Michael Sturdy

Michael Sturdy This page is devoted to the Artist and Poet, Michael Sturdy.

08/05/2026

"Ode for the Mountain Road."

Morning had scarcely unfolded
its pale and careful light
across the ridges of Fukushima
when the road curved inward
through cedar shadow and stone,
and a bus carrying the young
entered an hour
from which none would wholly return unchanged.

They traveled together—
students half-awake with spring fatigue,
voices rising and falling
between laughter and silence,
bags at their feet,
rackets resting against narrow seats,
small ordinary dreams
moving northward through the mountains.

No herald stood beside the highway.
No warning divided the air.
Only the long expressway threading the hills,
and the ancient human belief
that morning naturally proceeds toward evening.

But there are moments
when the world abruptly reveals
how fragile its continuities are.

One student did not return.
Hiroto Inagaki, seventeen years old,
was taken from the living
before youth had fully spoken its own name within him.

And twenty others—
friends, classmates, companions of that same road—
were carried wounded
into another form of memory.

For injury too alters time.

The body survives,
yet the mind returns unwillingly
to metal, impact, shattered glass,
sirens dissolving into mountain air,
the unbearable instant
when ordinary life split open
without explanation.

Some will carry scars visible to the eye.
Others will bear quieter fractures:
the fear of curved roads,
the silence following sudden noise,
the strange guilt of remaining
when another was lost.

And so this mourning belongs not only
to the dead,
but also to those forced suddenly
to continue living
beneath the shadow of that morning.

O Hiroto,
your absence now moves among them
like winter air entering a familiar room.

The courts will open again.
Shoes will sound once more
against polished gymnasium floors.
Teachers will call attendance.
Summer uniforms will return with the heat.

Yet among those ordinary rituals
there will remain
one unfillable distance.

For youth imagines itself forward-moving.
It trusts instinctively
in unfinished tomorrows.
That trust is part of its innocence.

And when death enters among the young,
it does not merely end a life;
it interrupts an entire architecture of expectation—
friendships assumed permanent,
competitions still ahead,
conversations believed endlessly repeatable.

The mountains themselves now seem to keep
what occurred there.
The guardrails remember.
The expressway carries invisibly forward
the trace of twenty-one altered futures:
one taken entirely into silence,
twenty returned painfully
to the difficult labor of continuing.

May the wounded recover slowly
without shame for surviving.
May grief not imprison them
within the violence of remembrance alone.
May those who walk away from ruin
learn again, however gradually,
to trust the world enough
to enter tomorrow.

And may the name of the dead
remain gently among the living—
not as spectacle,
nor as passing headline,
but as a human life once carried
through the morning mountains
among companions and spring light.

For there remains now upon that road
an irrevocable quietness:

the place where youth,
moving confidently toward the future,
met the terrible frailty
hidden within the ordinary world.

—M. Sturdy (May 8th, 2026)

06/05/2026

“Before the Voices Deepen.”

When April laughter rings through open doors,
And small hands scatter sunlight through the hall,
We think such bright abundance ever pours,
And scarcely hear how swift the shadows fall.

The child who stumbles through the garden gate,
With muddy knees and wild ungoverned cries,
Will one day walk with measured steps and weight,
And carry storms concealed behind the eyes.

So crown their fleeting hours with louder praise;
Hold high the simple wonders they impart.
For youth burns briefly in its golden blaze,
Then folds itself like dusk within the heart.

Exalt the child before the seasons bend;
Too soon the little voice grows deep and spent.

—M. Sturdy (May 5th, 2026)

"Where the Water Keeps the Sky." Watercolor on cotton bond.
06/05/2026

"Where the Water Keeps the Sky." Watercolor on cotton bond.

Back to watercolors.
06/05/2026

Back to watercolors.

"Morning over the Mountain Farm."
01/05/2026

"Morning over the Mountain Farm."

14/04/2026

“Between Pulpit and Throne.”

They knew that zeal, when fastened unto power,
Makes conscience bow where it was meant be free;
That crowns may borrow God for one brief hour,
And forge from faith a stern necessity.

They read how Europe, bloodied in its creed,
Had made the altar servant to the throne;
Where princes taught the soul what to believe,
And claimed men’s inward kingdom as their own.

So law was built to keep those borders clear:
The state from pulpit, and the church from chain;
That faith might speak without the magistrate’s fear,
And rule might stand without religious reign.

Thus each was spared the other’s grave abuse:
The soul from force, the state from sacred use.

—M. Sturdy (Apr. 14, 2026)

"Mill on the floss."
13/04/2026

"Mill on the floss."

06/04/2026

"When painting the real challenge is not when to start but when to stop, which is very much like a child's temper tantrum." I forget who said it, but it is often too true.

Start to finish.
05/04/2026

Start to finish.

"Poaching Sakura."
04/04/2026

"Poaching Sakura."

"A river runs through me dreams." Oil on canvas. Inspired by the "Clark Fork River" in Montana.
02/04/2026

"A river runs through me dreams." Oil on canvas. Inspired by the "Clark Fork River" in Montana.

住所

Machida, Tokyo
194-0212

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