Nami Art Gallery

Nami Art Gallery We provide distinct selection for art lovers and collectors to promote local artist.

Snapshots at the opening of the exhibit ๐—”๐—ก๐—œ๐— : ๐—ž๐—”๐—ง๐—ข๐—ฅ๐—ฆ๐—˜A New Ground for Seeing๐‘ฑ๐’†๐’‡๐’‡ ๐‘ซ๐’‚๐’‰๐’Š๐’๐’‚๐’, ๐‘ฒ๐’–๐’•๐’› ๐‘ซ๐’† ๐‘ฑ๐’†๐’”๐’–๐’”, ๐‘ช๐’‚๐’Ž๐’Š๐’๐’๐’† ๐‘ซ๐’†๐’๐’‚ ๐‘น๐’...
17/08/2026

Snapshots at the opening of the exhibit ๐—”๐—ก๐—œ๐— : ๐—ž๐—”๐—ง๐—ข๐—ฅ๐—ฆ๐—˜

A New Ground for Seeing

๐‘ฑ๐’†๐’‡๐’‡ ๐‘ซ๐’‚๐’‰๐’Š๐’๐’‚๐’, ๐‘ฒ๐’–๐’•๐’› ๐‘ซ๐’† ๐‘ฑ๐’†๐’”๐’–๐’”, ๐‘ช๐’‚๐’Ž๐’Š๐’๐’๐’† ๐‘ซ๐’†๐’๐’‚ ๐‘น๐’๐’”๐’‚, ๐‘ซ๐’‚๐’๐’•๐’† ๐‘ฌ๐’๐’‚๐’ˆ๐’†, ๐‘ช๐’‰๐’“๐’Š๐’”๐’•๐’Š๐’‚๐’ ๐‘ฎ๐’๐’๐’›๐’‚๐’๐’†๐’”, ๐‘ซ๐’‚๐’“๐’˜๐’Š๐’ ๐‘ฎ๐’–๐’†๐’—๐’‚๐’“๐’“๐’‚, ๐‘ณ๐’‚๐’“๐’‚ ๐‘ณ๐’‚๐’•๐’๐’”๐’‚, ๐‘ด๐’‚๐’Š๐’‚ ๐‘ด๐’‚๐’ˆ๐’‘๐’‚๐’๐’•๐’‚๐’š, ๐‘ด๐’‚๐’“๐’š ๐‘ฑ๐’๐’š ๐‘ฎ๐’, ๐‘บ๐’–๐’Ž๐’Ž๐’†๐’“ ๐‘ท๐’‚๐’”๐’‚๐’๐’‚, ๐‘ช๐’‰๐’“๐’Š๐’”๐’•๐’Š๐’‚๐’ ๐‘น๐’†๐’ˆ๐’Š๐’”, ๐‘จ๐’๐’ˆ๐’†๐’๐’ ๐‘น๐’๐’™๐’‚๐’”, ๐‘ฝ๐’‚๐’๐’†๐’“๐’Š๐’† ๐‘ป๐’†๐’๐’ˆ, ๐’‚๐’๐’… ๐‘น๐’‚๐’†๐’„๐’‰๐’† arrive here from different points in their artistic lives. Some have been working for many years; others have taken more recent paths into painting and image-making. There are practices that have accumulated, practices that have shifted, and practices still finding their direction.

๐‘Šโ„Ž๐‘Ž๐‘ก ๐‘š๐‘Ž๐‘ก๐‘ก๐‘’๐‘Ÿ๐‘  ๐‘–๐‘  ๐‘คโ„Ž๐‘Ž๐‘ก โ„Ž๐‘Ž๐‘๐‘๐‘’๐‘›๐‘  ๐‘คโ„Ž๐‘’๐‘› ๐‘กโ„Ž๐‘’๐‘ ๐‘’ ๐‘‘๐‘–๐‘“๐‘“๐‘’๐‘Ÿ๐‘’๐‘›๐‘๐‘’๐‘  ๐‘Ž๐‘Ÿ๐‘’ ๐‘๐‘™๐‘Ž๐‘๐‘’๐‘‘ ๐‘ก๐‘œ๐‘”๐‘’๐‘กโ„Ž๐‘’๐‘Ÿ.

