Space Encounters Gallery XL

Space Encounters Gallery XL The new Space Encounters Gallery page featuring SpaceXL art gallery and Art Arcade.

Within the vast expanse of the Bitto universe, every character carries a story waiting to be told. Some of these stories...
18/03/2026

Within the vast expanse of the Bitto universe, every character carries a story waiting to be told. Some of these stories unfold quietly, away from the main path. They emerge through what the artist calls “side quests,” small and experimental detours that open space for curiosity, play, and reflection. These moments allow us to step into the more intimate corners of Bitto’s imagination.

SUN RISING is one such detour.

Centered on Sun, a recurring character in Bitto’s work, this exhibition follows a simple but persistent idea: the dream of flight. Throughout the series, Sun appears among paper planes and sky-bound gestures, suspended in a moment of possibility. The works carry a sense of movement and lift, as if each small action could lead somewhere unexpected.

For the artist, flying has long existed as a personal dream that felt just beyond reach. It becomes a metaphor for the aspirations we quietly carry, the ones that seem too distant or improbable to pursue. Through Sun, Bitto gives form to this feeling. The character becomes both a stand-in for the artist and a companion for the viewer, someone who continues to look upward despite uncertainty.

The title SUN RISING hints at both motion and renewal. It suggests the moment when something begins to lift, the quiet instant before flight. At the same time, it echoes the language of astrology, where the rising sign marks the point of emergence, the way one meets the world. In this sense, Sun is not only dreaming of flight but also stepping into view, beginning a new chapter.

Taken together, the works unfold as a focused visual chapter within the wider Bitto universe. A small orbit within a larger constellation. A spin-off dedicated to the dreamer in all of us, and to the quiet courage it takes to believe that even the most impossible dreams might one day take flight.

ABOUT INFERNO I’ve always loved the book Inferno, by Dante Alighieri. I loved the depictions of Hell and the visual repr...
18/03/2026

ABOUT INFERNO

I’ve always loved the book Inferno, by Dante Alighieri. I loved the depictions of Hell and the visual representation of Sin, it felt metal as hell to read, much more imagine by a skaterat high schooler with no internet access. More than that, it showed hell as both a consequence and a choice, revealing that while some inhabitants wallow in their suffering, some have resigned to accepting their fates - warning Dante to choose a better path.

INFERNO is a show deeply personal to me, as it not only is my 4th solo exhibit but also one that marks my 10 years in the creative industry. The show follows two protagonists, my original characters, Dante and Juan, as they traverse hell.

Debuting an entirely new body of work informed by a decade’s worth of experience, the pieces in the show tackle themes of struggle, identity, ego, and the absurdity of following your dreams - and is perhaps an introspective reflection of maybe the journey will far outweigh the destination, if I ever get there. The show aims to invite audiences into the mind of a man who has chosen his hell, made peace with its demons, and is determined to see it through.

- JAPPY AGONCILLO

See you on Sunday art friends and fam!
14/03/2026

See you on Sunday art friends and fam!

Exclusive Artist Tees drops at Art in the Park, featuring art by Mac Eparwa, Drin, and Raco Ruiz. Booth 14 SPACE ENCOUNT...
11/03/2026

Exclusive Artist Tees drops at Art in the Park, featuring art by Mac Eparwa, Drin, and Raco Ruiz.

Booth 14 SPACE ENCOUNTERS GALLERY

15 March 2026, Sunday
ART IN THE PARK 2026
10 am - 10 pm
Jaime Velasquez Park, Salcedo Village, Makati

Congratulations, Rommel, on your first (of many 🤞) international publication feature, and with  no less! Your Space fam ...
06/03/2026

Congratulations, Rommel, on your first (of many 🤞) international publication feature, and with no less! Your Space fam is so proud of you and cheering you on. 💖

Details from the publisher:

How is space seen and felt? Our new release ‘This is Where We Live’, gathers over 200 illustrated stories reimagining space, place, and the ways we inhabit them.

Today’s most inventive illustrators turn floor plans into fictions, cities into dreams, and rituals into visual systems. Their cutaways, axonometrics, and playful maps reveal how drawing becomes a tool to imagine, question, and narrate the spaces we build and inhabit.

