Dalloul Art Foundation

Dalloul Art Foundation Beirut-based art foundation dedicated to preserving and showcasing modern and contemporary Arab art.

“Your Silence I Suffer” (oil on canvas, 183 × 122 cm, 1989) is a painting by Lebanese American artist Chawky Frenn. The ...
03/08/2026

“Your Silence I Suffer” (oil on canvas, 183 × 122 cm, 1989) is a painting by Lebanese American artist Chawky Frenn. The painting was acquired by the Dalloul Art Foundation and is now part of its permanent collection.⁠

A kneeling figure is surrounded by broken dolls, symbols of childhood, innocence, and the carefree world that war destroys. Once associated with play and protection, the dolls are shattered, dismembered, and hollow, bearing witness to the devastating toll of violence on the most vulnerable.⁠

The painting's title poses an unsettling question: Whose silence is being condemned, and who is made to suffer? Is it the silence of innocence, powerless in the face of brutality? Or is it our collective silence, our indifference, inaction, or refusal to bear witness that perpetuates the suffering of the figure, those who bear witness, the children the dolls represent, and ultimately, our shared humanity?⁠

The crowded mass of fractured doll heads transforms the canvas into a silent chorus of absent voices. In “Your Silence I Suffer”, silence is not peace; it is the echo of lives interrupted, innocence broken, and a humanity diminished whenever violence against children is met with indifference. The broken dolls become symbols not only of children lost to war, but also of a fractured humanity whose silence allows suffering to endure.⁠

27/07/2026

The *Dalloul Art Foundation (DAF)* presents the second chapter of Nabil Kanso's landmark homecoming to Beirut.

Beyond the monumental canvases on view at the Dalloul Artist Collective (DAC) lies Nabil Kanso's most intimate body of work. *_Leaves from the Theater of War_* brings together all 242 ink drawings for the first time anywhere in the world, revealing the rhythm, sequencing, and relentless vision behind one of the artist's most significant artworks.

*Nabil Kanso: Darkness and Light (Part II)*

*Opening Reception:* Wednesday, 29 July 2026 | 6:00–9:00 PM
*Exhibition on view:* 30 July – 30 September 2026

Dalloul Art Foundation (DAF)
Rue Madame Curie, White Tower Building
Facing the Collège Protestant Français (CPF)
2nd Floor, Bloc B
Koraytem, Beirut

Running concurrently with _*Nabil Kanso: Darkness and Light (Part I)*_ at the Dalloul Artist Collective (DAC), on view until 19 September 2026.

07/07/2026

Hady Sy's exhibition 'Human Inc.' at Saleh Barakat Gallery was originally set to open on March 26 but was postponed due to the recent war, and has now been rescheduled to reopen on Thursday, 9 July 2026, from 5:00-8:00 pm.

In his interview with Wafa Roz, part of the Dalloul Art Foundation series “Artists in Times of War”, Sy shares how wars have affected his artwork in general and this exhibition in particular.

In "Human Inc.", Sy confronts the connection between machine and nature, exploring the increasingly critical line between technology and human ethics. Where some of his earlier works warned of humans reduced to mere numbers in a consumer society, this new show asserts our strength and how we are far more than disposable and replaceable entities. It's a reminder that our shared humanity must come before all else.

29/05/2026

In a world shaped by conflict, artist Hady Sy chooses to create through humanity rather than division.

Hady Sy reflects in this interview on living through wars in Beirut, Paris, and New York, and how these experiences transformed art into both a diary and a form of resistance.

Through steel, X-rays, and powerful symbolism, his work questions violence, identity, belonging, and what truly connects us as human beings. From seeing Beirut as a mother figure to believing that “we’re all skeletons at the end of the day,” Sy’s perspective is both deeply personal and universally resonant.

Watch this new project by on YouTube as part of “Artists in Times of War”; a series of filmed interviews conducted by Wafa Roz with artists based in Lebanon, investigating how they cope in times of war and how this reflects in their artwork.

23/04/2026

In this excerpt, Lebanese artist Ayman Baalbaki draws parallels between a series of his works and the thematic structure of pre-Islamic Arabic poetry.

Referencing Salam Al-Kindy's Le Voyageur sans Orient (1998), which examines the philosophy and structure of pre-Islamic verse, Baalbaki notes how his art mirrors the thematic progression of these poems: beginning with "al-wuquf 'ala al-atlal", where the poet laments at the ruins, a notion echoed in Baalbaki's paintings of war-damaged buildings and urban destruction; this is followed by descriptions of the poet's difficult journey wandering the desert as he searches for what he has lost, reflected in the artist's images of bundled belongings on cars and other visual motifs of displacement; and culminating in the poet's assertion of identity, tribal belonging, and core values, paralleled in Baalbaki's recurrent renderings of Beirut's ruined, yet still-standing, buildings, which similarly articulate deep attachment to land and place.

Watch Ayman Baalbaki discuss the many influences that have shaped his artistic practice over the years, the themes and approaches behind his works, and the memories that continue to animate his vision.

Full video at the link in bio.

The DAF team wishes you a happy Easter and hopes for brighter days.On this Easter Sunday, Hala Schoukair's Untitled, 202...
05/04/2026

The DAF team wishes you a happy Easter and hopes for brighter days.

On this Easter Sunday, Hala Schoukair's Untitled, 2021, captures the quiet wonder of regeneration and rebirth.

Schoukair's work is composed of intricate, repeated brushstrokes that form dense, flower-like shapes across the canvas. The restrained pastel palette and careful layering of patterns produce organic structures that suggest natural growth, while also creating a sense of soothing tranquility through their delicate colors and repetition. Her process-oriented approach encourages viewers to engage slowly and meditatively, observing how detailed gestures accumulate into a larger, harmonious whole. 

Throughout its waves of sequences, this minimalist construction mirrors nature’s patterns and cycles, reflecting the timeless hope of renewal this season carries.

24/03/2026

Watch the latest interview conducted by Wafa Roz at DAF with Dr. Hussam Rashwan explaining the catalogue raisonné of Abdel Hadi El-Gazzar and offering an overview on other Egyptian modernist artists such as Seif Wanly.

The interview is an insight into art history, the methodology of creating catalogue raisonnés, and the due diligence that goes into authenticating artworks.

The maternal-infant bond in Hatem El Mekki’s Maternité au Jeune Loup (1951) is urgent and raw; it speaks to primal insti...
21/03/2026

The maternal-infant bond in Hatem El Mekki’s Maternité au Jeune Loup (1951) is urgent and raw; it speaks to primal instincts. ⁠

The painting depicts a mother kneeling with an infant cradled in her arms as she breastfeeds it - her entire body oriented toward the child. There is a quality of sudden stillness to the scene, as though she paused mid-movement to attend to her demanding baby. ⁠

The title Maternité au Jeune Loup, meaning Maternity of a Young Wolf adds a further layer of meaning. ‘Jeune loup’ is a figurative French idiom meaning a ‘young go-getter’ or a very ambitious young man looking to succeed at any cost.⁠

While the wolf symbolises the wild, the mother symbolises protection. The picture insinuates danger, ferocity, and a call for protection - reflected in how the infant is grabbing the mother ‘s breast with its sharp teeth. ⁠

Painted in 1951, as Tunisia's anti-colonial struggle accelerated, the image takes on broader resonance: the mother nurtures the next generation of fierce anti-colonial activists. ⁠

Today, on Mother’s Day, we think of all mothers, especially the mothers of Lebanon, whose strength has never been more needed.⁠

For more on Hatem El Mekki and other Tunisian artists, you can visit the link in our bio. ⁠

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