Ishan Pariyar

02/05/2026

Nayapatrika daily 🙂



https://nayapatrikadaily.com/news-details/194071/2026-05-02?fbclid=IwdGRjcARii8VjbGNrBGKLuWV4dG4DYWVtAjExAHNydGMGYXBwX2lkDDM1MDY4NTUzMTcyOAABHtgx49xE0PAlQ-V1oYC50SELZpUfDbBwLHczpXTCMcY5m1gm38q1d7qtvCDn_aem_9xlEyvkZp70NDvcqx3JsfA

हिजोआज घर सजावट केवल भौतिक संरचना र महँगो सामग्रीमा सीमित छैन, बरु यसले हाम्रो सोच, रुचि र जीवनशैलीलाई समेत

19/04/2026

Serenity here is not passive. It is an active, resonant force—held within architecture, myth, and collective memory. Through this composition, I seek to create a space where the viewer can feel the weight and lightness of presence at once, where the past reverberates into the present, and where stillness becomes a point of beginning.

Title : Echoes of Serenity
Medium : Acrylic on canvas
Size : 36 x 24 inch
Status : Available

08/04/2026

Title : Echoes of Serenity
Medium : Acrylic on canvas
Size : 36 x 24 inch
Status : Available


Echoes of Serenity unfolds as a contemplative mapping of place, memory, and origin, rooted in the sacred landscape of Swayambhunath Stupa. At the center stands a guardian lion—both sentinel and witness—embodying protection, strength, and continuity. This figure anchors the composition, holding space between the visible and the spiritual, between what endures and what transforms.

The painting draws on the mythology of the valley’s origin, in which the primordial lotus gave rise to the self-existent flame—Swayambhu. This origin story is not treated as distant folklore but as a living echo that continues to shape Kathmandu's consciousness. The lion, in this context, becomes more than a guardian of place; it becomes a guardian of transition—suggesting the quiet emergence of a renewed civilization rooted in awareness, resilience, and spiritual continuity, an attempt to evoke the feeling of being there. The work invites the viewer to enter not just a site, but an atmosphere, where silence, movement, and memory coexist.

Serenity here is not passive. It is an active, resonant force—held within architecture, myth, and collective memory. Through this composition, I seek to create a space where the viewer can feel the weight and lightness of presence at once, where the past reverberates into the present, and where stillness becomes a point of beginning.

19/03/2026

Nepal Contemporary Painting and Early Photographs in Collection of Nalins Collection January 12, 2024.
Held at Leonard Pearlstein Gallery in Philadelphia, USA, this exhibition presents a curated selection of contemporary paintings and early photographs from the Nalins Collection, bringing together works that reflect Nepal’s visual and cultural history within an international gallery setting.

Nepal contemporary painting exhibition, Leonard Pearlstein Gallery Philadelphia, Nalins Collection exhibition, Nepal art exhibition USA, early photographs Nepal collection, Philadelphia gallery exhibition



Video credits: Organiser

18/03/2026

The Glorious Era of Serenity is the painting about the Water Spout and it's importance on contemporary time. The painting explore Kumbheshwor Hiti as a sacred convergence of water, mythology, and Malla-period architecture. Rooted in a folklore, the flowing water symbolizes its believed source from Gosainkunda Lake, connecting the Himalayan sacred landscape with the daily life of the Kathmandu Valley. The makara spouts and carved forms represent water as a divine presence rather than a mere utility.
The hiti and temple are visually assembled into a unified structure, reflecting the golden era of the Malla period, when architecture, spirituality, and urban life were deeply interconnected. The tiered pagoda form signifies harmony between the cosmos and human settlement, while ritual figures ground the mythological narrative in lived tradition.
Through warm golden tones and layered symbolism, the work honors Kumbheshwor Hiti as a living heritage—an enduring testimony to indigenous knowledge, spiritual ecology, and the cultural brilliance of the Malla era.

23/02/2026

A short reflective blog documenting the Beijing visit for BIAB2025.

Visit to China Beijing International Art Biennale 2025 organised by China Artists Association | an art blog by Ishan Pariyar Kathmandu/Beijing, Nepal feels...

10/02/2026

Thank you very much, Santosh GB Ji and the entire CIN team, for featuring my thoughts and visual messages on thunderstorm awareness and safety through my drawings on your esteemed platform. I truly appreciate this opportunity to use art as a medium to inform, alert, and encourage people to stay safe during such natural hazards.

ेशविदेशका ताजा खबर, सीआईएनको 'साझा खबर'हरेक दिन विहान ६ बजे र साँझ ७ः३० बजे सीआईएनको 'साझा खबर', दे.....

09/02/2026

How psychology tells about us.