Aki Onda

Aki Onda Aki Onda, 視覚芸術, 1264 Hirasu-cho, Mito-shiの連絡先情報、マップ、方向、お問い合わせフォーム、営業時間、サービス、評価、写真、動画、お知らせ。

Wonderful to see Gozo Yoshimasu at his collaborative show with Jonas Mekas
16/05/2026

Wonderful to see Gozo Yoshimasu at his collaborative show with Jonas Mekas

14/05/2026

It’s fun 🤩

Here are some pics from in Phuket, which was incredibly inspiring.It’s been more than a week since I came back from Tha...
13/05/2026

Here are some pics from in Phuket, which was incredibly inspiring.

It’s been more than a week since I came back from Thailand, but I’m still digesting the many layers and ideas behind the exhibition. There was a sense of playfulness, rawness, punchiness, and tropical vividness throughout — reflecting inter-Asian connections and beyond, while at times challenging the still predominantly Western standards of the international biennial format.

Congratulations again to artistic directors David Teh, , , and all of the hardworking staff members who made it happen.

1) Taeko Tomiyama’s painting “Memory of the Sea”
2) and their child
3) Gorgeous installation by
4) Me and Melati
5) ’s video piece, dipping into a filthy drain
6) ’s pink world
7) ’s dining table installation
8) ’s pagoda wrapped in jute

高橋悠治と八巻美恵、表参道にて。Wonderful to see Yuji Takahashi and Mie Yamaki in Omotesando, Tokyo.
12/05/2026

高橋悠治と八巻美恵、表参道にて。

Wonderful to see Yuji Takahashi and Mie Yamaki in Omotesando, Tokyo.

I’ll be presenting a special two-hour radio program at Los Angeles-based as a guest DJ, kindly hosted by composer ‘s C...
09/05/2026

I’ll be presenting a special two-hour radio program at Los Angeles-based as a guest DJ, kindly hosted by composer ‘s Chromatic Field series.

Thursday May 14, 2026
08 - 10 AM, PST
https://www.dublab.com/

The program features my own music, Rahsaan Roland Kirk, Albert Ayler, The Mystic Revelation of Rastafari, Brigitte Fontaine Avec Art Ensemble Of Chicago, Afrika Bambaataa, Sun Ra and more.

These are the tracks that resonated deeply with me before I began making music and, in a sense, shaped my cassette practice, which engages with the notion of memory.

I’ve been drawn to Black music culture since my early teens. The first record I truly loved was “People in Sorrow” by the Art Ensemble of Chicago. I was in my mid-teens when I encountered it, and it led me to explore other jazz musicians—John Coltrane, Albert Ayler, Don Cherry, Cecil Taylor. That was only the beginning; my curiosity about jazz continued to expand, eventually leading me to the early and old-school hip-hop from the 1970-80s.

I became especially interested in how these hip-hop artists engage with “memory.” They draw from Black cultural heritage and beyond, lifting sounds from their original contexts to create new compositions. In doing so, they archive past memories while editing, rewriting, reciting, and remixing them for future use. As their music evolved, I sensed both a reverence for their ancestors and a willingness to break codes—even to transgress. These impulses collided in chaotic yet generative ways, producing an extraordinary energy. Without these encounters, my cassette practice would likely have taken a very different path.

I was also a record collector in my youth. When I moved from Japan to the U.S. in 2000, I sold most of my collection to help fund the move. I kept around 150 records—the ones I love most—and the tracks here are selected from those.

I’ll be discussing and playing the entire piece of “Ugnayan: Music for Twenty Radio Stations” composed by José Maceda M...
07/05/2026

I’ll be discussing and playing the entire piece of “Ugnayan: Music for Twenty Radio Stations” composed by José Maceda

May 09, 2026: 3 - 4pm EST
90.7-FM in NY’s Upper Hudson Valley and wgxc.org/listen everywhere
http://www.wgxc.org/

The installation version of Ugnayan will be on view on the 6th floor of as a part of the the Whitney Biennial until October 2026.

I’m back home for two weeks, before heading to Thailand later this month. The hardest part of constant travel isn’t the ...
13/04/2026

I’m back home for two weeks, before heading to Thailand later this month. The hardest part of constant travel isn’t the movement itself, but being away from the animals.

二週間、水戸に戻ってきてますが、もう少ししたらタイへ向かいます。旅の連続で、うーん困ったな、というのは旅そのものではなく、動物と離れていることでしょうか。

MONUMENT, the landmark exhibition at and Such a powerful show!
09/04/2026

MONUMENT, the landmark exhibition at and Such a powerful show!

Speaking in Tongues — opening at ICA LA , April 4 ✨Grateful to for her professionalism, generosity, and friendship.Incr...
07/04/2026

Speaking in Tongues — opening at ICA LA , April 4 ✨

Grateful to for her professionalism, generosity, and friendship.
Incredible performances by and .
Still thinking about this stunning drawing of Belkis Ayón (1967–1999).
So good to see
And a moment with and our works
Bookshelf Residency: Semiotext(e) Hedi El Kholti’s Dream Machine—an homage to Brion Gysin’s original.

What a day :)

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1264 Hirasu-cho
Mito-shi, Ibaraki
310-0853

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+818057588271

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