Goldtunes Ent

16/11/2025

Spencer Tunde Julius

16/11/2025

Spencer Tunde Julius

16/11/2025

Wireless Interference and XR18 Dropouts: The Real Cause and the Real Fix
By TUNDE SPENCER

In the last few days, I’ve been contacted about sudden disconnections on the XR18—tablets dropping off, laptops unable to reconnect, and complete control loss during rehearsal or, worse, right at downbeat. When this happens, most people assume the mixer is failing. It isn’t. The real culprit is far simpler and far more common: wireless interference.

Here’s the scenario. The XR18 is being controlled through a router set on the 5 GHz band. Everything looks clean on paper until new wireless systems—especially 5.8 GHz IEMs—are introduced into the same ecosystem. On the surface, they look unrelated, but in practice they operate in the same RF neighborhood. And just like a crowded street market, the moment a strong device starts transmitting aggressively, the weaker system bows out.

The 5.8 GHz Xvive IEM system doesn’t interfere with your audio; it interferes with your network control layer. Once it floods the RF space, your router begins to struggle, drops all connected devices, and forces you into an emergency restart. The XR18 keeps passing audio, but the control network collapses.

This explains why the internal XR18 2.4 GHz Wi-Fi still works—it occupies a different frequency range and doesn’t get bullied by the 5.8 GHz traffic.

The solution is not to abandon wireless IEMs. The solution is to configure your network properly.

Below is the practical, field-tested fix:

1. Move your control network to 2.4 GHz.
The 5 GHz band is fast but fragile. The 2.4 GHz band is slower but dramatically more stable in a crowded environment. Your tablets and laptops will still control the mixer perfectly.

2. Raise your router out of the rack.
Metal enclosures block RF energy. Get the antennas outside and in the open.

3. Physically separate your router from your wireless IEM transmitters.
Don’t stack RF devices together. Give them breathing room.

4. Use at least one hardwired device.
A simple ethernet connection guarantees control even if Wi-Fi collapses.

5. Use a stable, gig-ready router.
A TP-Link AX series or Ubiquiti access point gives you a more reliable control backbone.

The new IEMs didn’t damage anything—they simply revealed a weak link in the wireless setup. Once your network is placed on 2.4 GHz and properly positioned, the entire system becomes stable again, even in RF-heavy venues.

This is the approach I recommend for anyone using the XR18 or any mixer controlled over Wi-Fi. Stability is the real currency of live sound, and with a few adjustments, you can lock your system down and avoid the on-stage freeze that every musician dreads.

16/11/2025

He showed her what perseverance looks like. She showed him what pride feels like. 🫶

07/10/2025

THE 15 COMMANDMENTS OF SOUND
(For Musicians & Engineers)

By Eng TUNDE SPENCER.

1. Thou shalt not play louder than the message. Music is communication, not competition. If Fela’s horns were louder than his voice, the revolution would have been drowned.

2. Thou shalt remember balance is king. Nathan Bassey’s trumpet will never fight his worship, it will serve it. Same with your tone.

3. Thou shalt honor the engineer’s perspective. The FOH engineer hears what the audience hears. You only hear your monitor. Two realities, one truth.

4. Thou shalt not despise dynamics. Dunsin Oyekan flows from silence to thunder. That range is power, not just volume.

5. Thou shalt learn restraint. Panam Percy Paul’s guitar never swallowed his voice. He let the story breathe.

6. Thou shalt trust the mix. The Planetshakers can go wild, but their sound works because the engineers tame the storm.

7. Thou shalt remember: the stage is not thy bedroom. Club, concert, or church—it’s not practice, it’s ministry and performance. Respect the space.

8. Thou shalt not confuse star power with sonic power. Paul Simon knew when to let the African guitars shine and when to step back. That’s wisdom.

9. Thou shalt listen before thou playest. Loudness without listening is noise.

10. Thou shalt not compete with the vocal. If the message is lost, the music has failed.

11. Thou shalt protect the congregation and the crowd. Sound is physical. Too loud, and you damage ears instead of healing hearts.

12. Thou shalt not wrestle for control. Musicians are artists. Engineers are guardians. The win is collaboration, not dictatorship.

13. Thou shalt understand seasons. There’s a time to build an atmosphere, and a time to tear the roof off. Even Fela knew when to groove and when to explode.

14. Thou shalt be humble. The Spirit moves through unity, not ego. Loudness doesn’t annoint. obedience does.

15. Thou shalt never forget: Sound is ministry, not ego. Every k**b, every note, every beat is service. Keep the mission pure.

Musicians, sound engineers, worship leaders, DJs, concert producers—this is for all of you. Respect the sound, respect the message.


