Keope

Keope Experimenting with non-linear thoughts applied to the creative process. KEOPE is an artist collective living and working between Berlin and Presniča.

The band herby relies on sole communication through music to direct their improvised live performances. KEOPE started in July 2015 when the two originators met in Trieste / Italy with the aim to record an album in an abandoned quarry on the Slovenian border. The outcome "Tropicalni" seems to exist in a vacuum. Stylistically, the nine tracks here owe something to multiple genres and reference point

s - from folk, Balearic, psychedelic and electronica, but none really fit well. Synths drift in breezily, floating around the wistful melodies - acoustic guitars sparkle, while flutes and melodicas evoke a little south American shamanism, and the beats hint at a deeper connection to dance rituals. This could account for the free floating, otherworldly, aesthetic - little seems to impact on the sense of freedom and exploration the two manage to conjure up from their reclusive base. Sounds are recognizable and evocative, but never worn as signposts to the mysterious pair’s backgrounds or influences. Something quite complex is carried out in a very beguiling and seemingly effortless way. The songs here seem to dematerialize into the ether, and reform in different shapes and moods elsewhere. Cut loose from any moorings and drifting under a blue sky - Tropicalni is both the journey and destination. KEOPE's work is based on improvisation and the interplay of acoustic and electronic instruments. Spontaneity, a reduced tool-set around the electric guitar, drum machines and an analog modular-snthesizer as well as the sole communication through music between the individuals are key. KEOPE also welcomes guest singers, instrumentalists and performers from an array of styles and cultural backgrounds. To escape the constrictions of indoor recording studios and to enhance the contact with nature and the transcendent aspect of music, KEOPE create their music outdoors with a mobile recording studio set-up. Being in an open air space without the common sonic interferences, their sound became much wider, purer and more organic.

Agua de Jamaica con nuestro brother Quixosis en Tulum. Luego casi nos electrocutamos peleando con un cableado selvático ...
12/01/2026

Agua de Jamaica con nuestro brother Quixosis en Tulum.

Luego casi nos electrocutamos peleando con un cableado selvático creativo, tratando de mantener nuestros equipos con vida a pesar de la neblina espesa y el humo denso del Copal encendido para amoscar a los mosquitos.

Al día siguiente despertamos en una carpa rota sobre una azotea en Bacalar, después de un toque medio pesado. Nos internamos profundamente en la selva, descubriendo pirámides encantadas e inventando nuestros propios rituales.

Ahi también grabamos ‚A Night In Bacalar‘ que fue editado en el recompilatorio del sello Kryptox de Mathias Modica.

***

Agua de Jamaica with our friend Quixosis in Tulum.

Then we nearly got electrocuted wrestling with creative jungle wiring, trying to keep our gear alive despite the heavy mist and the thick smoke from burning Copal meant to keep mosquitoes away.

The very next day we woke up in a torn tent on a rooftop in Bacalar after a rough gig at Damajuana. We wandered deep into the forest, discovering enchanted pyramids and inventing our own rituals.

We there also recorded our song ‚A Night In Bacalar‘ which was later released on Mathias Modica‘s Kryptox label.







29/12/2025

High-life deep in the jungle. We played our set twice as nobody wanted to stop dancing. 👯‍♀️

Magic moments. 🦄

Gracias Eduardo por la invitación.🙏🏻

Shortly before our gig at Mexico City’s wonderful Radio Nopal there was this streetfood vendor with his steam-machine on...
17/12/2025

Shortly before our gig at Mexico City’s wonderful Radio Nopal there was this streetfood vendor with his steam-machine on wheels. The most bizarre vehicle with a super loud horn that makes sure everybody around is informed that Camote is ready to eat.

We recorded that steam-pipe sound and used it as a sample ever since. You can actually hear it at the very end of our song ‚Tier Maschine‘ from the FLIKKA FLOKKA album (2023 Bigamo Musik).

After the gig at the radio station we hung with old and new friends and fell in love with the clandestine and creatively overflowing city.

Invited to play in Marrakesh, we ended up staying a bit longer than just for the gig. We booked a room in a Riad in the ...
09/12/2025

Invited to play in Marrakesh, we ended up staying a bit longer than just for the gig. We booked a room in a Riad in the old Medina and spent the days before the concert rehearsing and roaming the streets, courtyards and rooftops with our wonderful host Zak - soaking in local life and buying all sorts of handmade instruments.

The night before our performance, we went to hear the master musicians of Joujouka play a four-hour, non-stop set on the outskirts of the city: primordial, hypnotic, timeless.

When night fell on the beautiful adobe buildings of the venue, and after our gear was fully and inevitably coated in desert sand, we had great fun playing our set. We were especially proud to receive feedback from the locals, who heard a sense of familiarity with their ancient music in our rhythms and patterns.
bendriouich





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Mexico City
151651

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