CINTAsia - Cultural INsight on Tropical Asia

CINTAsia - Cultural INsight on Tropical Asia Art, culture & nature of southeastern Asia The area is named Greater India .

Cultural Insight iN Tropical Asia

A double approach defines our geographical area:

• Nature: climate, environment, biome
An elegant way of defining the region could be in considering the Indomalaya ecozone .

• Culture: art, civilisation
The other approach is to consider an Indic-typed culture that has spread across the region. Some keywords:
IND

OMALAYA ecozone
MALESIA geographical region
Greater India
NUSANTARA
SUNDALAND
monsoon
Tropical Asia
southeastern Asia
southern Asia
Asia Ténggara
Nusantao Maritime Trading and Communication Network
SAMUDRA RAKṢA
the Bay of Bengal Interaction Sphere
ASEAN
spice route
Malay Archipelago
Malay Realm
kepulauan

List of books pertaining to the subject:
http://pustaka.cint.asia/biblio.xls
Intro to the list:
http://pustaka.cint.asia/biblio.doc

See also our two other pages:
https://www.facebook.com/1008FACES
https://www.facebook.com/gobreathe

See also that note:
https://www.facebook.com/notes/lelek-jeanson/the-6-things-i-like-in-asia/490608147192

Gapura Bajang RatuPhoto © Alekson Jeanson, 22 Jan 2020
23/11/2025

Gapura Bajang Ratu
Photo © Alekson Jeanson, 22 Jan 2020

29/05/2025

Pidato Présidén Indonésia dan Prancis di depan candi Borobudur

30/01/2025

The miniature rice barn is shaped like a gable-roofed building, with plank walls and wooden pillars, with one door on one side. The door is carved into a kind of niche. These artifacts were found at ritual sites, in rice fields, & in forests. Most of the them found in East Java date back to 10th-11th century with the reign of Pu Sindok as the starting point. Referring to an article posted by Balai Pelestarian Kebudayaan Wilayah XI on kemdikbud .go. id, there have been 3 arguments so far regarding the function of the artifacts as follows: (1) as a ceremonial object to honor ancestors, (2) as a means of worshiping Dewi Sri as the goddess of fertility by being placed near the rice fields, and lastly (3) as a means related to burial. Another alternative is as an object in ceremonies to place offerings on. Some of these artifacts are adorned with decorative carvings in the form of snails or shells (sangkha). There are carvings of year numbers in the graphic style called aksara kuadrat which may indicate the year the inscription was made (Djafar & Trigangga (Ed.), 2019).

Transliteration:
Djafar, Hasan & Trigangga (Ed.). 2019. Prasasti Batu: Pembacaan Ulang dan Alih Aksara Jilid II. Jakarta: Museum Nasional.

Djafar, Hasan (Ed.), 2016. Prasasti Batu: Pembacaan Ulang dan Alih Aksara (I). Jakarta: Museum Nasional.

Reference:
Djafar, Hasan & Trigangga (Ed.). 2019. Prasasti Batu: Pembacaan Ulang dan Alih Aksara Jilid II. Jakarta: Museum Nasional.

Djafar, Hasan (Ed.), 2016. Prasasti Batu: Pembacaan Ulang dan Alih Aksara (I). Jakarta: Museum Nasional.

kebudayaan. kemdikbud. go. id/bpkw11/miniatur-lumbung/

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