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Rest in peace, Julio Le Parc.A pioneer of kinetic and optical art, Le Parc transformed the way we experience movement, l...
05/06/2026

Rest in peace, Julio Le Parc.

A pioneer of kinetic and optical art, Le Parc transformed the way we experience movement, light, colour, and participation.

It was a privilege to present his work Série 13 n°13-5 as part of Annotations on Colour at Jaipur Centre for Art.

Courtesy:
Photo credit:

Through light, movement, and colour, he challenged the way we see and experience the world, leaving an indelible mark on contemporary art.

His legacy will continue to inspire, always.

With gratitude,
Jaipur Centre for Art

In early May, the global art world descended upon Venice for the 61st International Art Exhibition of . Curated by Koyo ...
19/05/2026

In early May, the global art world descended upon Venice for the 61st International Art Exhibition of . Curated by Koyo Kouoh, this year’s main exhibition, In Minor Keys, explored quieter gestures, intimate histories, and alternative ways of relating to the world.

It was an especially strong moment for South Asia, with artists featured across the official Biennale, the India Pavilion, and a number of significant off-site exhibitions and foundations across the city.

It was a rainy week, schedules were rigorous, but here are a few images we managed to take along the way.

1. Su Xiaobai at Palazzo Soranzo Van Axel, designed by /

2. Matt Copson at ’s s newly inaugurate space in San Giacomo 

3. Ranjani Shettar’s 𝑼𝒏𝒅𝒆𝒓 𝒕𝒉𝒆 𝑺𝒂𝒎𝒆 𝑺𝒌𝒚 at the official India Pavilion, 𝑮𝒆𝒐𝒈𝒓𝒂𝒑𝒉𝒊𝒆𝒔 𝒐𝒇 𝑫𝒊𝒔𝒕𝒂𝒏𝒄𝒆: 𝒓𝒆𝒎𝒆𝒎𝒃𝒆𝒓𝒊𝒏𝒈 𝒉𝒐𝒎𝒆

4. ’s 𝑻𝒉𝒊𝒏𝒈𝒔 𝑭𝒆𝒍𝒕 𝑩𝒖𝒕 𝑵𝒐𝒕 𝑸𝒖𝒊𝒕𝒆 𝑬𝒙𝒑𝒓𝒆𝒔𝒔𝒆𝒅 at ’s 𝑰𝒏 𝑴𝒊𝒏𝒐𝒓 𝑲𝒆𝒚𝒔, curated by Koyo Kouoh

5. and 🤍

6. and ’s 𝑺𝒖𝒃𝒄𝒐𝒏𝒕𝒊𝒏𝒆𝒏𝒕 at ’s 𝑰𝒏 𝑴𝒊𝒏𝒐𝒓 𝑲𝒆𝒚𝒔

7. Noelle Kadar in front of ’s 𝑷𝒆𝒓𝒎𝒂𝒏𝒆𝒏𝒕 𝑨𝒅𝒅𝒓𝒆𝒔𝒔 at the India Pavilion

8. Inside ’s 𝑪𝒉𝒂𝒂𝒍 installation at the India Pavilion

9. At ’s 𝑶𝒇 𝑾𝒐𝒎𝒂𝒏 𝑩𝒐𝒓𝒏, presented by

10. Noelle Kadar with .nadar on her 75th birthday

11. At ’s Venice exhibition, marking the launch of

12. At the Japanese Pavilion, featuring 𝑮𝒓𝒂𝒔𝒔 𝑩𝒂𝒃𝒊𝒆𝒔, 𝑴𝒐𝒐𝒏 𝑩𝒂𝒃𝒊𝒆𝒔 by .arakawa.nash

13. at the Louis Vuitton store

14. ’s 𝑰𝒍 𝑮𝒆𝒔𝒕𝒐 at the Venice Venice Hotel

15. 𝑻𝒉𝒆 𝑶𝒏𝒍𝒚 𝑻𝒓𝒖𝒆 𝑷𝒓𝒐𝒕𝒆𝒔𝒕 𝑰𝒔 𝑩𝒆𝒂𝒖𝒕𝒚 title of the exhibition at

16. Leaving Venice ✨

16/05/2026

A meaningful initiative towards supporting new conversations around craft and contemporary practice.

The Swali Craft Prize by the Chanakya School of Craft, in partnership with India Art Fair, opens up space for artists and practitioners engaging with textile, handwork, and material traditions in thoughtful, evolving ways.

At Jaipur Centre for Art, we value platforms that encourage experimentation while remaining rooted in process, skill, and cultural dialogue.

Looking forward to seeing the practices and proposals that emerge through this open call.
collective

Radhika Khimji  lives and works between Muscat and London. Educated at the Slade School of Fine Art, the Royal Academy o...
13/05/2026

Radhika Khimji lives and works between Muscat and London. Educated at the Slade School of Fine Art, the Royal Academy of Arts, and University College London, her practice explores the body as both presence and absence.

Her perforated steel work, 𝘛𝘩𝘦 𝘋𝘢𝘯𝘨𝘭𝘦𝘳 reflects on vulnerability, exposure, and agency; at once delicate and confrontational, suspended between strength and fragility.

