Programang Putul-Putol: The Musical

Programang Putul-Putol: The Musical Premiered in 1975, Programang Putul-Putol is ready to be back on stage, now spiced with songs and melodies that aim not just to entertain but to inspire.

Stay tuned! đź“ş

"Sanduguan!"Blood Compact in the ShadowsPaul Jake Paule’s one-act play, "Sanduguan!"(Blood Compact!), tightens into a mu...
20/05/2026

"Sanduguan!"
Blood Compact in the Shadows

Paul Jake Paule’s one-act play, "Sanduguan!"(Blood Compact!), tightens into a murky, slow‑burning tension as three beer‑soaked friends feel their once‑sacred oath start to crack, exposing a brotherhood quietly sliding toward ruin.

"Kombensiyon ng mga Halimaw"Monsters Rewrite the ConstitutionIn Rey E. de la Cruz’s one‑act romp, "Kombensiyon ng mga Ha...
19/05/2026

"Kombensiyon ng mga Halimaw"
Monsters Rewrite the Constitution

In Rey E. de la Cruz’s one‑act romp, "Kombensiyon ng mga Halimaw" (Monsters' Convention), a whole menagerie of Filipino monsters gathers in a noisy cave‑side summit, where they squabble, preen, and tinker with their constitution—proving that the scariest creature in the room is still politics.

"Garet: Pinoys in Chicago"Chicago Streets, Filipino HeartIn "Garet: Pinoys in Chicago," a full-length play by Rey E. de ...
19/05/2026

"Garet: Pinoys in Chicago"
Chicago Streets, Filipino Heart

In "Garet: Pinoys in Chicago," a full-length play by Rey E. de la Cruz, a Chicago winter vigil becomes the moment when Filipinos caring for a dying friend are forced to confront how love, duty, and survival pull their hearts in different, often painful directions.

"Aglipayano"Where Devotion Meets DissentRey E. de la Cruz's full-length play, "Aglipayano," set inside a "Salubong" wher...
17/05/2026

"Aglipayano"
Where Devotion Meets Dissent

Rey E. de la Cruz's full-length play, "Aglipayano," set inside a "Salubong" where children‑angels slip in and out of history, distills Father Gregorio Aglipay’s struggle as a priest‑patriot who ultimately rises—like the Risen Christ they await—to lead a Filipino church born from dissent and devotion.

"Programang Putul-Putol"A Fragmented Program of SurvivalIn Rey E. de la Cruz's full-length play, "Programang Putul-Putol...
16/05/2026

"Programang Putul-Putol"
A Fragmented Program of Survival

In Rey E. de la Cruz's full-length play, "Programang Putul-Putol” (Fragmented Program), a gay teen stands frozen in the middle of a loud, glittering adult world, showing how a child just trying to survive can be dragged onto a stage he never chose.

"Motel"Four Hours in the Belly of the CityIn Rey E. de la Cruz's one-act play, "Motel," a girl enters the motel, thinkin...
16/05/2026

"Motel"
Four Hours in the Belly of the City

In Rey E. de la Cruz's one-act play, "Motel," a girl enters the motel, thinking it’s just a room, but the fears, secrets, and monsters living in the people around her seep through the walls until their nightmares merge with her own and quietly pull her under.

"Pulburon"Dawn at the BakeryRey E. de la Cruz's full-length play, "Pulburon," at its core, is the story of three women w...
16/05/2026

"Pulburon"
Dawn at the Bakery

Rey E. de la Cruz's full-length play, "Pulburon," at its core, is the story of three women who survive desire, humiliation, and violence in the cramped heat of a dawn bakery, only to wipe the counters clean and keep working because the world never pauses for their pain.

"Hallelujah!"A Grotesque Pilgrimage to HeavenRey E. de la Cruz's one-act play, "Hallelujah!," becomes the story of wound...
16/05/2026

"Hallelujah!"
A Grotesque Pilgrimage to Heaven

Rey E. de la Cruz's one-act play, "Hallelujah!," becomes the story of wounded people stumbling toward a heaven they hope is real, revealing how faith, morality, and salvation are fragile goals they cling to just to keep going.

"Tatlong Manyika"A Parable of PowerRey E. de la Cruz’s one‑act play, "Tatlong Manyika” (Tatlong Manyika), uses three win...
16/05/2026

"Tatlong Manyika"
A Parable of Power

Rey E. de la Cruz’s one‑act play, "Tatlong Manyika” (Tatlong Manyika), uses three wind‑up dolls to expose how social hierarchies dictate people’s lives, from those cushioned by privilege to those crushed by want.

"Kabaong ng Kalokohan"The Coffin That LaughsRey E. de la Cruz’s one-act play, "Kabaong ng Kalokohan” (Coffin of Nonsense...
16/05/2026

"Kabaong ng Kalokohan"
The Coffin That Laughs

Rey E. de la Cruz’s one-act play, "Kabaong ng Kalokohan” (Coffin of Nonsense), turns grief into a manic farce, pitting two broken individuals against each other as they cling to a flimsy cardboard “coffin,” revealing how hollow our rituals, identities, and sorrows can be.

Rey E. de la Cruz's Theater Without Apology:A dramaturgical stance that insists on confronting hard truths head‑on, embr...
07/05/2026

Rey E. de la Cruz's Theater Without Apology:
A dramaturgical stance that insists on confronting hard truths head‑on, embracing unruly narratives, and giving full presence to voices that are too often pushed aside.

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