Snapshots at the opening of the exhibit ๐—”๐—ก๐—œ๐— : ๐—ž๐—”๐—ง๐—ข๐—ฅ๐—ฆ๐—˜A New Ground for Seeing๐‘ฑ๐’†๐’‡๐’‡ ๐‘ซ๐’‚๐’‰๐’Š๐’๐’‚๐’, ๐‘ฒ๐’–๐’•๐’› ๐‘ซ๐’† ๐‘ฑ๐’†๐’”๐’–๐’”, ๐‘ช๐’‚๐’Ž๐’Š๐’๐’๐’† ๐‘ซ๐’†๐’๐’‚ ๐‘น๐’...
17/08/2026

Snapshots at the opening of the exhibit ๐—”๐—ก๐—œ๐— : ๐—ž๐—”๐—ง๐—ข๐—ฅ๐—ฆ๐—˜

A New Ground for Seeing

๐‘ฑ๐’†๐’‡๐’‡ ๐‘ซ๐’‚๐’‰๐’Š๐’๐’‚๐’, ๐‘ฒ๐’–๐’•๐’› ๐‘ซ๐’† ๐‘ฑ๐’†๐’”๐’–๐’”, ๐‘ช๐’‚๐’Ž๐’Š๐’๐’๐’† ๐‘ซ๐’†๐’๐’‚ ๐‘น๐’๐’”๐’‚, ๐‘ซ๐’‚๐’๐’•๐’† ๐‘ฌ๐’๐’‚๐’ˆ๐’†, ๐‘ช๐’‰๐’“๐’Š๐’”๐’•๐’Š๐’‚๐’ ๐‘ฎ๐’๐’๐’›๐’‚๐’๐’†๐’”, ๐‘ซ๐’‚๐’“๐’˜๐’Š๐’ ๐‘ฎ๐’–๐’†๐’—๐’‚๐’“๐’“๐’‚, ๐‘ณ๐’‚๐’“๐’‚ ๐‘ณ๐’‚๐’•๐’๐’”๐’‚, ๐‘ด๐’‚๐’Š๐’‚ ๐‘ด๐’‚๐’ˆ๐’‘๐’‚๐’๐’•๐’‚๐’š, ๐‘ด๐’‚๐’“๐’š ๐‘ฑ๐’๐’š ๐‘ฎ๐’, ๐‘บ๐’–๐’Ž๐’Ž๐’†๐’“ ๐‘ท๐’‚๐’”๐’‚๐’๐’‚, ๐‘ช๐’‰๐’“๐’Š๐’”๐’•๐’Š๐’‚๐’ ๐‘น๐’†๐’ˆ๐’Š๐’”, ๐‘จ๐’๐’ˆ๐’†๐’๐’ ๐‘น๐’๐’™๐’‚๐’”, ๐‘ฝ๐’‚๐’๐’†๐’“๐’Š๐’† ๐‘ป๐’†๐’๐’ˆ, ๐’‚๐’๐’… ๐‘น๐’‚๐’†๐’„๐’‰๐’† arrive here from different points in their artistic lives. Some have been working for many years; others have taken more recent paths into painting and image-making. There are practices that have accumulated, practices that have shifted, and practices still finding their direction.

