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18/08/2026
03/08/2026

Through The Years.
All Photographs by Erickson Dela Cruz

The 22nd ๐—–๐—ถ๐—ป๐—ฒ๐—บ๐—ฎ๐—น๐—ฎ๐˜†๐—ฎ: ๐—ฅ๐—ฒ๐—ฒ๐—น ๐—ฅ๐—ฒ๐—ณ๐—น๐—ฒ๐—ฐ๐˜๐—ถ๐—ผ๐—ป๐˜€ runs this ๐—”๐˜‚๐—ด๐˜‚๐˜€๐˜ ๐Ÿฒโ€“๐Ÿญ๐Ÿด, ๐Ÿฎ๐Ÿฌ๐Ÿฎ๐Ÿฒ at ๐—ฅ๐—ฒ๐—ฑ ๐—–๐—ฎ๐—ฟ๐—ฝ๐—ฒ๐˜ ๐—–๐—ถ๐—ป๐—ฒ๐—บ๐—ฎ๐˜€ โ€“ ๐—ฆ๐—ต๐—ฎ๐—ป๐—ด๐—ฟ๐—ถ-๐—Ÿ๐—ฎ ๐—ฃ๐—น๐—ฎ๐˜‡๐—ฎ, Gateway Cineplex 18, ๐—ฎ๐—ป๐—ฑ ๐—”๐˜†๐—ฎ๐—น๐—ฎ ๐— ๐—ฎ๐—น๐—น๐˜€ ๐—–๐—ถ๐—ป๐—ฒ๐—บ๐—ฎ๐˜€.

๐—š๐—ฒ๐˜ ๐˜๐—ต๐—ฒ ๐—น๐—ฎ๐˜๐—ฒ๐˜€๐˜ ๐˜‚๐—ฝ๐—ฑ๐—ฎ๐˜๐—ฒ๐˜€ ๐—ฎ๐—ป๐—ฑ ๐—ณ๐—ฒ๐˜€๐˜๐—ถ๐˜ƒ๐—ฎ๐—น ๐—ป๐—ฒ๐˜„๐˜€ ๐—ฏ๐˜† ๐—ณ๐—ผ๐—น๐—น๐—ผ๐˜„๐—ถ๐—ป๐—ด ๐˜๐—ต๐—ฒ ๐—ข๐—ณ๐—ณ๐—ถ๐—ฐ๐—ถ๐—ฎ๐—น ๐—–๐—ถ๐—ป๐—ฒ๐—บ๐—ฎ๐—น๐—ฎ๐˜†๐—ฎ ๐—ฎ๐—ป๐—ฑ ๐—–๐—–๐—ฃ ๐—ฎ๐—ฐ๐—ฐ๐—ผ๐˜‚๐—ป๐˜๐˜€:
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03/08/2026
38๐˜๐—ต ๐—–๐—–๐—ฃ ๐—š๐—ฎ๐˜„๐—ฎ๐—ฑ ๐—”๐—น๐˜๐—ฒ๐—ฟ๐—ป๐—ฎ๐˜๐—ถ๐—ฏ๐—ผ ๐—ถ๐—น๐—น๐˜‚๐—บ๐—ถ๐—ป๐—ฎ๐˜๐—ฒ๐˜€ ๐—ป๐—ฒ๐˜„ ๐˜€๐˜๐—ผ๐—ฟ๐—ถ๐—ฒ๐˜€ ๐˜„๐—ถ๐˜๐—ต ๐“Ÿ๐“ช๐“ฐ-๐“ช๐“ท๐“ฒ๐“ท๐“ช๐“ฐ                                     Championing the b...
23/07/2026

38๐˜๐—ต ๐—–๐—–๐—ฃ ๐—š๐—ฎ๐˜„๐—ฎ๐—ฑ ๐—”๐—น๐˜๐—ฒ๐—ฟ๐—ป๐—ฎ๐˜๐—ถ๐—ฏ๐—ผ ๐—ถ๐—น๐—น๐˜‚๐—บ๐—ถ๐—ป๐—ฎ๐˜๐—ฒ๐˜€ ๐—ป๐—ฒ๐˜„ ๐˜€๐˜๐—ผ๐—ฟ๐—ถ๐—ฒ๐˜€ ๐˜„๐—ถ๐˜๐—ต ๐“Ÿ๐“ช๐“ฐ-๐“ช๐“ท๐“ฒ๐“ท๐“ช๐“ฐ

Championing the best of Filipino alternative storytelling, the CCP Gawad Para sa Alternatibong Pelikula at Video returns this 2026 with Pag-aninag (Reflecting the Light), inviting audiences to discover stories that illuminate hope, memory, struggle, and the dreams that connect people and communities.

Established in 1987, CCP Gawad Alternatibo is considered the longest-running film competition and festival in the country and Southeast Asia, harvesting the best of Philippine films competing in various categories of Animation, Documentary, Experimental, and Narrative.

Now in its 38th year, Gawad Alternatibo reaffirms its commitment to provide a platform for emerging and established Filipino filmmakers who dare to challenge conventions and tell stories that evoke critical reflection, cultural discourse, and social transformation.

