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Vital Remains in June 1989 🔥💀 Band status - mid 1989Vital Remains had already been formed in 1988 in Providence, Rhode I...
20/06/2026

Vital Remains in June 1989 🔥

💀 Band status - mid 1989
Vital Remains had already been formed in 1988 in Providence, Rhode Island by guitarist Paul Flynn. By 1989 the lineup was Paul Flynn on lead guitar, Tony Lazaro on guitar, Jeff Gruslin on vocals, Tom Supkow on bass, and a revolving drum spot.

💀 Debut demo: Reduced to Ashes
Their first self-released demo, Reduced to Ashes, came out in 1989. No exact month is listed in the sources, but it would have been circulating in the tape-trading underground around June 1989. Tracks included "Vital Remains," "Smoldering Burial," and "Morbid Death".

💀 Sound & themes
The 1989 demo showcased raw production with satanic/occult themes and blasphemy-heavy lyrics. That tape is what got them noticed in death metal tape-trading networks.

💀 What came next
They followed it with the Excruciating Pain demo in 1990, recorded May 6, 1990 at Atonal Studios, then signed to Thrash Records for "The Black Mass" single in 1991.

So if you were in the underground in June 1989, Vital Remains would’ve been a brand new Providence death metal band pushing Reduced to Ashes through the mail. No shows or signings documented specifically for June, but that demo was their main activity that year.








The Secrets of the Black Arts - Dark Funeral's 1996 debut album 🔥 🔥 The two recordings💀 The scrapped Dan Swanö version -...
19/06/2026

The Secrets of the Black Arts - Dark Funeral's 1996 debut album 🔥

🔥 The two recordings

💀 The scrapped Dan Swanö version - Unisound Studios, Jan 1995
Produced by Dan Swanö at Unisound Studios, Jan 15–21, 1995. Blackmoon hated it. He said Swanö was "overworked and mentally tired" and the drumming wasn't up to par. "He was overworked and mentally tired when we came to the studio. Also, our then-drummer was not playing as good as he should have. So it ended up crap." Blackmoon refused to release it even though the rest of the band was okay with it

💀 The released Peter Tägtgren version - The Abyss, 1995
They re-recorded the whole thing at The Abyss Studio in Pärlby, Sweden with Peter Tägtgren producing. Co-produced by Dark Funeral themselves. This is the version that dropped in January 1996 on No Fashion Records

The Dan Swanö version didn’t see daylight until the 2007 re-release, which included the original 1995 mix as a bonus disc

🔥 Lineup & vibe

This was the only album with this lineup: Blackmoon on guitar, Themgoroth on vocals/bass, Equimanthorn on drums, and Ahriman on guitar. In the liner notes they gave themselves titles:
💀 Equimanthorn: Commander of the Infernal Demon Legions
💀 Blackmoon: The Lord of the Shadows & Master of the Black Arts
💀 Ahriman: The Lord of Destruction, Evil, Darkness & Death
💀 Themgoroth: The Master of Diabolical Possession & Black Magic

🔥 Other "making of" bits

💀 Music video: They shot a video for the title track "The Secrets of the Black Arts"
💀 Artwork: Cover inspired by German 19th-century painter Caspar David Friedrich
💀 Length/genre: 40:53 of pure Swedish black metal






Sure! 💀
19/06/2026

Sure! 💀







Which one are you? 💀
19/06/2026

Which one are you? 💀






Unleashed 🔥 🔥 Where the band was at in June 1990💀 Formed 1989: Unleashed was founded in 1989 by vocalist/bassist Johnny ...
19/06/2026

Unleashed 🔥

🔥 Where the band was at in June 1990
💀 Formed 1989: Unleashed was founded in 1989 by vocalist/bassist Johnny Hedlund in Stockholm.
💀 Pre-debut era: They hadn’t released their first album yet. Their debut Where No Life Dwells came out in 1991.
💀 Demo years: By June 1990 they had already recorded two demos — Revenge and Utter Dark — which got them signed to Century Media Records.

🔥 Lineup in mid-1990
💀 Johnny Hedlund - Bass, Vocals
💀 Anders Schultz - Drums
💀 Fredrik Lindgren - Guitars, 1989-1995
💀 Tomas Olsson - Guitars joined in 1990. Robert Sennebäck had left in 1990

🔥 What they were known for
💀 Already writing about Viking culture, pre-Christian themes, and Norse folklore — lyrical themes that would define them.
💀 Part of what became the "big four" of Swedish death metal along with Dismember, Entombed and Grave.








19/06/2026

Which Be***al Black Metal or War Metal you listen the most?


Diabolical Fullmoon Mysticism 🔥 1. Recording Details💀 When: April 1992💀 Where: Grieghallen Studios, Bergen, Norway — the...
19/06/2026

Diabolical Fullmoon Mysticism 🔥

1. Recording Details
💀 When: April 1992
💀 Where: Grieghallen Studios, Bergen, Norway — the same studio Eirik “Pytten” Hundvin used for Burzum, Mayhem’s De Mysteriis Dom Sathanas, Emperor’s In the Nightside Eclipse, and Enslaved’s Frost
💀 Producer/Engineer: Eirik Hundvin + Immortal
💀 Lineup: Abbath Doom Occulta – bass, vocals; Demonaz Doom Occulta – guitar, lyrics, layout; Armagedda – drums. It’s the only Immortal album with Armagedda

2. What the Band Has Said Recently About Making It
Abbath on the album’s legacy
In a MetalUpdate interview, Abbath said:
“Well, Diabolical is one of my favourite albums from Immortal. It's one of the albums I'm most satisfied with for the songs. It's totally the most darkest and most evil album of Immortal. It's very cryptic, a very strong debut. Pure Holocaust couldn't have been better; it's a good continuation and I'm very satisfied with it.”