๐‘Šโ„Ž๐‘Ž๐‘ก ๐‘š๐‘Ž๐‘ก๐‘ก๐‘’๐‘Ÿ๐‘  ๐‘–๐‘  ๐‘คโ„Ž๐‘Ž๐‘ก โ„Ž๐‘Ž๐‘๐‘๐‘’๐‘›๐‘  ๐‘คโ„Ž๐‘’๐‘› ๐‘กโ„Ž๐‘’๐‘ ๐‘’ ๐‘‘๐‘–๐‘“๐‘“๐‘’๐‘Ÿ๐‘’๐‘›๐‘๐‘’๐‘  ๐‘Ž๐‘Ÿ๐‘’ ๐‘๐‘™๐‘Ž๐‘๐‘’๐‘‘ ๐‘ก๐‘œ๐‘”๐‘’๐‘กโ„Ž๐‘’๐‘Ÿ.

The works move through the familiarโ€”figures, objects, flowers, landscapes, imagined scenes, the physical act of paintingโ€”but rarely leave them as they are first encountered. An image can become more than its subject. A material can carry its own meaning. A familiar form can be pushed toward memory, atmosphere, play, tension, or something less easily named.
This is where Katorse becomes interesting.
Its value is not in making fourteen artists share a style, but in allowing their differences to change the way each work is seen.

The longer histories of Camille Dela Rosa, Maia Magpantay, Dante Enage, Jeff Dahilan, Darwin Guevarra, Christian Regis, Lara Latosa, and Raeche meet the different trajectories of Kutz De Jesus, Christian Gonzales, Mary Joy Go, Summer Pasana, Angelo Roxas, and Valerie Teng. They are not arranged here to establish who comes first or who comes next. Their practices simply occupy the same ground, and that proximity gives each work another context.

Nami Art Gallery invites you to Nature X Nurture, a solo exhibition by Abe OrobiaNature does not care. Ilt moves without...
17/08/2026

Nami Art Gallery invites you to Nature X Nurture, a solo exhibition by Abe Orobia

Nature does not care. Ilt moves without malice or pity--ceaseless, cyclical, and indifferent to human suffering. In one moment, it can destroy everything in its path; in the next, it provides the very conditions that make life possible. Ilt nurtures and it devastates. It provides and it deprives. Nature is neither cruel nor kind-it simply exists according to its own order.

Despite humanity's technological achievements, we remain profoundly dependent upon its rhythms. Every breath of clean air, every drop of drinkable water, and every season of abundance reminds us that nature is not merely a resource but an enduring expression of God's grace.

The figures in this exhibition embody both vulnerability and hope. Their exposed forms our shared fragility before the immensity of creation, while their crumpled golden speak of a divinity that has been wounded-but not entirely lost. Though imperfect humanity continues to possess the capacity for compassion, wisdom, and renewal.

As stewards of the Earth, we are entrusted with a responsibility that extends beyond environmental preservation. We are called to nurture not only the world around us but also the virtues within ourselves. Understanding nature requires understanding our own nature-our strengths, our limitations, and our power to create or destroy.

Nature x Nurture explores the intersection of ecology, spirituality, and moral responsibility It is an invitation to reflect on our relationship with creation and with one another. In recognizing both the beauty and the impermanence of life, we are reminded that our greatest legacy lies not in what we possess, but in what we choose to preserve.

Exhibit runs August 16-28, 2026
Artist Reception Aug 22, 6:00pm

๊œฐแดส€ ษชษดวซแดœษชส€ษชแด‡s
๐Ÿ“ ๐Ÿญ๐Ÿฏ๐Ÿด ๐™’๐™๐™ž๐™ฉ๐™š๐™ฅ๐™ก๐™–๐™ž๐™ฃ๐™จ, ๐™†๐™–๐™ฉ๐™ž๐™ฅ๐™ช๐™ฃ๐™–๐™ฃ ๐˜ผ๐™ซ๐™š, ๐™Œ๐™ช๐™š๐™ฏ๐™ค๐™ฃ ๐˜พ๐™ž๐™ฉ๐™ฎ
โœ‰๏ธ ๐—ป๐—ฎ๐—บ๐—ถ๐—ฎ๐—ฟ๐˜-๐—ด๐—ฎ๐—น๐—น๐—ฒ๐—ฟ๐˜†@๐—ผ๐˜‚๐˜๐—น๐—ผ๐—ผ๐—ธ.๐—ฐ๐—ผ๐—บ

16/08/2026

A meaningful piece commissioned by Rocco Nacino, featuring their newly built home and a beautiful family moment with his wife Melissa and their two wonderful kids, including their newborn.

