๐๐ invites you to ๐๐ก๐๐ : ๐๐๐ง๐ข๐ฅ๐ฆ๐
A New Ground for Seeing
Fourteen is an in-between number. Things are no longer quite where they began, but they have not yet settled into what they will become. It is a useful way to think about an exhibition of artists whose practices come from different histories and continue to change.
๐ฑ๐๐๐ ๐ซ๐๐๐๐๐๐, ๐ฒ๐๐๐ ๐ซ๐ ๐ฑ๐๐๐๐, ๐ช๐๐๐๐๐๐ ๐ซ๐๐๐ ๐น๐๐๐, ๐ซ๐๐๐๐ ๐ฌ๐๐๐๐, ๐ช๐๐๐๐๐๐๐๐ ๐ฎ๐๐๐๐๐๐๐, ๐ซ๐๐๐๐๐ ๐ฎ๐๐๐๐๐๐๐, ๐ณ๐๐๐ ๐ณ๐๐๐๐๐, ๐ด๐๐๐ ๐ด๐๐๐๐๐๐๐๐, ๐ด๐๐๐ ๐ฑ๐๐ ๐ฎ๐, ๐บ๐๐๐๐๐ ๐ท๐๐๐๐๐, ๐ช๐๐๐๐๐๐๐๐ ๐น๐๐๐๐, ๐จ๐๐๐๐๐ ๐น๐๐๐๐, ๐ฝ๐๐๐๐๐๐ ๐ป๐๐๐, ๐๐๐
๐น๐๐๐๐๐ arrive here from different points in their artistic lives. Some have been working for many years; others have taken more recent paths into painting and image-making. There are practices that have accumulated, practices that have shifted, and practices still finding their direction.
๐โ๐๐ก ๐๐๐ก๐ก๐๐๐ ๐๐ ๐คโ๐๐ก โ๐๐๐๐๐๐ ๐คโ๐๐ ๐กโ๐๐ ๐ ๐๐๐๐๐๐๐๐๐๐๐ ๐๐๐ ๐๐๐๐๐๐ ๐ก๐๐๐๐กโ๐๐.
The works move through the familiarโfigures, objects, flowers, landscapes, imagined scenes, the physical act of paintingโbut rarely leave them as they are first encountered. An image can become more than its subject. A material can carry its own meaning. A familiar form can be pushed toward memory, atmosphere, play, tension, or something less easily named.
This is where Katorse becomes interesting.
Its value is not in making fourteen artists share a style, but in allowing their differences to change the way each work is seen.
The longer histories of Camille Dela Rosa, Maia Magpantay, Dante Enage, Jeff Dahilan, Darwin Guevarra, Christian Regis, Lara Latosa, and Raeche meet the different trajectories of Kutz De Jesus, Christian Gonzales, Mary Joy Go, Summer Pasana, Angelo Roxas, and Valerie Teng. They are not arranged here to establish who comes first or who comes next. Their practices simply occupy the same ground, and that proximity gives each work another context.
The featured artistsโ๐ด๐๐๐๐ ๐ฉ๐๐๐๐, ๐ฉ๐๐๐๐๐ ๐ฑ๐๐๐๐๐, ๐จ๐๐๐ ๐ด๐๐๐๐๐๐, ๐๐๐ ๐บ๐๐๐๐ ๐ต๐๐๐๐, ๐ฑ๐๐๐ ๐ท๐๐๐๐ ๐ท๐๐๐๐๐๐๐๐, ๐ถ๐๐๐๐ ๐ฝ๐๐๐๐๐๐๐, ๐๐๐
๐ด๐๐๐๐๐๐๐โadd further voices to this encounter. They widen the range of the exhibition and bring their own histories into the same conversation.
Katorse does not attempt to name a movement or predict what these artists will become. It asks for something simpler and more demanding: to look carefully, to look again, and to notice what changes when one work is encountered beside another.
That is the ground this exhibition offers.
Not sameness, but proximity. Not a fixed conclusion, but room for the work to continue.
Fourteen artists. Different histories. A new ground for seeing.