Currently on view at as part of The Sculpture Park presented by .foundation • Supported by

For decades, Daniel Buren has worked with colour, light and space; creating works that respond directly to the architect...
09/05/2026

For decades, Daniel Buren has worked with colour, light and space; creating works that respond directly to the architecture around them. In this installation, transparent coloured surfaces transform light into shifting projections and shadows, allowing the surrounding space to become part of the work itself.

Encountering this work in Jaipur brings to mind the coloured glass windows and doors of the Hawa Mahal, The City Palace, and many old havelis across the city, where light and colour have long shaped the experience of architecture and atmosphere.
As sunlight moves through stained glass, interiors continuously shift through reflection, colour and shadow, much like Buren’s intervention here.

Artist: Daniel Buren

Artwork: Colore, luce, proiezione, ombra, trasparenza, lavoro situato n°6, 2015

Currently on view at Jaipur Centre for Art as part of Annotations On Colour

Courtesy of

‘Padmanabh Singh  and Noelle Kadar  are at the forefront of a cultural effort to invigorate public interest in contempor...
05/05/2026

‘Padmanabh Singh and Noelle Kadar are at the forefront of a cultural effort to invigorate public interest in contemporary art in Jaipur, India.’

The Brooklyn Rail

‘The Jaipur Centre for Art is the primary venue for their ambitious vision, which includes supporting creativity and innovation amongst art practitioners as well as celebrating the rich cultural heritage of Jaipur. Recently, Singh and Kadar joined Guggenheim President Emerita Jennifer Stockman and Rail Consulting Editor Joachim Pissarro to discuss the unique history of arts patronage in Jaipur, the importance of color to the city and its culture, and their exhibition now on view, Annotations of Colour.’

Portraits of H.H. Sawai Padmanabh Singh (left) and Noelle Kadar (right), pencil on paper by Phong H. Bui .h.bui , Director, Brooklyn Rail

Link the full article in bio.

Julio Le Parc (Mendoza, 1928) is a key figure in kinetic and contemporary art, known for works that explore movement, co...
02/05/2026

Julio Le Parc (Mendoza, 1928) is a key figure in kinetic and contemporary art, known for works that explore movement, colour, and perception. Soon opening a major retrospective at the Tate in June.

Série 13 n°13-5 (1970) uses repeated bands of colour to create rhythm and optical shift, changing as the viewer moves. Its stripes echo the flowing lines of Jaipur’s stripes; different traditions linked through movement and pattern.

Artwork on view: Série 13 n°13-5
Medium: Acrylic on canvas
Artist: Julio Le Parc

Currently on view as part of Annotations on Color at Jaipur Center for Art

Courtesy of

Last May, Doyel Joshi and Neil Ghose Balser (How Are You Feeling Studio) installated 𝘊𝘢𝘴𝘤𝘢𝘥𝘪𝘯𝘨 𝘍𝘭𝘰𝘸𝘦𝘳𝘴, a site specific ...
27/04/2026

Last May, Doyel Joshi and Neil Ghose Balser (How Are You Feeling Studio) installated 𝘊𝘢𝘴𝘤𝘢𝘥𝘪𝘯𝘨 𝘍𝘭𝘰𝘸𝘦𝘳𝘴, a site specific work at Mubarak Mahal, as part of ‘IN (DIA)logue’, in collaboration with .art at

The installation unfolds as a suspended field of reclaimed fabric flowers, paying homage to the boldness of summer blooms at their peak; those brief, vivid bursts of colour that appear almost defiant in the heat.


.studio art

Subodh Gupta’s 𝘒𝘪𝘯𝘨𝘥𝘰𝘮𝘴 𝘰𝘧 𝘌𝘢𝘳𝘵𝘩 (2022) examines time through the meeting of disparate forms and histories.Known for wor...
23/04/2026

Subodh Gupta’s 𝘒𝘪𝘯𝘨𝘥𝘰𝘮𝘴 𝘰𝘧 𝘌𝘢𝘳𝘵𝘩 (2022) examines time through the meeting of disparate forms and histories.

Known for working with found objects, often drawn from stainless steel utensils used in Indian kitchens, Gupta extends this language here by bringing together a column and partial base derived from an ancient Greek temple with a life-sized dinosaur bone, reproduced in fibreglass. The juxtaposition places architectural history alongside prehistoric remains, collapsing distinctions between the constructed and the organic, and prompting a reconsideration of how time and material are understood.

Currently on view at the Sculpture Park, set within the Vijaygarh structure at

Curated by Peter Nagy the exhibition remains deliberately open-ended, bringing together varied material explorations that move between the personal and the monumental.

Courtesy of


Visitors move through the exhibition at their own pace; pausing to read, compare works, and return to specific pieces. M...
22/04/2026

Visitors move through the exhibition at their own pace; pausing to read, compare works, and return to specific pieces. Many spend time in front of individual works, often revisiting them to consider colour, text, and material more closely. The display supports this kind
of focused, self-directed viewing.

𝘈𝘯𝘯𝘰𝘵𝘢𝘵𝘪𝘰𝘯𝘴 𝘰𝘯 𝘊𝘰𝘭𝘰𝘶𝘳 at the Jaipur Centre for Art 🖼️


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The City Palace
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302002

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