Thank you, Rocco, for trusting NAMI Art Gallery and artist Christian Regis with this special commission. Weโ€™re grateful to have been part of this beautiful moment for your family.

Thank you, Rocco and Melissa, for allowing us to create something that will always have a special place in your home.

And to Christian Regis, thank you for this wonderful piece.

For commissioned works by Christian Regis, you may contact NAMI Art Gallery.

๊œฐแดส€ ษชษดวซแดœษชส€ษชแด‡s
๐Ÿ“ ๐Ÿญ๐Ÿฏ๐Ÿด ๐™’๐™๐™ž๐™ฉ๐™š๐™ฅ๐™ก๐™–๐™ž๐™ฃ๐™จ, ๐™†๐™–๐™ฉ๐™ž๐™ฅ๐™ช๐™ฃ๐™–๐™ฃ ๐˜ผ๐™ซ๐™š, ๐™Œ๐™ช๐™š๐™ฏ๐™ค๐™ฃ ๐˜พ๐™ž๐™ฉ๐™ฎ
๐Ÿ“ ๐‘ท๐’Š๐’๐’๐’†๐’†๐’“ ๐‘ช๐’†๐’๐’•๐’†๐’“, ๐‘ท๐’Š๐’๐’๐’†๐’†๐’“ ๐‘บ๐’•. ๐‘ฒ๐’‚๐’‘๐’Š๐’•๐’๐’๐’š๐’ ๐‘ท๐’‚๐’”๐’Š๐’ˆ ๐‘ช๐’Š๐’•๐’š
โœ‰๏ธ ๐—ป๐—ฎ๐—บ๐—ถ๐—ฎ๐—ฟ๐˜-๐—ด๐—ฎ๐—น๐—น๐—ฒ๐—ฟ๐˜†@๐—ผ๐˜‚๐˜๐—น๐—ผ๐—ผ๐—ธ.๐—ฐ๐—ผ๐—บ

15/08/2026
NAMI ART GALLERY X OPUS MALLExhibit runs Aug 11โ€“23, 2026, at the ๐€๐ญ๐ซ๐ข๐ฎ๐ฆ, ๐Ž๐ฉ๐ฎ๐ฌ ๐Œ๐š๐ฅ๐ฅ, ๐๐ซ๐ข๐๐ ๐ž๐ญ๐จ๐ฐ๐ง ๐ƒ๐ž๐ฌ๐ญ๐ข๐ง๐š๐ญ๐ข๐จ๐ง ๐„๐ฌ๐ญ๐š๐ญ๐ž, ๐๐ฎ๐ž๐ณ๐จ...
15/08/2026

NAMI ART GALLERY X OPUS MALL

Exhibit runs Aug 11โ€“23, 2026, at the ๐€๐ญ๐ซ๐ข๐ฎ๐ฆ, ๐Ž๐ฉ๐ฎ๐ฌ ๐Œ๐š๐ฅ๐ฅ, ๐๐ซ๐ข๐๐ ๐ž๐ญ๐จ๐ฐ๐ง ๐ƒ๐ž๐ฌ๐ญ๐ข๐ง๐š๐ญ๐ข๐จ๐ง ๐„๐ฌ๐ญ๐š๐ญ๐ž, ๐๐ฎ๐ž๐ณ๐จ๐ง ๐‚๐ข๐ญ๐ฒ

For more information and updates, you can visit the official gallery website at www.namiart-gallery.com

15/08/2026

A timeless beauty of "๐ˆ๐ง ๐š๐ง ๐„๐ง๐๐ฅ๐ž๐ฌ๐ฌ ๐’๐ž๐š ๐จ๐Ÿ ๐‚๐ก๐š๐ง๐œ๐ž, ๐ˆ ๐…๐จ๐ฎ๐ง๐ ๐˜๐จ๐ฎ", a captivating floral composition by Summer Pasana. An abundant arrangement of pink blossoms unfolds across the canvas, with every petal delicately shaped to evoke softness, elegance, and natural movement.

