EeTones Recording Studios"

EeTones Recording  Studios" We are here to give you all you need in all music genre, your satisfaction is our concern Dm us on WhatsApp 08160382009

THERE'S A CERTAIN LEVEL OF  DELUSION YOU MUST HAVE TO BECOME GREAT πŸ“ŒYou have to see something in yourself that nobody el...
16/04/2026

THERE'S A CERTAIN LEVEL OF DELUSION YOU MUST HAVE TO BECOME GREAT πŸ“Œ

You have to see something in yourself that nobody else can see yet.
You have to believe in results that don’t exist yet.
You have to move with an unwavering conviction.

Greatness is usually born from vision that looked unrealistic at first.
Every builder, leader, artist, entrepreneur, and reformer was once called crazy for believing too early.

Sometimes delusion is simply faith before proof.
It is the refusal to let your current reality define your final reality.
It is betting on your future self while the present version of you is still under construction.

If you only believe what is visible, you may stay where you are.
But if you can hold a picture bigger than your circumstances, you create the energy to grow into it..

16/04/2026

4 THINGS YOU SHOULD NOT DO AS A KEYBOARDIST

1● Don't solo when the vocalist is still singing: The time to solo is when there's intro or interlude

2● Don't increase your volume more than the voice: Your job is to accompany the singer not to compete with them

3● Don't let everyone know when you're finding key: Reduce your volume when searching for key, let it not take more than 10 seconds while looking for key

4● Don't over play when your hand is not yet strong: Anything you cannot play off stage don't play it on stage

EeTones
27/03/2026

EeTones

18/03/2026

cooking something sweet

You can't afford to miss this
14/03/2026

You can't afford to miss this

08/03/2026

Recording Studio
we are ready to give you the best in all musical genre

SINGERS LEARN TO DO WITHOUT STRINGS AND PADβ˜•οΈβ˜•οΈβ˜•οΈβ˜•οΈβ˜•οΈβ˜•οΈβ˜•οΈβ˜•οΈβ˜•οΈβ˜•οΈβ˜•οΈβ˜•οΈβ˜•οΈβ˜•οΈβ˜•οΈβ˜•οΈβ˜•οΈIn today's music industry, it's easy to get...
06/03/2026

SINGERS LEARN TO DO WITHOUT STRINGS AND PAD
β˜•οΈβ˜•οΈβ˜•οΈβ˜•οΈβ˜•οΈβ˜•οΈβ˜•οΈβ˜•οΈβ˜•οΈβ˜•οΈβ˜•οΈβ˜•οΈβ˜•οΈβ˜•οΈβ˜•οΈβ˜•οΈβ˜•οΈ

In today's music industry, it's easy to get caught up in the convenience of technology.
With the rise of digital instruments and production software, many singers have become reliant on strings and pads to enhance their live performances.

Every singer will want to tell there pianist to add strings during there ministration and increase the volume of the strings.

However, this crutch can ultimately hold them back from unlocking their true vocal potential.

While strings and pads can add depth and texture to a live performance, they can also create a false sense of security for singers. By relying too heavily on these digital instruments, singers can mask vocal imperfections .

Strings and pads can cover up pitch issues, tone problems, and other vocal imperfections, rather than encouraging singers to work on improving their technique.

When singers rely too heavily on digital instruments, they can lose the emotional connection with their audience, which is essential for a truly impactful performance.
Singers should learn to be creative with the grand piano sound,not give me strings every time on stage πŸ™„

Sincerely By not having to rely on strings and pads, singers can explore new ways of expressing themselves vocally, and discover fresh creative possibilities.

As a singer ,when you don’t rely on strings or digital instruments, you will be able to focus on developing your own unique vocal sound, which sets you apart from other artists.

Singing without strings and pads forces singers to work on their vocal technique, including pitch, tone, and breath control.

If you're a singer who's used to relying on strings and pads, it can be daunting to perform without them.

The more you practice singing without strings and pads, the more comfortable you'll become with your own vocal sound.
Please take note ,hearing the sound of strings does not mean you are spiritual or mean you have entere

14/02/2026

THE ART OF PLAYING WITH FEELINGS: DYNAMICS

Dynamic drumming is about playing with feeling and expression. It's about creating contrast in your playing, from soft and subtle to loud and explosive.

POSSIBLE QUESTIONS AND ANSWERS

What is Dynamics in Drumming ❔

Dynamics in drumming refers to the varying degrees of loudness and softness in your playing. It's about controlling the volume and intensity of your drumming to create different emotions and moods.

