Yev Kravt

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Yev Kravt Yev Kravt is an independent curator in contemporary art, design, sience and tech. Currently she is curating the 3rd edition of the Larnaca Biennale in Cyprus.

Yev Kravt (she/her) (/’ iːv / Ee-j-ev ) is an independent curator living between Amsterdam, the Netherlands, and Larnaca, Cyprus. With a background in communication, philosophy and art history, her work encompasses a range of cultural, creative and social initiatives. Her main motives are to stimulate experimentation, creativity, social change and inclusiveness, as well as to imagine new ways of living together. Over the past 10 years, Kravt has organised numerous exhibitions at museums, galleries and non-profit spaces, including Foam Photography Museum Amsterdam; Droog Gallery; Ron Mandos Gallery; SEXYLAND World; Het Nieuwe Instituut; and the Biennale of São Tomé and Prìncipe.

July ’26 · DüsseldorfBeautiful, grotesque, seductive, disturbing.Jon Rafman’s Main Stream Media at K21.Jon Rafman K20 K2...
13/09/2026

July ’26 · Düsseldorf

Beautiful, grotesque, seductive, disturbing.
Jon Rafman’s Main Stream Media at K21.
Jon Rafman K20 K21 Kunstsammlung NRW, Düsseldorf

July ’26 · DüsseldorfHolly Herndon & Mat Dryhurst’s Starmirror at K21.Holly Herndon🧫 Mat Dryhurst K20 K21 Kunstsammlung ...
12/09/2026

July ’26 · Düsseldorf
Holly Herndon & Mat Dryhurst’s Starmirror at K21.
Holly Herndon🧫 Mat Dryhurst K20 K21 Kunstsammlung NRW, Düsseldorf

July ’26 · MunichSpiders, air, water, salt.Tomás Saraceno’s Ancestral Futures at Haus der Kunst, Munich.A world much lar...
05/09/2026

July ’26 · Munich

Spiders, air, water, salt.
Tomás Saraceno’s Ancestral Futures at Haus der Kunst, Munich.

A world much larger than the human one.

Studio Tomás Saraceno Haus der Kunst

June 2026 - The Cult of Beauty - CCCB, Barcelona As Makeupbrutalism, former make-up artist Eszter Magyar began sharing p...
02/08/2026

June 2026 - The Cult of Beauty - CCCB, Barcelona

As Makeupbrutalism, former make-up artist Eszter Magyar began sharing provocative content, mixing ‘social criticism with human aesthetics’ on social media in 2018.

This installation is a montage of her practice straddling cosmetics and artistic mediums. She categorises her close-up editorial photographs as ‘social commentary’ and her diagrams as ‘pseudoscience. In her hands, everyday beauty items become unfamiliar or uncanny, presented as sculptural objects cast in resin. Magyar prompts her viewers to question their beliefs, to confront their raw selves beneath social pressure and to peel back the layers of the beauty industry.

Can Reon Festival 💙🍬 CAN REON
01/08/2026

Can Reon Festival 💙🍬 CAN REON

Lawrence Weiner, AS LONG AS IT LASTS (1993)
31/07/2026

Lawrence Weiner, AS LONG AS IT LASTS (1993)

I came to Essen for Manifesta. Yet somehow the real detour became Museum Folkwang .Only later did I discover that Folkwa...
26/07/2026

I came to Essen for Manifesta. Yet somehow the real detour became Museum Folkwang .

Only later did I discover that Folkwang takes its name from Fólkvangr, the meadow of the dead ruled by the Norse goddess Freyja. Not a bad name for a place where paintings continue to outlive us.

Here are 9 works that insisted on staying with me.

1. Ernst Ludwig Kirchner — Dancing Couple
2. Henri Matisse — Still Life with Asphodels
3. Chaim Soutine — The Hotel Manager
4. Max Beckmann — Perseus
5. Max Ernst — Dark Gods
6. Otto Dix — Belly Among Flowers
7. Max Ernst — The Forest
8. Jean Dubuffet — Vie des Cités
9. Eugène Delacroix — The Lion and the Snake

Oh boy, Manifesta 2026 was not for the weak.Thirty-seven degrees. Barely any shade. A route that felt less like an exhib...
26/07/2026

Oh boy, Manifesta 2026 was not for the weak.

Thirty-seven degrees. Barely any shade. A route that felt less like an exhibition trail and more like a pilgrimage.

By the end of the day, the title This Is Not a Church felt less like a curatorial statement and more like a joke I wasn’t entirely in on.

Still, somewhere between the heat, the blisters, and the wandering, there were works that made it all worthwhile.

from La Biennale di Venezia / Trevor PaglenHypnotized by AI during the Biennale never felt anything like it.Voyager (20...
06/07/2026

from La Biennale di Venezia / Trevor Paglen

Hypnotized by AI during the Biennale never felt anything like it.

Voyager (2026), an isolation booth at Palazzo Diedo. Headphones, pulse sensor, and an AI voice that guides you through 🩶. Trevor Paglen

from La Biennale di Venezia / Alfredo JaarThis might be my favourite work of the whole Biennale. So simple, but it holds...
05/07/2026

from La Biennale di Venezia / Alfredo Jaar

This might be my favourite work of the whole Biennale. So simple, but it holds everything.

It’s a small cube, just four centimetres square, made of ten metals pressed together: cobalt, rare earths, copper, tin, nickel, lithium, manganese, coltan, germanium, platinum. These are the materials everyone wants right now, powering everything from phones to electric cars to weapons. Each one comes with its own story of extraction, strip mines, deep sea mining, conflict, entire ecosystems and communities disrupted to get them out of the ground.

Jaar places this tiny cube in the middle of a huge, cathedral-like hall at the Arsenale, and that contrast is the whole point. Something this small, this precious-looking, holding the weight of so much damage.

It glistens. You want it. We all need it, in some way. And that’s exactly the trap the work points to. Alfredo Jaar

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