The harmonious combination of blush pink, rose, and rich magenta creates a sophisticated yet inviting atmosphere, while the graceful green stems add a touch of freshness and balance. More than a floral painting, the work captures the feeling of a garden in full bloomโ€”a symbol of beauty, renewal, femininity, and life.

This captivating floral artwork by Summer Pasana presents a lush gathering of delicate pink blossoms against a soft blush-toned background. The flowers overlap and unfold organically across the canvas, creating a sense of abundance, movement, and graceful rhythm. Layers of pale pink, rose, and deep magenta give each petal dimension, while the subtle green stems provide a refreshing contrast.

Learn more of Summer Pasana in our website
https://www.namiart-gallery.com/collections/Summer-Pasana




๊œฐแดส€ ษชษดวซแดœษชส€ษชแด‡s
๐Ÿ“ ๐Ÿญ๐Ÿฏ๐Ÿด ๐™’๐™๐™ž๐™ฉ๐™š๐™ฅ๐™ก๐™–๐™ž๐™ฃ๐™จ, ๐™†๐™–๐™ฉ๐™ž๐™ฅ๐™ช๐™ฃ๐™–๐™ฃ ๐˜ผ๐™ซ๐™š, ๐™Œ๐™ช๐™š๐™ฏ๐™ค๐™ฃ ๐˜พ๐™ž๐™ฉ๐™ฎ
๐Ÿ“ ๐‘ท๐’Š๐’๐’๐’†๐’†๐’“ ๐‘ช๐’†๐’๐’•๐’†๐’“, ๐‘ท๐’Š๐’๐’๐’†๐’†๐’“ ๐‘บ๐’•. ๐‘ฒ๐’‚๐’‘๐’Š๐’•๐’๐’๐’š๐’ ๐‘ท๐’‚๐’”๐’Š๐’ˆ ๐‘ช๐’Š๐’•๐’š
โœ‰๏ธ ๐—ป๐—ฎ๐—บ๐—ถ๐—ฎ๐—ฟ๐˜-๐—ด๐—ฎ๐—น๐—น๐—ฒ๐—ฟ๐˜†@๐—ผ๐˜‚๐˜๐—น๐—ผ๐—ผ๐—ธ.๐—ฐ๐—ผ๐—บ

๐‘ต๐’‚๐’Ž๐’Š ๐‘จ๐’“๐’• ๐‘ฎ๐’‚๐’๐’๐’†๐’“๐’š invites you to ๐—”๐—ก๐—œ๐— : ๐—ž๐—”๐—ง๐—ข๐—ฅ๐—ฆ๐—˜A New Ground for SeeingFourteen is an in-between number. Things are no long...
15/08/2026

๐‘ต๐’‚๐’Ž๐’Š ๐‘จ๐’“๐’• ๐‘ฎ๐’‚๐’๐’๐’†๐’“๐’š invites you to ๐—”๐—ก๐—œ๐— : ๐—ž๐—”๐—ง๐—ข๐—ฅ๐—ฆ๐—˜

A New Ground for Seeing

Fourteen is an in-between number. Things are no longer quite where they began, but they have not yet settled into what they will become. It is a useful way to think about an exhibition of artists whose practices come from different histories and continue to change.