Why is Dynamics Important in Drumming❔

Dynamics is important in drumming because it adds depth and expression to your playing. It helps to create contrast and interest, and can elevate your drumming from mere technical proficiency to true musicality.

How to Play with Dynamics❔

To play with dynamics, focus on developing control over your strokes and movements. Practice playing with different dynamics, from soft and subtle to loud and explosive. Experiment with different techniques, such as varying your stroke height, grip, and arm movement.

Tips for Playing with Dynamics

βœ”οΈ Practice playing with different dynamics in different contexts, such as in a groove or in a solo.

βœ”οΈ Listen to and study the playing of other drummers, paying attention to their use of dynamics.

βœ”οΈExperiment with different drum sounds and techniques to create different dynamic ranges.

βœ”οΈRecord yourself playing and listen back to identify areas for improvement.

Dynamics into your drumming, you can add a new level of expression and emotion to your playing. Keep practicing and experimenting to develop your own unique sound!

Am Jorim Drums
Photo: Starblessing πŸ₯

If you find this helpful follow up for more educative and inspiring drumming contents πŸ”βœ”οΈ

As a BACKUP SINGER, you must know your role and understand how important you are to the lead singer and instrumentalists...
01/10/2025

As a BACKUP SINGER, you must know your role and understand how important you are to the lead singer and instrumentalists.

If your result and commitment as a backup singer is poor, it can destroy the ministration.

You must know your limits and your range. Understand what you should do and what you should not do and play your role well.

Stick to plans and patterns as rehearsed. Stop leading, you're not the lead singer. Stop that mentality of trying to help the lead singer by echoing carelessly without being invited. Not unless you're invited to help the lead singer by the lead singer himself/herself, just don't. Just do backup, you're a backup singer, not a lead singer. Stop doing Ad-libs when the lead singer is singing and stop adding unnecessary dynamics. Your role is to backup, why are you not obeying?πŸ€”

If you have a grudge with someone in the backup team, work it out and let it be outside the pulpit. Stop showing funny attitudes when ministering just because you don't quite go along with someone in the backup team. As a child of God, solve your issues before ministrations, how can you minister with such envy, hatred, anger, and indignation!!! HOW? If you have a problem with the lead singer, stop backing up rudely and deliberately going off key, off beat, off voice, and off notes. STOP! Can you just fear God! If you don't want to minister, step down and be ministered unto.

ROLES OF A BACKUP SINGER β˜‘οΈβ˜‘οΈβ˜‘οΈβ˜‘οΈ

βœ…οΈ(1) Score the song.

As a backup singer it is expected that you score songs and the lyrics, knowing the song word by word. Find a Vocal Coach to help you on this.

βœ…οΈ(2) Know your part and know how to sing your part perfectly.

Never make the mistake of backing up a song and trying to do guess work, you will mess up the ministration.

βœ…οΈ(3) Stay on the same frequency and velocity with the lead singer.

If your lead singer is singing soft and slow, stay on the same velocity. Don't go fast and harsh; shouting recklessly.

If the lead is singing ener

π— π—¨π—¦π—œπ—– π—§π—˜π—₯𝗠𝗦 π—˜π—©π—˜π—₯𝗬 π— π—¨π—¦π—œπ—–π—œπ—”π—‘ 𝗠𝗨𝗦𝗧 π—žπ—‘π—’π—ͺπŸ’―TempoThe speed of the music (fast, slow, moderate). Example: Allegro = fast, Adagio...
23/09/2025

π— π—¨π—¦π—œπ—– π—§π—˜π—₯𝗠𝗦 π—˜π—©π—˜π—₯𝗬 π— π—¨π—¦π—œπ—–π—œπ—”π—‘ 𝗠𝗨𝗦𝗧 π—žπ—‘π—’π—ͺπŸ’―

Tempo

The speed of the music (fast, slow, moderate). Example: Allegro = fast, Adagio = slow.

Dynamics

The loudness or softness of music. Example: piano (p) = soft, forte (f) = loud.

Pitch

How high or low a note sounds. Example: β€œdo” is lower than β€œso.”

Rhythm

The pattern of beats and timing in music. It’s what makes you clap or tap your foot.

Melody

A sequence of notes played or sung one after the other to form a tune.

Harmony

When two or more notes are played or sung together to make a rich sound.

Chord

A group of three or more notes played at the same time. Example: C–E–G.

😎 Scale

A series of notes in order, usually from low to high. Example: do–re–mi–fa–so–la–ti–do.

Key

The main β€œhome” note and scale of a song. Example: A song in the key of C major uses mostly C major scale notes.

Time Signature

Shows how many beats are in each bar of music. Example: 4/4 means four beats in every bar.

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Abia City
124

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