Participating films for the ๐€๐ง๐ข๐ฆ๐š๐ญ๐ข๐จ๐ง ๐œ๐š๐ญ๐ž๐ ๐จ๐ซ๐ฒ are:
AKO AY MAY LOBO by Siege Ledesma;
๐”ธโ„•๐•† ๐•‚๐”ธ, ๐”ธ๐•Š๐•†? by Marc Trisha Domingo;
๐”น๐•’๐•Ÿ๐•˜๐•œ๐•’๐•Ÿ๐•˜ โ„™๐•’๐•ก๐•–๐• by Rey Tamayo, Jr.;
๐”…๐”ž๐”ซ๐”ค๐”ฒ๐”ซ๐”ค๐”ฌ๐”ฑ by Jam Lising;
๐ต๐’ฐ๐ต๐ต๐ฟ๐ธ๐’ฎ ๐ผ๐’ฉ ๐’œ โ’ทโ“Šโ’ทโ’ทโ“โ’บ by Ashley Love Yumul;
๏ผค๏ผฉ๏ผฌ๏ผก๏ผท by Gianna Soliman;
๐”ฝ๐”ธโ„๐•†๐•ƒ by Franchisemae Castillo;
๏ผฌ๏ผก๏ผน๏ผฏ ๏ผฒ๏ผกโ€™๏ผณ ๏ผด๏ผฉ๏ผฎ๏ผก๏ผฉ by Klark Lynus Marquez;
๐•ƒ๐•€๐•‚๐”ผ ๐•„๐•†๐•„ by Kevin Charles Dai;
๐™พ๐™ฝ๐™ด ๐šˆ๐™ด๐™ฐ๐š ๐™ฐ๐™ฝ๐™ฝ๐™ธ๐š…๐™ด๐š๐š‚๐™ฐ๐š๐šˆ by Jam Lising;
ึ†วŸ ษจสŸวŸสŸษจส ีผษข ษจสึ„สษ›ส€ีผึ… by Javier Luis Sison;
๊œฑษชษขษดแด€สŸ แด˜แด‡ษดแด…ษชษดษข by Lourchielle Ashley Hael;
๊Œ—๊€ค๊’’๊Ÿ๊ˆค๊“„ ๊…๊๊’’๊“„๊ด by Matthew Villamor Mapua;
๐•Š๐•€๐•„๐•†โ„• ๐”ธโ„•๐”ป ๐•‹โ„๐”ผ โ„๐”ธโ„โ„™ by Jan Dave Pruna;
and
๏ผท๏ผฅ๏ผด๏ผณ๏ผฉ๏ผด๏ผก๏ผฌ๏ผฅ๏ผณ: ๏ผก๏ผง๏ผน๏ผต ๏ผฆ๏ผฒ๏ผฏ๏ผญ ๏ผก๏ผน๏ผต๏ผญ๏ผก๏ผฎ by Jade Dandan Evangelista.

In the ๐ƒ๐จ๐œ๐ฎ๐ฆ๐ž๐ง๐ญ๐š๐ซ๐ฒ ๐œ๐š๐ญ๐ž๐ ๐จ๐ซ๐ฒ, competing films are:
๐™ถ๐™ด๐šƒ ๐š๐™ด๐™ฐ๐™ณ๐šˆ ๐š†๐™ธ๐šƒ๐™ท ๐™ผ๐™ด by Elvin Jay Macanlalay;
โ„๐”ธ๐”พ๐•†โ„•๐•†๐• (แด›แด แด„ส€ส แดแดœแด›) by Giancarlo Santiago, Ayan Bautista, and Santiago Pantaleon;
๐™ธ๐™ฑ๐™พ๐™ฝ๐™ถ ๐šˆ๐™ฐ๐™ฑ๐™ด (แด€ส€แด€แดก ษขแด€ส™ษช) by Mark Jomil Reyes;
๐•€โ„• ๐•‹โ„๐”ธโ„•๐•Š๐•€๐•‹ by Kimi Adrian Ong;
๐™บ๐™ฐ๐š๐™ฐ๐šƒ๐™ธ๐™ถ-๐šƒ๐š„๐™ฑ๐™ธ๐™ถ by Kizabelle Lopez Aromin;
๐•ƒ๐•Œ๐”น๐•†๐”พ ๐•Š๐”ธ ๐•ƒ๐”ธ โ„™๐”ธโ„ค by James Magnaye;
๐™ผ๐™ฐ๐™ฝ๐™พ๐™ฝ๐™ถ by Jhayzen Udtohan Paraรฑal;
โ„๐”พ๐”น ๐•Š๐”ธ ๐•Š๐•€๐•Š๐•‹๐”ผ๐•„๐”ธโ„•๐”พ ๐•€๐•‹๐•€๐•„ ๐”ธ๐•‹ โ„™๐•Œ๐•‹๐•€ by Jomarie Corro-Reyes;
and
๐š‚๐š†๐™ธ๐™ฟ๐™ด ๐š๐™ธ๐™ถ๐™ท๐šƒ ๐™ฐ๐šƒ 78 by Geomel Montalban.

