DESCRIPTION
We're a international company that will target the entire world as a marketing agency, working with developers, agencies and organizations. We like to work with live shows and performances that offer fresh and new concepts...We're a new company promotion and the addition of new local and international talents, developers design and marketing. We like to have an individual approach
to each event and enjoy pushing the boundaries, creating unique experiences for those who attend our events. Our goal is to generate the satisfaction of all partners involved in the business and create harmony between production, the sponsors and the target (clients.) Agencia de marketing y que colabora con promotores, agencias y organizadores. Estamos en contacto y trabajamos exclusivamente con artistas nacionales e internacionales de la música. Nos gusta trabajar con actuaciones en directo y actuaciones que ofrecen espectáculos frescos y nuevos conceptos, desarrollando una empresa nueva de promoción y la adición de nuevos talentos locales e internacionales, promotores de diseño y marketing. Nos gusta tener el enfoque individual de cada evento y disfrutar de empujar los límites creando experiencias únicas para aquellos que asisten a nuestros eventos. Nuestro objetivo es generar la satisfacción de todos los socios involucrados en el negocio y crear armonía entre la producción, los patrocinadores y el objetivo (clientes.)
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TIMING TIMING TIMING TIMING TIMING
Timing in music refers to the ability to "keep time" accurately and to synchronise to an ensemble, as well as to expressive timing—subtle adjustment of note or beat duration, or of tempo, for aesthetic effect. Research in music cognition has shown that time as a subjective structuring of events in music differs from the concept of time in physics. Listeners to music do not perceive rhythm on a continuous scale, but recognise rhythmic categories that function as a reference relative to which the deviations in timing can be appreciated. In fact temporal patterns in music combine two different time scales—rhythmic durations such as half and quarter notes on the one hand, and on the other, the continuous timing variations that characterize an expressive musical performance.