He also noted Diabolical + Pure Holocaust + Battles in the North “came out just great,” but Blizzard Beasts “should have had better production”

🔥 Songwriting approach
💀 All lyrics by Demonaz
💀 Music by Abbath + Demonaz. Abbath wrote “Cryptic Winterstorms” and “A Perfect Vision of the Rising Northland” solo
💀 MetalBite’s “Black Metal Report” calls it “the only band that can TRULY be described as ‘snow metal’” and says the album was “just beginning to open the door to their vast 'n' epic universe of ice, isolation, battles, snow, storms, glaciers”

🔥 Production style
DeathMetal.org describes the production as “reasonable garagelike with some studio touches... Most sounds are discernible and guitar sound is clear throughout the album”. The “garage” feel + Pytten’s reverb-heavy Grieghallen sound became a blueprint for early ’90s Norwegian black metal.

3. “News” Context: Why People Still Talk About Its Making
Most recent coverage of Diabolical isn’t new recording news — it’s retrospective. But the album keeps coming up in Immortal drama:

💀 Abbath vs Demonaz split
Recent interviews still reference the early era. Demonaz has claimed Abbath “cancelled rehearsals and ruined the band's progress for a very long time” during later years, and “secretly applied for a trademark ownership of the band's logo and name”. VoiceMetal frames the split as black metal’s “inevitable hangover” and says fans wish the band would “go back to playing good music like on Diabolical Fullmoon Mysticism and Pure Holocaust”

💀 Armagedda’s only album
Diabolical was Armagedda’s sole appearance before leaving. The drummer slot was later filled by Erik “Grim” Brødreskift for Pure Holocaust. Abbath later spoke about Grim’s 1999 su***de: “He was a great guy... When he played with us, the same thing happened. He took an overdose of pills and Demonaz got him to the hospital in the nick of time”

4. Other Making-Of Bits from Reviews/Archives
💀 Influences: Often described as Bathory + Celtic Frost + Iron Maiden in the same room. Acoustic guitars were used to give the “aggressive, and cold melodies, a different approach”
💀 Not listed intro: The 1:35 “Intro” isn’t listed on vinyl, CD, or cassette
💀 Artwork: Logo + front cover by J.W.H., back cover photo by Stein Kare
Released: 1 July 1992 via Osmose Productions as CD, limited LP, picture disc, and cassette

If you want deeper “making of” material, the best sources are Abbath’s 2000s interviews with MetalUpdate and Pytten’s various Grieghallen retrospectives — though Pytten rarely does press. There hasn’t been a big 30th-anniversary documentary or re-recording news as of mid-2026.







Deicide’s 1990 self-titled debut 🔥 🔥 1. Lineup & name change💀 Formed in Tampa, FL as Carnage → Amon → Deicide in 1989💀 C...
18/06/2026

Deicide’s 1990 self-titled debut 🔥

🔥 1. Lineup & name change
💀 Formed in Tampa, FL as Carnage → Amon → Deicide in 1989
💀 Classic lineup: Glen Benton bass/vocals, Eric Hoffman guitar, Brian Hoffman guitar, Steve Asheim drums
💀 The name “Deicide” = “the killing of a god” — chosen by Roadrunner exec Monte Conner

🔥 2. Label & timing
💀 Signed to Roadrunner/R/C Records in 1989
💀 Recorded: March 1990
💀 Released: June 26, 1990, though some posts list June 25, 1990 or June 24, 1990

🔥 3. Studio & production
💀 Tracked in the “B room” at Morrisound Recording, Tampa, Florida
💀 Producer: Scott Burns + Deicide
Burns was the key engineer for the Florida death metal sound — “razor-sharp engineering” that gave the album its tight, hyper-speed feel
💀 Mastering: Fullersound, Miami, by Mike Fuller
💀 Benton later said he was unhappy with the production due to budget limits at the time

🔥 4. Songs & writing
💀 The album is basically all their demo tracks + “Deicide” and “Mephistopheles”
💀 Track list includes Lunatic of God’s Creation, Sacrificial Su***de, Dead by Dawn, Carnage in the Temple of the Damned
💀 Benton wrote “Dead by Dawn” on an acoustic guitar while watching The Beverly Hillbillies

🔥 5. Sound & themes
💀 33:35 runtime, 10 tracks. No prog “fluff” — just short, anthemic riffs
💀 Vocals described as “absolutely hideous and tortured”. Benton used a dual-vocal approach that was groundbreaking at the time
💀 Lyrics: pure Satanism, blasphemy, anti-Christianity — deliberately different from the gore-focused death metal bands of the era
💀 Asheim’s double-bass drumming compared to an “AK-47”

🔥 6. Artwork & image
💀 Cover: gold-bronze demonic medallion on black, jagged red “DEICIDE” logo
💀 Back cover: band in black leather in front of a white Jesus statue — visual irony matching the blasphemous lyrics
💀 Promo art called them “H.M.’s ultimate anti‑Christs”
💀 Benton had already branded an inverted cross into his forehead by then

🔥 7. Legacy from the making
💀 Set the template for the “Tampa sound” with Burns’ thick guitar tones + rapid drumming
💀 Became one of the best-selling death metal albums of the SoundScan era — #2 behind Cannibal Co**se
💀 Fans still call it “one of the staple death metal albums” and a “gateway” record
💀 The 1990 debut is now considered a classic that defined extreme metal’s speed, precision, and satanic hostility.








Happy 59th Birthday Glen 💀
18/06/2026

Happy 59th Birthday Glen 💀









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