Films in contention for the ๐„๐ฑ๐ฉ๐ž๐ซ๐ข๐ฆ๐ž๐ง๐ญ๐š๐ฅ ๐œ๐š๐ญ๐ž๐ ๐จ๐ซ๐ฒ are:
๐‘จ๐‘ต๐‘ฎ ๐‘ต๐‘จ๐‘ต๐‘ณ๐‘จ๐‘ณ๐‘จ๐‘ด๐‘ถ๐‘ต๐‘ฎ ๐‘บ๐‘ฐ๐’€๐‘ผ๐‘ซ๐‘จ๐‘ซ by Lorence Lazano; ๐™ฐ๐™ฝ๐™ถ๐™ถ๐™ฐ๐šƒ๐™ด๐™ถ๐™ฐ๐šƒ๐™ด๐™ป by Lois Andrea Galapia;
๐”ธโ„•๐”พ๐•†โ„•๐•†โ€™๐•Š ๐”ฝ๐•€โ„•๐”ผ๐•Š๐•‹ ๐”ป๐”ธ๐•โ„‚๐”ธโ„๐”ผ by Mikyla Mae Alingasa;
แด„แด‡แดแด‡ษดแด›แด by Justine Borlagdan;
๐™ณ๐™ฐ๐™ป๐™ฐ๐™ถ๐™ฐ๐šƒ๐™พ๐™ฝ by Rovic Lopez;
ฮตษณโˆ‚ ฯƒฦ’ ษ“ฮตษ เน€ษณษณเน€ษณษ  by John Dashiell Velasco;
ษฑฯƒษณากฮตแƒง by Aries Ferrer;
๐•„๐•†๐•†๐•Š๐”ธโ„™ (แดแด‡แดแดส€ษชแด‡๊œฑ แด๊œฐ แดสŸแด… ๊œฑแด€แด˜แด€ษดษขแด˜แด€สŸแด€ส) by Edsel Gasmen;
๐š๐™ด๐™ฒ๐šƒ๐™พ ๐™ผ๐™ฐ๐™ฝ๐™ธ๐™ฐ by Mario Cabus;
๐•‹๐•† ๐•‹โ„๐”ผ ๐•†โ„•๐”ผ๐•Š ๐•Ž๐”ผโ€™๐•๐”ผ ๐•ƒ๐•†๐•๐”ผ๐”ป ๐”ฝ๐•†โ„๐”ผ๐•๐”ผโ„ by Johnsep Mari Abode and Erin Mikaella Frias;
๐š†๐™ฐ๐™ป๐™ฐ๐™ฝ๐™ถ ๐™ฑ๐™ฐ๐™บ๐™ป๐™ฐ ๐š‚๐™ฐ ๐™ป๐™ฐ๐™ฝ๐™ถ๐™ธ๐šƒ by Vinh Marco;
and
๐•Ž๐”ธ๐•ƒ๐”ธโ„•๐”พ ๐•„๐”ธโ„•๐•€โ„•๐•€๐•Ž๐”ธ๐•ƒ๐”ธ by Mira May Cedo.

In the ๐—ก๐—ฎ๐—ฟ๐—ฟ๐—ฎ๐˜๐—ถ๐˜ƒ๐—ฒ ๐—–๐—ฎ๐˜๐—ฒ๐—ด๐—ผ๐—ฟ๐˜†, competing films include:
ฬทฬ Bฬ Aฬ ฬ Lฬ Aฬ ฬ Iฬ  ฬ Dฬ ฬ Eฬ  ฬทMฬทฬทOฬทร‘ฬทOฬท by Cyrus Joshua Bon;
๏ผฃ๏ผฉ๏ผด๏ผนโ€™๏ผณ ๏ผฌ๏ผก๏ผต๏ผฎ๏ผค๏ผฒ๏ผน ๏ผก๏ผฎ๏ผค ๏ผด๏ผก๏ผธ๏ผฅ๏ผณ by Diana Galang;
๐˜พ๐™Š๐˜ฟ๐™„๐™‰๐™‚ ๐™Ž๐™„ ๐™‹๐˜ผ๐™‹๐˜ผ by Michael Angelo Pogoy;
๐ƒ๐”๐„ ๐ƒ๐€๐“๐„ ๐๐€ ๐๐ˆ ๐‰๐”๐ƒ๐ˆ๐“๐‡by Kieth Earl Rebaรฑo;
๐™ด๐™ผ๐™ด๐š๐™ถ๐™ด๐™ฝ๐™ฒ๐šˆ by Alyssa Ashley Manugas;
I THINK GOD IS A BACKEND PROGRAMMER by Sami Salazar;
๐•‚๐”ธโ„๐”ผ๐•ƒ by Garnet Morilla Llames;
KWรˆรฑโ€ ร–รฑG MรšLโ€ ร– by Dexter Paul de Jesus and Drexler Jaramel;
๐Œ๐”๐‹๐ˆ ๐๐€ ๐Š๐€, ๐Œ๐„๐‘๐‹๐ˆ๐„by Shane Claudine David;
๏ผฐฮฃ๏ผฒ๏ผณ๏ผฌฮ›๏ผขby Ronnie Ramos;
(ใฃโ—”โ—กโ—”)ใฃ PUSANGGALA by Jamie Alyssa Imperio;
๐—ค.๐—œ.๐—” by Ralph Allen Prodigalidad;
๐’ฎ๐’œโ€™๐’ฉ ๐ธ๐ฟ๐‘€๐’ช: ๐’œ ๐‘€๐’ฐ๐’ฎ๐ผ๐’ž๐’œ๐ฟ ๐’ฎ๐ป๐’ช๐‘…๐’ฏ ๐น๐ผ๐ฟ๐‘€ by Jerusjacob Velasquez Ariola;
๏ผด๏ผจ๏ผฅ ๏ผฒ๏ผฅ๏ผค ๏ผข๏ผก๏ผฎ๏ผฃ๏ผก by Nena Jane Achacoso (Nena Jane);
แด›สœแด‡ แด›แด‡ษดแด…แด‡ส€ แดษดแด‡๊œฑ by Irah Kyla Macalanda;
๐“๐”๐˜๐€๐– (แด€สŸษช๊œฑส™แดษดษข) by Roland Chavez;
๐—ช๐—›๐—˜๐—ก ๐—œ๐—ง ๐—ฅ๐—”๐—œ๐—ก๐—˜๐—— ๐— ๐—”๐—Ÿ๐—จ๐—ก๐—š๐—š๐—”๐—ฌ ๐—Ÿ๐—˜๐—”๐—ฉ๐—˜๐—ฆby Cedrick Valenzuela;
and
[ฬ…ฬฒY][ฬ…ฬฒE][ฬ…ฬฒA][ฬ…ฬฒR] โ–‘2โ–‘4โ–‘7โ–‘1โ–‘ by Edsel Gasmen.