Bridging illustration, architecture, and design culture, the book is both a visual atlas and a manifesto for seeing the world differently.

Grab your copy at gestalten.com
Cover art image by

Together, Halikha and JAOP approach the portal from two directions. One bends reality until it becomes dreamlike. The ot...
04/02/2026

Together, Halikha and JAOP approach the portal from two directions. One bends reality until it becomes dreamlike. The other deepens reality until it opens. One disorients; the other reassures. Both treat imagination as a space we can enter and leave.

Jump Between Worlds does not ask viewers to stay elsewhere. It proposes that leaving, briefly, is part of how we see again. A stump, a wall, a box, a shared glance — any of these can become a threshold. The act of crossing is small, but its effect lingers.

WONDERGroup ExhibitionCurated by Very Good GalleryFebruary 7, 2026Wonder is a state we enter before we fully understand....
03/02/2026

WONDER
Group Exhibition
Curated by Very Good Gallery
February 7, 2026

Wonder is a state we enter before we fully understand. It is the pause before explanation. The moment thought slows down and something else takes over: curiosity, doubt, awe, unease, tenderness.

In this exhibition, wonder does not appear as spectacle alone. It emerges in small, suspended gestures. In private rituals. In imagined creatures. In quiet confrontations with memory, belief, and perception. Some works lean toward the miraculous. Others toward the uncertain. Together, they sit in that delicate space between knowing and not knowing.

Wonder, here, is thoughtful. It is the mind turning something over. It is amazement that carries questions with it. It is the inexplicable that refuses resolution. It is also the quiet shock of recognition, when something strange feels deeply familiar.

Across painting and mixed media, the artists offer worlds that are slightly off-center. Rooms open to unseen presences. Figures pause mid-thought. Creatures glow in darkened spaces. Children and adults alike encounter moments that seem small but feel immense. These works ask us not to rush toward answers, but to remain in that charged middle ground where meaning is still forming.

To wonder is to stay open. To look again. To allow uncertainty to be generative rather than frightening. This exhibition invites viewers into that state, where imagination, memory, faith, and doubt overlap, and where the ordinary briefly becomes extraordinary.

JUMP BETWEEN WORLDSDuo Exhibition Halikha and JAOPFebruary 7, 4 pm onwards “Worlds should let us leave them.”— Debbie Ur...
02/02/2026

JUMP BETWEEN WORLDS
Duo Exhibition
Halikha and JAOP
February 7, 4 pm onwards

“Worlds should let us leave them.”
— Debbie Urbanski, Portalmania

In Jump Between Worlds, the portal is not spectacle. It is a quiet mechanism. Ordinary structures loosen just enough to let the imagination pass through.

The show builds on the idea of thresholds, spaces of transition where the familiar tilts and something else becomes briefly possible. Each painting functions as an entry point into a self-contained environment that feels lived-in and emotionally coherent. Escapism here is not avoidance but wandering. A temporary departure that sharpens how we return.

Halikha leans into the language of fantasy, drawing from an Alice in Wonderland kind of terrain where scale, gravity, and logic bend. His saturated purples, teals, and pinks create environments that feel lush, immersive, and slightly hallucinatory. In “Secret Entrance,” a pink house sits in a space where fish drift overhead, blurring sky and water. A figure glides horizontally through an opening in the wall, caught mid-transition between inside and outside. The house reads less as structure and more as membrane. Crossing is fluid, unannounced, dreamlike.

JAOP’s paintings move in a different register. Rendered in oil with a storybook realism, his works focus on intimacy, companionship, and the quiet scale of wonder. The worlds he opens are not surreal in physics but heightened in feeling. “Anywhere with You” shows a moonlit interior shows two children seated near a window, the outside landscape glowing softly. The moment is hushed and shared. Here, the portal is relational. Companionship becomes passage. “Anywhere” becomes possible not through escape, but through being together.

JUMP BETWEEN WORLDS does not ask viewers to stay elsewhere. It proposes that leaving, briefly, is part of how we see again. A stump, a wall, a box, a shared glance, any of these can become a threshold. The act of crossing is small, but its effect lingers.