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25/09/2025

How did King Sunny Adé take juju music from Yoruba streets to Grammy stages? The answer is simple but powerful: effects, compression, and vision.
This post is dedicated to Honour KSA king Sunny Ade

Written by TUNDE Spencer

When you mention African music that transcended borders and carried its cultural soul into the global arena, the name King Sunny Adé stands as a monument. At 79 years old, he is not only a living legend of juju music but also a master craftsman of sound—where tradition meets technology. His work reminds us that music production is never just about instruments, but about the subtle, deliberate use of effects and compression to sculpt an enduring legacy.

The World of Effects in King Sunny Adé’s Sound

King Sunny Adé built a sonic identity that was unmistakably African yet global in appeal. Effects were not mere ornaments in his music—they were instruments in their own right.

Reverb and Delay: His vocals and guitars were drenched in spacious ambience, creating that floating, spiritual quality which turned dance halls into sanctuaries of sound.

Chorus and Flanger: By adding shimmer and depth to multiple guitars, he transformed simple riffs into hypnotic waves, a texture that kept audiences locked in the groove.

Echo on Talking Drums: These effects amplified the Yoruba proverbs spoken by the drums, making them echo like voices from eternity.

Synth Layers: Long before Afrobeat producers embraced electronic textures, KSA pioneered the use of synthesizers to bridge juju with reggae, pop, and global funk.

These effects gave his music the ethereal, international polish that caught the ears of Paul Simon, Angelique Kidjo, and global audiences who later discovered African rhythms on Grammy stages.

Compression – The Invisible Glue

If effects made the music sparkle, compression held everything together. Juju music is dense, with guitars, percussion, vocals, and talking drums all competing for space. Compression was the hidden engineer ensuring clarity and balance.

Vocals: King Sunny Adé’s calm, storytelling voice was never swallowed by the storm of drums and guitars. Compression leveled his dynamics, keeping his words clear and steady.

Guitars: Juju thrives on interlocking guitar patterns. With as many as 5–7 guitars weaving at once, compression ensured no single line dominated, but all contributed to the groove.

Percussion: Talking drums and congas were tamed, their peaks softened without losing punch, driving rhythm without distortion.

Live Performance: On massive stages and stadiums, compression transformed what could have been chaos into a controlled wall of sound that was both powerful and pleasant.

Why This Matters at 79

King Sunny Adé did not merely preserve juju music—he expanded it. By embracing the tools of the studio and stage—effects and compression—he built a soundscape that honored Yoruba tradition while speaking fluently to the world. His music became proof that heritage and technology can co-exist, elevating each other.

Lessons for Today

Producers of today’s Afrobeat and Gospel must ask: are we balancing our culture with technology as effectively as KSA did? Are we sculpting sound with patience and respect for both tradition and modernity? Without compression, his music would have sounded chaotic; without effects, it might never have captured the hypnotic groove that defined an era.

Conclusion

At 79 years, King Sunny Adé remains more than an entertainer. He is an audio case study, a teacher to engineers, musicians, and producers. His legacy is not just his songs, but the way his sound was designed—layered, polished, and timeless.

20/09/2025

10 RULES FOR F O H MIXING THAT WILL CHANGE YOUR GAME
By Eng TUNDE SPENCER

When you sit at the FOH desk, you’re not just pushing faders. You’re shaping how thousands of people experience music.

Here are the rules every FOH engineer should live by:

1. Know the room before you mix. Walk around. Listen to reflections. The room is your first instrument.

2. Nail your gain structure. If the gains are wrong, the mix is doomed.

3. EQ with purpose. Cut problems, don’t just boost blindly.

4. Balance first, effects later. No reverb can fix a bad balance.

5. Vocals rule. If the audience can’t hear the lyrics, nothing else matters.

6. Compress with taste. Control dynamics, don’t crush the life out of the sound.

7. Mix for the audience, not just the console. Step away. Walk the room.

8. Build from the ground up. Drums and bass are the foundation, everything else is the house.

9. Stay connected to the stage. Don’t hide—watch, listen, and communicate with the band.

10. Leave your ego at home. If people notice you, you’re doing it wrong. If they feel the music, you’ve won.

A great FOH mix is invisible—it disappears and lets the music shine.

Challenge:
Next time you mix, mute all your FX and focus on balance + clarity only. Post your results and tag me. Let’s raise the standard.

05/09/2025

05/09/2025

SET UP AGS SURULERE

29/04/2025

The beloved bass players will be inducted into the hall for musical excellence…

11/02/2025

13/01/2025

Celebrating my 6th year on Facebook. Thank you for your continuing support. I could never have made it without you. 🙏🤗🎉