The 54 finalist films are grouped into nine curated screening anthologies, namely: ๐˜—๐˜ข๐˜จ๐˜ฌ๐˜ข๐˜ฎ๐˜ข๐˜ฏ๐˜จ๐˜ฉ๐˜ข ๐˜ข๐˜ต ๐˜—๐˜ข๐˜จ-๐˜ถ๐˜ฏ๐˜ข๐˜ธ๐˜ข, ๐˜›๐˜ข๐˜ฉ๐˜ข๐˜ฏ๐˜ข๐˜ฏ ๐˜ข๐˜บ ๐˜’๐˜ข๐˜ฏ๐˜ญ๐˜ถ๐˜ฏ๐˜จ๐˜ข๐˜ฏ, ๐˜’๐˜ข๐˜ณ๐˜ต๐˜ฐ๐˜จ๐˜ณ๐˜ข๐˜ฑ๐˜ช๐˜บ๐˜ข ๐˜ฏ๐˜จ ๐˜š๐˜ข๐˜ณ๐˜ช๐˜ญ๐˜ช, ๐˜๐˜ข๐˜ฎ๐˜ฐ๐˜ฏ ๐˜ฏ๐˜จ ๐˜—๐˜ข๐˜ฏ๐˜ข๐˜ฉ๐˜ฐ๐˜ฏ, ๐˜”๐˜จ๐˜ข ๐˜๐˜ช๐˜ฃ๐˜ญ๐˜ข ๐˜ฏ๐˜จ ๐˜—๐˜ข๐˜จ๐˜ด๐˜ถ๐˜ฃ๐˜ฐ๐˜ฌ, ๐˜”๐˜จ๐˜ข ๐˜Ž๐˜ถ๐˜ฏ๐˜ช๐˜ต๐˜ข ๐˜ฏ๐˜จ ๐˜—๐˜ข๐˜จ๐˜ฎ๐˜ข๐˜ฎ๐˜ข๐˜ฉ๐˜ข๐˜ญ, ๐˜“๐˜ช๐˜จ๐˜ข๐˜ธ ๐˜ด๐˜ข ๐˜š๐˜ช๐˜บ๐˜ถ๐˜ฅ๐˜ข๐˜ฅ, ๐˜“๐˜ข๐˜ฎ๐˜ฑ๐˜ข๐˜ด ๐˜ด๐˜ข ๐˜ˆ๐˜ฃ๐˜ฐ๐˜ต-๐˜ต๐˜ข๐˜ฏ๐˜ข๐˜ธ, ๐˜ข๐˜ฏ๐˜ฅ ๐˜”๐˜ถ๐˜ด๐˜ช๐˜ฌ๐˜ข๐˜ญ.

Additional six screening sets are dedicated to Gawad Specials, Childrenโ€™s Section, and the Best of 37th Gawad Alternatibo in Animation, Documentary, Experimental, and Narrative categories, featuring additional films from the previous editions of Gawad Alternatibo.

The 38๐ญ๐ก ๐‚๐‚๐ ๐†๐š๐ฐ๐š๐ ๐€๐ฅ๐ญ๐ž๐ซ๐ง๐š๐ญ๐ข๐›๐จ finalists and the special sets will be screened simultaneously with Cinemalaya 2026 from ๐‘จ๐’–๐’ˆ๐’–๐’”๐’• 7 ๐’•๐’ 16 ๐’‚๐’• ๐’•๐’‰๐’† ๐‘น๐’†๐’… ๐‘ช๐’‚๐’“๐’‘๐’†๐’• ๐‘ช๐’Š๐’๐’†๐’Ž๐’‚ ๐’‚๐’• ๐’•๐’‰๐’† ๐‘บ๐’‰๐’‚๐’๐’ˆ๐’“๐’Š-๐‘ณ๐’‚ ๐‘ท๐’๐’‚๐’›๐’‚ ๐’‚๐’๐’… ๐‘ฎ๐’‚๐’•๐’†๐’˜๐’‚๐’š ๐‘ช๐’Š๐’๐’†๐’‘๐’๐’†๐’™ 18. ๐“๐ก๐ž ๐š๐ฐ๐š๐ซ๐๐ข๐ง๐  ๐œ๐ž๐ซ๐ž๐ฆ๐จ๐ง๐ฒ ๐ข๐ฌ ๐จ๐ง ๐€๐ฎ๐ ๐ฎ๐ฌ๐ญ 13.