THROUGH PATTERNSDensen AlmedaSolo ExhibitionJanuary 17, 2025Homes are more than shelters. They are layered environments ...
17/01/2026

THROUGH PATTERNS
Densen Almeda
Solo Exhibition
January 17, 2025

Homes are more than shelters. They are layered environments where objects, gestures, and visual cues accumulate over time. Patterns emerge quietly through repetition and habit, shaping how we move, what we notice, and how we inhabit daily life. These domestic systems often fade into the background, becoming invisible precisely because they are familiar.

In Through Patterns, Almeda presents painted ficem boards as detached fragments. Torn from their original architectural function, these pieces emphasize surface, interruption, and residue. Decorative motifs, railings, and ornamental borders appear incomplete yet persistent, their rhythms continuing even after structural purpose has collapsed. In one work, vertical bars and ornamental metal details hover over a softened, obscured image beneath, suggesting both protection and confinement. In another, a carved floral border unfurls across a broken plane, its ornamental logic intact despite the fragment’s damage and displacement.

Almeda’s strength lies in his control of shadow, light, and texture. Using classical painting methods, he renders surfaces with patience and restraint, allowing stains, wear, and fading to speak. Shadows settle into crevices, highlights skim raised details, and textures accumulate slowly, evoking time rather than a single moment. These traditional techniques lend gravity to the works, grounding their urgency in craft rather than spectacle.

By isolating these fragments, Almeda makes visible the systems that persist beyond function. Patterns remain legible even when homes fracture, when structures fail, when contexts shift. What emerges is a way of seeing domestic space not as neutral or passive, but as a site where visual and behavioral systems quietly shape experience. The works invite viewers to look again at the ordinary, to recognize how repetition, ornament, and material memory continue to organize perception long after their original purpose has been forgotten.

Horses Dream in Circles takes the Year of the Horse as a loose point of departure rather than a belief system. The horse...
17/01/2026

Horses Dream in Circles takes the Year of the Horse as a loose point of departure rather than a belief system. The horse is less a symbol of destiny than of movement: a body built for labor, endurance, and momentum. It suggests a year defined not by prediction, but by effort. By the act of continuing despite uncertainty. Progress here is not linear. It loops, hesitates, repeats. The circle becomes a condition of living rather than a failure to advance.

The exhibition reflects on survival as a form of quiet work. To arrive at another year is not necessarily a victory parade, but the result of accumulated decisions, compromises, and persistence. The “rough road” of experience is not romanticized; it is uneven, tiring, and often without clear direction. What keeps us moving is not (just) blind optimism, but an internal pressure to carry on, that voice in your head insisting that tomorrow might differ from today.

While astrology offers a language for marking time, Horses Dream in Circles resists treating it as instruction. Cycles may frame our lives, but they do not absolve us from choice or action. The works in this exhibition sit in that tension: between motion and stasis, belief and doubt, hope and fatigue. They acknowledge the desire for signs, while ultimately returning agency to the individual. Still moving, still circling, still awake to the work of living.

02/12/2025

The end of the year is the start of something bigger. Featuring:
Ana
Arvy Trinidad
BOOM
Bulan
Czarrr
Deej Amago
Densen Almeda
EF
Erika Mayo
Gemart Ortega
Humbly
Jappy Agoncillo
Jeri Jumao-as
Jesse Camacho
Jianu
KB Lucero
Kee
Keziah Kitsche
Kiwicuts
Lee Caces
Lee Salvador
Mac Eparwa
Marco Tabamo
Mijan Jumalon
Nara Marin
Raco Ruiz
Raki
Rogermond
Rommel Cahilo
Sichi Capili
Sig
Vantablackzilch
Walangmaria
Wham!
Wolfe

See you on Saturday, December 6, 4 pm onwards!

Tattoo, art, vintage, and merch pop-up .creatives opens 2 pm.

Address

Unit 7C, Padilla Condominium Building, F. Ortigas Jr. Road
Ortigas Center
1605

Opening Hours

Monday 9am - 6pm
Tuesday 9am - 6pm
Wednesday 9am - 6pm
Thursday 9am - 6pm
Friday 9am - 6pm

Telephone

+639177956739

Website

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