Mauro Di Silvestre Artista

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Buon Compleanno! (NY), 2007, acrilic and oil on canvas, 25x20 cm                       #1969
12/05/2024

Buon Compleanno! (NY), 2007, acrilic and oil on canvas, 25x20 cm

#1969

A casa di Annina
12/05/2024

A casa di Annina

La mia prima acquaforte:solo 8/8 numeri, edizione limitadaMy very first etching: 8/8 limited editionThanks to my friend ...
23/01/2024

La mia prima acquaforte:
solo 8/8 numeri, edizione limitada

My very first etching: 8/8 limited edition
Thanks to my friend and maestro that pushed me to do it.
A very well successful acquaforte by

Only 8 numbers

Giocando con l'inchiostro...
04/12/2023

Giocando con l'inchiostro...

Questione di equilibrio, 2023, acrylic and Conté pencil on paper, 70x50 cm Collezione Museo Immaginario (ovvero solo nel...
03/12/2023

Questione di equilibrio, 2023, acrylic and Conté pencil on paper, 70x50 cm Collezione Museo Immaginario (ovvero solo nella mia testa)

Questione di Equilibrio, 2023, oil and pencil on paper, 100x70 cm
30/11/2023

Questione di Equilibrio, 2023, oil and pencil on paper, 100x70 cm

September 1992. This is the very last painting under the guide of my "maestro" Frank Gauna and the very last painting pa...
17/09/2023

September 1992. This is the very last painting under the guide of my "maestro" Frank Gauna and the very last painting painted in Pasadena (CA). I remember Frank saying "you must learn the glass before you go back to Italy...". It was painted from real, like in the old days, the mirror was there, so the table. We got the bowl and the glass from the (beautiful) mansion I was taking care of. We went to the market to buy some apples and the rest is history... It was a very hard thing to do, but it was worth every effort and every brushstroke. I miss those days, I miss Frank Gauna. I don't miss this fu**ed up "Contemporary Art World System".

I consider this early works, not real Art but a sort of "academical exercise", but...

Now you know who has painted most of my backgrounds... (kids).
17/09/2023

Now you know who has painted most of my backgrounds... (kids).

Questione di equilibrio (Pink Elephant), 2023, oil in collage on paper, 50x35 cm
17/09/2023

Questione di equilibrio (Pink Elephant), 2023, oil in collage on paper, 50x35 cm

Corna, Unicorni e cornacchie, 2022, acrylic and oil on paper, 50x70 cm
19/07/2023

Corna, Unicorni e cornacchie, 2022, acrylic and oil on paper, 50x70 cm

Equilibrium, 2023, acrylic and oil on paper, 50x35 cm
12/07/2023

Equilibrium, 2023, acrylic and oil on paper, 50x35 cm

S.P.Q.R., 2023, acrylic and oil on paper, 50x35 cm
12/07/2023

S.P.Q.R., 2023, acrylic and oil on paper, 50x35 cm

La macchina del tempo, 2023, mixed media on wood
12/07/2023

La macchina del tempo, 2023, mixed media on wood



I've found this painting that I've painted in the summer of 1993, exactly 30 years ago. It took me about three years to ...
08/07/2023

I've found this painting that I've painted in the summer of 1993, exactly 30 years ago. It took me about three years to learn to paint this way and about thirty to try to run away from technique. They say: you have to learn the technique in order to destroy it, you have to know the rules in order to break them. I'm not so sure anymore about that, but I'm so happy and grateful that I'm free to paint whatever I want, whenever I want. Although, now it's time to "break the rules". Stay tuned...

Shoes, 1993, oil on masonite, 42x32 cm (with black frame)

08/07/2023

Tonight in Hamburg, at the , it opens a group exhibition dedicated to the figure of Fantomas. This is my work I've made for the exhibit, two drawings showed as one work. Entitled 'The Real Me", pencil on handmade paper, about 40x30 cm.
..........................................................

In the 1920s, surrealism spread at high speed in Europe, to redefine love, to provide new unknown images to the passions of life. For a program that wanted to change life and the world with artistic techniques, many followers were found not only in Paris. Surrealist groups formed all over the major European cities, confronting the limits of their world with a different imagination.
When Walter Benjamin read Breton's novel Nadja, he obviously had to think of the illegal adventures of an intangible criminal who had been haunting cheap entertainment literature as Fantomas for several years. The walks to which the two dreamy lovers, Nadja and André, had seduced each other, expanded to include the "breakneck path that led over roofs, lightning rods, rain pipes, porches, and weathervanes."
While the exhibition Nadja as Roadmovie adhered closely to Breton's text, with the second part of the exhibition we leave the safe terrain of the novel and seek a connection to the areas of the imaginary world to which the craftsmen of lawbreaking have access. On this path we now leave the subject of Nadja and exchange it with the masks of Fantomas, the cheap shadows of the other face of love in surrealism, the penny roman gold of the alchemists who bathe in the flood of images of the sacred world of commodities and save up for their s*x change. So don't expect enlightenment. Our medium is the night.

Mit Beiträgen von: Abel Auer, Nicl Barbro, , Philippe Depreux, , , Melas Eichhorn, Dorothea Goldschmidt, Kolja Gollub, Gudny Gudmundsdottir, , Axel Heil, , Linda McCue, Jonathan Meese, Dirk Meinzer, Guttorm Nordø, Roberto Ohrt, Christopher Rivera, Timo Roter, Mark Sadler, Mathias Schnitzler, Anna Steinert, Youssef Tabti, Mette Asta Thiessen, Bastiaan D. van der Velden, , Ting Zhang

Work in progress
08/07/2023

Work in progress



La  mia copertina per VIVA, una rivista di letteratura e poesia. Il titolo del disegno è "Il peso delle parole", 2023, m...
01/06/2023

La mia copertina per VIVA, una rivista di letteratura e poesia. Il titolo del disegno è "Il peso delle parole", 2023, matita su fotocopia stampata, A4

Stiamo lavorando per voi...
18/05/2023

Stiamo lavorando per voi...

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