AอžอŸฬฟฬณlอžอŸฬฟฬณlอžอŸฬฟฬณ sอžอŸฬฟฬณcอžอŸฬฟฬณrอžอŸฬฟฬณeอžอŸฬฟฬณeอžอŸฬฟฬณnอžอŸฬฟฬณiอžอŸฬฟฬณnอžอŸฬฟฬณgอžอŸฬฟฬณsอžอŸฬฟฬณ aอžอŸฬฟฬณrอžอŸฬฟฬณeอžอŸฬฟฬณ fอžอŸฬฟฬณrอžอŸฬฟฬณeอžอŸฬฟฬณeอžอŸฬฟฬณ aอžอŸฬฟฬณnอžอŸฬฟฬณdอžอŸฬฟฬณ oอžอŸฬฟฬณpอžอŸฬฟฬณeอžอŸฬฟฬณnอžอŸฬฟฬณ tอžอŸฬฟฬณoอžอŸฬฟฬณ tอžอŸฬฟฬณhอžอŸฬฟฬณeอžอŸฬฟฬณ pอžอŸฬฟฬณuอžอŸฬฟฬณbอžอŸฬฟฬณlอžอŸฬฟฬณiอžอŸฬฟฬณcอžอŸฬฟฬณ.

For more information, visit the website at www.culturalcenter.gov.ph and the Gawad Alternatiboโ€™s website at https://gawadalt.com.

Stay updated on latest Cinemalaya and Gawad Alternatibo screenings in the official CCP, Cinemalaya and Gawad Alternatibo social media accounts on Facebook, X, Instagram, TikTok, and Youtube.



๐—–๐—–๐—ฃ ๐—–๐—ต๐—ฎ๐—ป๐—ป๐—ฒ๐—น ๐˜€๐—ฝ๐—ผ๐˜๐—น๐—ถ๐—ด๐—ต๐˜๐˜€ ๐˜€๐˜๐—ผ๐—ฟ๐—ถ๐—ฒ๐˜€ ๐—ผ๐—ณ ๐—ฐ๐—ผ๐˜‚๐—ฟ๐—ฎ๐—ด๐—ฒ ๐—ฎ๐—ป๐—ฑ ๐—ต๐—ผ๐—ฝ๐—ฒ ๐—ถ๐—ป ๐˜๐—ต๐—ฒ ๐—™๐—ถ๐—น๐—ถ๐—ฝ๐—ถ๐—ป๐—ผ ๐˜€๐—ฝ๐—ถ๐—ฟ๐—ถ๐˜ ๐˜๐—ต๐—ถ๐˜€ ๐—๐˜‚๐—น๐˜†                    Every story has t...
23/07/2026

๐—–๐—–๐—ฃ ๐—–๐—ต๐—ฎ๐—ป๐—ป๐—ฒ๐—น ๐˜€๐—ฝ๐—ผ๐˜๐—น๐—ถ๐—ด๐—ต๐˜๐˜€ ๐˜€๐˜๐—ผ๐—ฟ๐—ถ๐—ฒ๐˜€ ๐—ผ๐—ณ ๐—ฐ๐—ผ๐˜‚๐—ฟ๐—ฎ๐—ด๐—ฒ ๐—ฎ๐—ป๐—ฑ ๐—ต๐—ผ๐—ฝ๐—ฒ ๐—ถ๐—ป ๐˜๐—ต๐—ฒ ๐—™๐—ถ๐—น๐—ถ๐—ฝ๐—ถ๐—ป๐—ผ ๐˜€๐—ฝ๐—ถ๐—ฟ๐—ถ๐˜ ๐˜๐—ต๐—ถ๐˜€ ๐—๐˜‚๐—น๐˜†

Every story has the power to leave a lasting impression. Some remind us of the sacrifices people quietly make for those they love, while others encourage us to confront difficult truths, embrace compassion, and see the world through another person's eyes.

This July, the CCP Channel features select productions from the Virgin Labfest (VLF), the Cinemalaya Philippine Independent Film Festival, and the 37th Gawad CCP Para sa Alternatibong Pelikula at Video. Covering different themes and storytelling styles that offer the opportunity to experience stories that reflect the realities, struggles, and aspirations of Filipinos across generations.

๐๐ž๐ซ๐ฌ๐จ๐ง๐š๐ฅ ๐ฌ๐ญ๐จ๐ซ๐ข๐ž๐ฌ ๐Ÿ๐ซ๐จ๐ฆ ๐ญ๐ก๐ž ๐•๐‹๐… ๐ฌ๐ญ๐š๐ ๐ž ๐ญ๐ซ๐š๐ง๐ฌ๐ฅ๐š๐ญ๐ž๐ ๐จ๐ง๐ฌ๐œ๐ซ๐ž๐ž๐ง

Beginning this monthโ€™s lineup are three VLF plays presenting stories of individuals facing life's challenges, difficult decisions, and moments that shape their lives.

Originally staged as part of VLF 9, playwright Carlo Vergaraโ€™s ๐’ฆ๐“Š๐“ƒ๐‘” ๐’ซ๐’ถ๐’ถ๐“ƒ๐‘œ ๐’œ๐“€๐‘œ ๐’ฉ๐’ถ๐‘”๐’พ๐“ƒ๐‘” ๐ฟ๐‘’๐’ถ๐’น๐’พ๐“ƒ๐‘” ๐ฟ๐’ถ๐’น๐“Ž tells the story of a household helper and her sister whose lives take an unexpected turn after working for unconventional employers. As past conflicts resurface, the play blends comedy and drama while elaborating on family ties and personal aspirations.

๐’Ÿ๐‘’๐’ถ๐“‡ ๐’ถ๐“ƒ๐’น ๐’ฐ๐“ƒ๐’ฝ๐’ถ๐“…๐“…๐“Ž, also written by Vergara, follows a young woman who finds herself wandering through a mysterious forest after losing loved ones to war and personal tragedy. Mixing elements of fantasy and reality, the play from VLF 13 reflects on loss, resilience, and the weight of one's convictions.