๐‘ฑ๐’†๐’‡๐’‡ ๐‘ซ๐’‚๐’‰๐’Š๐’๐’‚๐’, ๐‘ฒ๐’–๐’•๐’› ๐‘ซ๐’† ๐‘ฑ๐’†๐’”๐’–๐’”, ๐‘ช๐’‚๐’Ž๐’Š๐’๐’๐’† ๐‘ซ๐’†๐’๐’‚ ๐‘น๐’๐’”๐’‚, ๐‘ซ๐’‚๐’๐’•๐’† ๐‘ฌ๐’๐’‚๐’ˆ๐’†, ๐‘ช๐’‰๐’“๐’Š๐’”๐’•๐’Š๐’‚๐’ ๐‘ฎ๐’๐’๐’›๐’‚๐’๐’†๐’”, ๐‘ซ๐’‚๐’“๐’˜๐’Š๐’ ๐‘ฎ๐’–๐’†๐’—๐’‚๐’“๐’“๐’‚, ๐‘ณ๐’‚๐’“๐’‚ ๐‘ณ๐’‚๐’•๐’๐’”๐’‚, ๐‘ด๐’‚๐’Š๐’‚ ๐‘ด๐’‚๐’ˆ๐’‘๐’‚๐’๐’•๐’‚๐’š, ๐‘ด๐’‚๐’“๐’š ๐‘ฑ๐’๐’š ๐‘ฎ๐’, ๐‘บ๐’–๐’Ž๐’Ž๐’†๐’“ ๐‘ท๐’‚๐’”๐’‚๐’๐’‚, ๐‘ช๐’‰๐’“๐’Š๐’”๐’•๐’Š๐’‚๐’ ๐‘น๐’†๐’ˆ๐’Š๐’”, ๐‘จ๐’๐’ˆ๐’†๐’๐’ ๐‘น๐’๐’™๐’‚๐’”, ๐‘ฝ๐’‚๐’๐’†๐’“๐’Š๐’† ๐‘ป๐’†๐’๐’ˆ, ๐’‚๐’๐’… ๐‘น๐’‚๐’†๐’„๐’‰๐’† arrive here from different points in their artistic lives. Some have been working for many years; others have taken more recent paths into painting and image-making. There are practices that have accumulated, practices that have shifted, and practices still finding their direction.

๐‘Šโ„Ž๐‘Ž๐‘ก ๐‘š๐‘Ž๐‘ก๐‘ก๐‘’๐‘Ÿ๐‘  ๐‘–๐‘  ๐‘คโ„Ž๐‘Ž๐‘ก โ„Ž๐‘Ž๐‘๐‘๐‘’๐‘›๐‘  ๐‘คโ„Ž๐‘’๐‘› ๐‘กโ„Ž๐‘’๐‘ ๐‘’ ๐‘‘๐‘–๐‘“๐‘“๐‘’๐‘Ÿ๐‘’๐‘›๐‘๐‘’๐‘  ๐‘Ž๐‘Ÿ๐‘’ ๐‘๐‘™๐‘Ž๐‘๐‘’๐‘‘ ๐‘ก๐‘œ๐‘”๐‘’๐‘กโ„Ž๐‘’๐‘Ÿ.

The works move through the familiarโ€”figures, objects, flowers, landscapes, imagined scenes, the physical act of paintingโ€”but rarely leave them as they are first encountered. An image can become more than its subject. A material can carry its own meaning. A familiar form can be pushed toward memory, atmosphere, play, tension, or something less easily named.
This is where Katorse becomes interesting.
Its value is not in making fourteen artists share a style, but in allowing their differences to change the way each work is seen.

The longer histories of Camille Dela Rosa, Maia Magpantay, Dante Enage, Jeff Dahilan, Darwin Guevarra, Christian Regis, Lara Latosa, and Raeche meet the different trajectories of Kutz De Jesus, Christian Gonzales, Mary Joy Go, Summer Pasana, Angelo Roxas, and Valerie Teng. They are not arranged here to establish who comes first or who comes next. Their practices simply occupy the same ground, and that proximity gives each work another context.

