Profesor Madya Dr. Raja Zulkarnain RMY

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Profesor Madya Dr. Raja Zulkarnain RMY Multi-Disciplinary Specialist in Cultural Heritage | Musicology | Ethnomusicology | Creative Arts | Writer | Author

End of Semester.7 PhD Viva Voce completed.4 PhD Proposal Defences completed.100% pass outcome.To date: 9 PhD graduates s...
17/08/2026

End of Semester.

7 PhD Viva Voce completed.
4 PhD Proposal Defences completed.
100% pass outcome.

To date: 9 PhD graduates successfully supervised.
Moving forward: 11 active PhD candidates under supervision.

And that’s not counting the many hours spent sitting on the other side of the table as Chairperson and examiner. 😅

A productive semester. Onward!

Zapin tanpa Gambus ibarat tubuh tanpa suara; masih wujud, tetapi kehilangan identiti yang menghidupkannyaGambus ialah al...
04/07/2026

Zapin tanpa Gambus ibarat tubuh tanpa suara; masih wujud, tetapi kehilangan identiti yang menghidupkannya

Gambus ialah alat muzik melodi yang mendefinisikan Zapin tradisional Johor. Ketiadaan gambus tidak semestinya menafikan sesebuah persembahan itu sebagai Zapin, namun ia mengurangkan secara signifikan keaslian sejarah, identiti muzik, dan karakter bunyi yang membentuk tradisi Zapin Johor.

Nantikan keluaran majalah Dewan Budaya edisi Ogos. Artikel muka depan saya bertajuk “Zapin dan Gambus: Degup Jiwa, Gerak Adab, Suara Tamadun”. Artikel ini mengajak pembaca melihat Zapin dan Gambus bukan sekadar sebagai seni persembahan, tetapi sebagai warisan bunyi yang membentuk identiti, nilai dan jati diri masyarakat Melayu.

🎉 New Publication!I'm pleased to share that my latest article has been published in the International Journal of Arts, C...
28/06/2026

🎉 New Publication!

I'm pleased to share that my latest article has been published in the International Journal of Arts, Culture & Heritage (iJACH), ASWARA (Article No. 2). Title: Reframing Gambus Learning in Malaysian Higher Arts Education: An Autoethnographic Study of Early Maqām-Based Practice and Knowledge Transmission at Akademi Seni Kebangsaan (2003).

This article reflects on my early experiences introducing maqām-based learning and notation-supported instruction into gambus pedagogy at Akademi Seni Kebangsaan (now ASWARA) in 2003. At a time when gambus learning in Malaysia relied almost entirely on oral transmission and repertoire imitation, this study documents one of the earliest efforts to teach maqām as a structured body of musical knowledge. Rather than replacing oral tradition, the approach sought to complement it by helping students understand modal systems, musical structure, and theoretical foundations alongside practical performance.

More than two decades later, this publication serves as both a historical record and a reflection on how traditional music pedagogy can evolve while preserving its cultural authenticity. I hope this article contributes to ongoing discussions in ethnomusicology, music pedagogy, and the preservation of traditional musical knowledge.

Prof. Madya Dr. Raja Zulkarnain Raja Yusof

📖 Read the article here: https://penerbit.aswara.edu.my/index.php/ijach-15/

What if an important chapter of Malay musical history has been hiding in plain sight?The black eagle quill risya has lon...
06/06/2026

What if an important chapter of Malay musical history has been hiding in plain sight?

The black eagle quill risya has long held a distinctive place in Levantine oud traditions, yet its presence in Southeast Asia has never been documented in the scholarly literature.

This article presents evidence of a previously unrecorded material exchange between the Middle East and Malaysia, raising broader questions about what we choose to preserve, exhibit, and remember in our musical heritage.

Published in the International Journal of the Malay World and Civilisation, Vol. 14, No. 2 (2026).

Read the article:
https://ejournal.ukm.my/jatma/issue/view/1925

My latest contribution to Dewan Budaya (Bil. 06/2026) considers the cultural repositioning of the gambus, from devotiona...
23/05/2026

My latest contribution to Dewan Budaya (Bil. 06/2026) considers the cultural repositioning of the gambus, from devotional instrument to entertainment platform.

For those interested, the issue is available via JedelaDBP at https://lnkd.in/g37FVmAF

Research Progress Update: From Intonaphobia Concept to Measurement FrameworkI have recently completed a new manuscript r...
30/04/2026

Research Progress Update: From Intonaphobia Concept to Measurement Framework

I have recently completed a new manuscript related to my ongoing research on intonaphobia, microtonal perception, and maqām-based music education. This article represents the second stage of a larger research trajectory. The first stage introduced and theorised the concept of intonaphobia as a framework for understanding resistance and perceptual difficulty in relation to maqām microtonality. This second stage moves the discussion forward by developing a preliminary measurement framework for examining these perceptual challenges more systematically. The work is intended to provide a foundation for the next phase of the project, which will focus on broader implementation within higher education contexts and future research funding development. I am now identifying a suitable journal for submission.

Bunyi Yang Masih Hidup di Constantinople ✍️
10/04/2026

Bunyi Yang Masih Hidup di Constantinople ✍️

Pleased to share that my article, Introducing Fa Tuning to Malaysia (2005), has now been published in the Journal of Cre...
09/04/2026

Pleased to share that my article, Introducing Fa Tuning to Malaysia (2005), has now been published in the Journal of Creative Arts.

It documents my role in introducing Fa tuning into Malaysian oud/gambus pedagogy in 2005, as an alternative to the tuning system that had long been used by gambus players in Malaysia.

Glad to see this part of the journey now formally recorded.

Read here: https://journal.uitm.edu.my/ojs/index.php/JCA/article/view/10029

Living Sounds of ConstantinopleI am pleased to share that my latest article, “Bunyi yang Masih Hidup di Constantinople,”...
23/03/2026

Living Sounds of Constantinople

I am pleased to share that my latest article, “Bunyi yang Masih Hidup di Constantinople,” is published in the April 2026 issue of Dewan Budaya under the Salam Benua (travel writing) section.

This piece comes from my recent research journey to Istanbul, where I continued my work documenting the oud within its living cultural environment. For me, research has never been confined to libraries or studios. Much of what I have learned about music, instruments, and tradition has come from walking cities, meeting makers, listening to musicians, and observing how culture survives in everyday spaces.

Since first becoming seriously involved in the arts and cultural field more than two decades ago, this path has taken me across regions and continents. Each journey has quietly shaped how I understand transmission, pedagogy, and the place of traditional instruments in contemporary life.

Travel, in this sense, is not movement for its own sake. It is part of the long process of learning where knowledge actually lives, sometimes in institutions, but often in people, places, and practices that continue without announcement.

Grateful to Dewan Budaya for continuing to provide a space for these reflections since my first contribution in 2013.


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