Inspired by the experiences of Filipino and American soldiers imprisoned during the Second World War, ๐’ช'๐’Ÿ๐‘œ๐“ƒ๐“ƒ๐‘’๐“๐“ shifts the spotlight away from military commanders and toward the ordinary men who endured life inside Camp O'Donnell. First staged for VLF 18, this play by playwright Jerry O'Hara amplifies the stories of courage, hardship, and resilience that often remain unheard.

Together, these featured productions demonstrate how theater continues to examine the human experience through different perspectives. Whether rooted in family, fantasy, or history, each play offers audiences an opportunity to reflect on the lives, choices, and experiences that continue to shape Filipino society.

๐—ง๐—ต๐—ฒ ๐—บ๐—ฎ๐—ป๐˜† ๐—ณ๐—ฎ๐—ฐ๐—ฒ๐˜๐˜€ ๐—ผ๐—ณ ๐—™๐—ถ๐—น๐—ถ๐—ฝ๐—ถ๐—ป๐—ผ ๐—น๐—ถ๐—ณ๐—ฒ ๐—ฎ๐˜€ ๐˜€๐—ฒ๐—ฒ๐—ป ๐˜๐—ต๐—ฟ๐—ผ๐˜‚๐—ด๐—ต ๐—–๐—ถ๐—ป๐—ฒ๐—บ๐—ฎ๐—น๐—ฎ๐˜†๐—ฎ ๐—ฎ๐—ป๐—ฑ ๐—š๐—ฎ๐˜„๐—ฎ๐—ฑ ๐—”๐—น๐˜๐—ฒ๐—ฟ๐—ป๐—ฎ๐˜๐—ถ๐—ฏ๐—ผ ๐—ณ๐—ถ๐—น๐—บ๐˜€

Alongside this month's featured stage productions is a selection of independent films from Cinemalaya Philippine Independent Film Festival and the Gawad CCP Para sa Alternatibong Pelikula at Video. From stories of family and loss to aging and the realities of the workplace, these films present different experiences that continue to resonate with Filipino audiences.

First screened in 2015, filmmaker Anj Macalandaโ€™s ๐–๐€๐–๐€ offers a quiet meditation on loss through the eyes of a young boy accompanying his father on his final journey to his resting place. This short film gently explores grief, family, and the emotional process of letting go with its restrained storytelling. Wawa won the NETPAC Award and the Special Jury Prize at Cinemalaya.

Four men living in a hospice for the elderly confront the realities of aging while holding on to the friendships that have shaped their lives in filmmaker Ralston Joverโ€™s ๐‘ฏ๐‘ฐ๐‘ฉ๐‘ณ๐‘จ๐‘ต๐‘ฎ ๐‘จ๐‘ฉ๐‘ถ. The film reflects on memory, loneliness, and companionship with quiet sensitivity, capturing the challenges of growing old. Released in 2016, the film offers a thoughtful look at friendship and the shared experiences that continue to connect people even in the later stages of life.

Filmmaker Onnah Valeraโ€™s ๐Œ๐˜ ๐…๐€๐Š๐„ ๐€๐Œ๐„๐‘๐ˆ๐‚๐€๐ ๐€๐‚๐‚๐„๐๐“ is set in a call center in Ortigas and follows a group of agents navigating workplace demands alongside their personal struggles. Told with humor, the film offers a glimpse into the everyday realities of many Filipinos, where adapting to another culture has become part of the job.

The CCP Channel also features selected works from the 37th edition of CCP Gawad Alternatibo, showcasing films by emerging Filipino filmmakers across different genres. Together, these entries examine social issues, personal choices, and community experiences through distinct storytelling approaches.

๐‘บ๐‘ฐ ๐‘ฉ๐‘จ๐‘ณ๐‘ถ๐‘ต๐‘ฎ ๐‘จ๐‘ป ๐‘บ๐‘ฐ ๐‘ซ๐‘ถ๐‘น๐‘ถ, directed by filmmaker Jenser Recosana, tells the story of Balong, who is forced to confront the possibility of losing his beloved carabao in search of medical treatment for his disabled father. Featured in the Narrative category, the film sheds light on the difficult choices many families face due to poverty and the scarcity of basic needs.

Under the Animation category, filmmaker Mark Ellison Dimzon Mungcalโ€™s ๐‘ป๐‘ฏ๐‘ฌ ๐‘ต๐‘จ๐‘ผ๐‘ฎ๐‘ฏ๐‘ป๐’€ ๐‘จ๐‘ต๐‘ซ ๐‘ป๐‘ฏ๐‘ฌ ๐‘ฏ๐‘ผ๐‘ต๐‘ฎ๐‘น๐’€ follows a race for survival in a post-nuclear world. It gradually unfolds into a story about compassion, trust, and unexpected connections, balancing humor with heartfelt moments.

From the Experimental category is ๐‘ป๐‘ฏ๐‘ฐ๐‘ต๐‘ฎ๐‘บ ๐’€๐‘ถ๐‘ผ ๐‘พ๐‘จ๐‘ต๐‘ป๐‘ฌ๐‘ซ ๐‘ป๐‘ถ ๐‘บ๐‘จ๐’€ ๐‘ฉ๐‘ผ๐‘ป ๐’€๐‘ถ๐‘ผ ๐‘ป๐’€๐‘ท๐‘ฌ๐‘ซ ๐‘ฐ๐‘ป ๐‘ต๐‘จ๐‘ณ๐‘จ๐‘ต๐‘ฎ ๐‘บ๐‘จ ๐‘บ๐‘ถ๐‘ช๐‘ด๐‘ฌ๐‘ซ, directed by filmmaker Ja Turla. As cardinals gather to elect the next pope, it examines the ways digital platforms have shaped public discourse through satire and dark comedy.