The featured artistsโ€”๐‘ด๐’‚๐’“๐’Œ๐’ ๐‘ฉ๐’†๐’๐’๐’, ๐‘ฉ๐’Š๐’๐’๐’๐’ˆ ๐‘ฑ๐’‚๐’—๐’Š๐’†๐’“, ๐‘จ๐’๐’๐’‚ ๐‘ด๐’‚๐’๐’Š๐’†๐’ˆ๐’, ๐’€๐’–๐’ ๐‘บ๐’†๐’“๐’—๐’ ๐‘ต๐’Š๐’†๐’•๐’, ๐‘ฑ๐’๐’‰๐’ ๐‘ท๐’†๐’“๐’“๐’š ๐‘ท๐’†๐’๐’๐’†๐’‹๐’†๐’“๐’‚, ๐‘ถ๐’Ž๐’ƒ๐’๐’Œ ๐‘ฝ๐’Š๐’๐’๐’‚๐’Ž๐’๐’“, ๐’‚๐’๐’… ๐‘ด๐’‚๐’“๐’Š๐’›๐’‰๐’‚๐’“โ€”add further voices to this encounter. They widen the range of the exhibition and bring their own histories into the same conversation.

Katorse does not attempt to name a movement or predict what these artists will become. It asks for something simpler and more demanding: to look carefully, to look again, and to notice what changes when one work is encountered beside another.
That is the ground this exhibition offers.

Not sameness, but proximity. Not a fixed conclusion, but room for the work to continue.

Fourteen artists. Different histories. A new ground for seeing.

In celebration of contemporary art and diverse artistic perspectives, Nami Art Gallery presents "Anim na Katorse", a gro...
14/08/2026

In celebration of contemporary art and diverse artistic perspectives, Nami Art Gallery presents "Anim na Katorse", a group exhibition bringing together 14 participating artists alongside six featured artists at Ayala Artist Space, Ayala Museum, Makati City.

Bringing together different artistic practices and ways of seeing, Anim Na Katorse creates a space where individual voices can exist side by side. Each artist contributes a distinct perspective, allowing it to unfold as a conversation between individual works and the contemporary art community.

Exhibit runs Aug 15 - Sept 1, 2026

๐Ÿ“ARTISTSPACE, Ayala Museum Annex, Makati Ave. Cor. De La Rosa St. Makati City

Learn more in our website.
https://www.namiart-gallery.com/blogs/exhibitions/anim-na-katorse-a-collective

A pleasure to see artists, collectors, friends, and art lovers gathered tonight to celebrate the many ways art allows us...
13/08/2026

A pleasure to see artists, collectors, friends, and art lovers gathered tonight to celebrate the many ways art allows us to see, question, and feel the world around us.

We would also like to sincerely thank Opus Mall for welcoming NAMI Art Gallery into this space, as well as the entire NAMI team and our curatorial team whose dedication helped bring these exhibitions together.

Tonight, NAMI Art Gallery presents The Shape of Everyday Life, The Language of Beauty, Nowadays, Nature X Nurture, Her World, Our Ways, Surface Tension, Quiet Observations, Enduring Visions, Arcadia, and Conversations.

Exhibit runs Aug 11โ€“23, 2026, at the ๐€๐ญ๐ซ๐ข๐ฎ๐ฆ, ๐Ž๐ฉ๐ฎ๐ฌ ๐Œ๐š๐ฅ๐ฅ, ๐๐ซ๐ข๐๐ ๐ž๐ญ๐จ๐ฐ๐ง ๐ƒ๐ž๐ฌ๐ญ๐ข๐ง๐š๐ญ๐ข๐จ๐ง ๐„๐ฌ๐ญ๐š๐ญ๐ž, ๐๐ฎ๐ž๐ณ๐จ๐ง ๐‚๐ข๐ญ๐ฒ

For more information and updates, you can visit the official gallery website at www.namiart-gallery.com

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Pasig
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