Featured under the Documentary category, Elijah Dennis Quert M. Magtibayโ€™s ๐‘จ๐‘ฎ๐‘จ๐‘พ๐‘จ๐‘ต ๐‘บ๐‘จ ๐‘ท๐‘จ๐‘ด๐‘จ๐‘ต๐‘จ follows the Lambanog Skate Crew of San Pablo City. While documenting the groupโ€™s efforts to claim space and recognition despite limited support, the film captures a youth subcultureโ€™s continuing search for belonging.

๐—ฃ๐—ผ๐—ถ๐—ด๐—ป๐—ฎ๐—ป๐˜ ๐—ฐ๐—ผ๐—ป๐—ป๐—ฒ๐—ฐ๐˜๐—ถ๐—ผ๐—ป๐˜€ ๐—ฎ๐—ป๐—ฑ ๐—™๐—ถ๐—น๐—ถ๐—ฝ๐—ถ๐—ป๐—ผ ๐—ฎ๐—ฟ๐˜๐—ถ๐˜€๐˜๐—ฟ๐˜† ๐˜„๐—ถ๐˜๐—ต๐—ถ๐—ป ๐˜๐—ต๐—ฒ ๐—–๐—–๐—ฃ ๐—–๐—ต๐—ฎ๐—ป๐—ป๐—ฒ๐—น

This July, the CCP Channel invites audiences to discover stories that reflect different realities, generations, and perspectives. Whether presented on stage or on screen, each featured work offers an opportunity to understand the lives of others and the experiences that continue to shape Filipino communities.

Launched in 2026, the CCP Channel continues to bring Philippine arts and culture closer to audiences anytime, anywhere, serving as a gateway to performances, films, and creative works by Filipino artists.

Watch the growing collection of world-class Filipino plays, films, and performances on the CCP Channel, with a monthly subscription at Php 99 and an annual subscription of Php 599. To subscribe, visit culturalcenterph.channel.

Stay updated on the latest CCP shows, workshops, and events through the official Facebook, Instagram, TikTok, and YouTube accounts. For more information on CCP programs and events, visit https://culturalcenter.gov.ph.


๐‚๐ข๐ง๐ž๐ฆ๐š๐ฅ๐š๐ฒ๐š ๐Ÿ๐Ÿ ๐Ž๐ฉ๐ž๐ง๐ข๐ง๐  ๐š๐ง๐ ๐‚๐ฅ๐จ๐ฌ๐ข๐ง๐  ๐…๐ข๐ฅ๐ฆ๐ฌ ๐‘๐ž๐Ÿ๐ฅ๐ž๐œ๐ญ ๐ญ๐ก๐ž ๐ƒ๐ข๐ฏ๐ž๐ซ๐ฌ๐ข๐ญ๐ฒ ๐จ๐Ÿ ๐…๐ข๐ฅ๐ข๐ฉ๐ข๐ง๐จ ๐„๐ฑ๐ฉ๐ž๐ซ๐ข๐ž๐ง๐œ๐ž๐ฌ                                   ...
23/07/2026

๐‚๐ข๐ง๐ž๐ฆ๐š๐ฅ๐š๐ฒ๐š ๐Ÿ๐Ÿ ๐Ž๐ฉ๐ž๐ง๐ข๐ง๐  ๐š๐ง๐ ๐‚๐ฅ๐จ๐ฌ๐ข๐ง๐  ๐…๐ข๐ฅ๐ฆ๐ฌ ๐‘๐ž๐Ÿ๐ฅ๐ž๐œ๐ญ ๐ญ๐ก๐ž ๐ƒ๐ข๐ฏ๐ž๐ซ๐ฌ๐ข๐ญ๐ฒ ๐จ๐Ÿ ๐…๐ข๐ฅ๐ข๐ฉ๐ข๐ง๐จ ๐„๐ฑ๐ฉ๐ž๐ซ๐ข๐ž๐ง๐œ๐ž๐ฌ

For its 22nd edition, the Cinemalaya Philippine Independent Film Festival opens and closes with two internationally acclaimed independent films that reflect the complexity of Filipino experience: the opening film, ๐“”๐“ท๐“ณ๐“ธ๐”‚ ๐“จ๐“ธ๐“พ๐“ป ๐“ข๐“ฝ๐“ช๐”‚, explores a mother's enduring love for her daughter, while the closing film, ๐…๐ข๐ฅ๐ข๐ฉ๐ขรฑ๐š๐ง๐š, follows a teenage girl whose job at a country club leads to unexpected discoveries.

๐Ž๐ฉ๐ž๐ง๐ข๐ง๐  ๐…๐ข๐ฅ๐ฆ

Directed by Dominik Locher and Honee Alipio and co-produced by Close Up Films and JBA Production, ๐“”๐“ท๐“ณ๐“ธ๐”‚ ๐“จ๐“ธ๐“พ๐“ป ๐“ข๐“ฝ๐“ช๐”‚ follows Luz, a Filipina who has spent years working as an undocumented cleaner in Switzerland. Living in the shadows alongside her friend Aileen and other Filipina migrant workers, she constantly faces the threat of being discovered and deported.

When she sees her ex-husband appear on a Filipino reality TV show with their six-year-old daughter, Luzโ€™s life is shaken. In desperation to keep her child after years of working abroad, she promises on live television to return home in time for her daughter's birthday.

Looking at her savings and her ballooning debts, will she be able to secure her daughter's future? Racing against time, Luz is forced to find ways to earn money even if it means betraying her community and crossing her own moral boundaries.

Actress Mercedes Cabral headlines ๐“”๐“ท๐“ณ๐“ธ๐”‚ ๐“จ๐“ธ๐“พ๐“ป ๐“ข๐“ฝ๐“ช๐”‚, alongside acclaimed Filipino actresses Anna Luna, Hasmine Killip, Irma Adlawan, Donna Cariaga, and Madeleine Nicolas.

๐“”๐“ท๐“ณ๐“ธ๐”‚ ๐“จ๐“ธ๐“พ๐“ป ๐“ข๐“ฝ๐“ช๐”‚ had its world premiere in the Panorama section of the 76th Berlin International Film Festival in Germany on February 14, 2026.

The opening film will be screened free to the public on ๐‘จ๐’–๐’ˆ๐’–๐’”๐’• 6 (๐‘ป๐’‰๐’–๐’“๐’”๐’…๐’‚๐’š), ๐’‚๐’• 7:30 ๐’‘.๐’Ž. ๐’‚๐’• ๐‘น๐’†๐’… ๐‘ช๐’‚๐’“๐’‘๐’†๐’• ๐‘ช๐’Š๐’๐’†๐’Ž๐’‚๐’” 1 ๐’‚๐’๐’… 2, ๐‘บ๐’‰๐’‚๐’๐’ˆ๐’“๐’Š-๐‘ณ๐’‚ ๐‘ท๐’๐’‚๐’›๐’‚.

๐—–๐—น๐—ผ๐˜€๐—ถ๐—ป๐—ด ๐—™๐—ถ๐—น๐—บ

๐•ฑ๐–Ž๐–‘๐–Ž๐–•๐–Žรฑ๐–†๐–“๐–† tells the story of Isabel, played by Jorrybell Agoto, a teenage employee at an exclusive country club who finds herself drawn to its president, Dr. Palanca, played by Teroy Guzman. But as Isabel begins to uncover the violence hidden beneath the country clubโ€™s pristine facade, she realizes that what started as an innocent infatuation is rooted in a far more sinister shared history.

Directed by Rafael Manuel, ๐—™๐—ถ๐—น๐—ถ๐—ฝ๐—ถรฑ๐—ฎ๐—ป๐—ฎ is a feature-length expansion of his acclaimed 2020 short film of the same title. The film had its world premiere in the World Cinema Dramatic Competition at the 2026 Sundance Film Festival in January 2026.

As the closing film of the 22nd Cinemalaya Independent Film Festival, Filipiรฑana will be screened on ๐˜ผ๐™ช๐™œ๐™ช๐™จ๐™ฉ 16, 2026, ๐™–๐™ฉ 8:30 ๐™ฅ.๐™ข. ๐™–๐™ฉ ๐™๐™š๐™™ ๐˜พ๐™–๐™ง๐™ฅ๐™š๐™ฉ ๐˜พ๐™ž๐™ฃ๐™š๐™ข๐™–๐™จ 1 ๐™–๐™ฃ๐™™ 2, ๐™Ž๐™๐™–๐™ฃ๐™œ๐™ง๐™ž-๐™‡๐™– ๐™‹๐™ก๐™–๐™ฏ๐™–. Tickets are priced at โ‚ฑ350 for regular admission and โ‚ฑ250 for students.

๐—ฅ๐—ฒ๐—ฒ๐—น ๐—ฅ๐—ฒ๐—ณ๐—น๐—ฒ๐—ฐ๐˜๐—ถ๐—ผ๐—ป๐˜€

Anchored on the theme โ€œCinemalaya 22: Reel Reflections,โ€ the festival's opening and closing films embody the spirit of this yearโ€™s edition by telling stories that reflect the realities, struggles, and triumphs of women and the communities they belong to.

Tickets to the opening and closing films screening will be given on a first-come, first-served basis two hours before the screening schedule.

For more information, visit the CCP website (www.culturalcenter.gov.ph) and the Cinemalaya website (www.cinemalaya.org). Follow the official CCP and Cinemalaya pages and other social media accounts on X, Instagram, and TikTok.

23/07/2026

Your friendly neighborhood Spider-Man is swinging by early! ๐Ÿ•ท๏ธโœจ

Mark your calendars for July 29 because the Philippines gets to experience Spider-Man: Brand New Day ahead of the rest!๐Ÿ•ธ๏ธ

Gather your movie squad and catch it on the BIG SCREEN at SM Cinema! ๐Ÿฟ๐ŸŽฌ

BUY YOUR TICKETS NOW:
๐Ÿ“ฑ SM Cinema App
๐Ÿ”˜ Apple: https://gosm.link/SMCinemaAppApple
๐Ÿ”˜ Android: https://gosm.link/SMCinemaAppAndroid
๐Ÿ”— www.smcinema.com
๐ŸŽŸ๏ธ SM Cinema ticket booths




Hereโ€™s the Full Schedule of the 22nd Cinemalaya Independent Film Festival which will run from August 6 to Aug. 18, 2026 ...
23/07/2026

Hereโ€™s the Full Schedule of the 22nd Cinemalaya Independent Film Festival which will run from August 6 to Aug. 18, 2026

https://www.cinemalaya.org/schedules-2026/

Schedules OPENING AND CLOSING FILMS Enjoy Your Stay by Dominik Locher and Honeylyn Joy Alipio August 6, 2026 | 7:30 PM | Shangri-La Plaza READ MORE Filipiรฑana by Rafael Manuel August 18,

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