03/09/2026
ara contemporary is pleased to share the installation views at PAVILION Seoul, presenting works by Alisa Chunchue and Irfan Hendrian.
Through distinct material approaches, both artists consider how physical and psychological experiences leave their traces. Chunchue’s ‘I Remember How It Felt’ examines bodily vulnerability and sustained harm through stainless steel and glass, while Hendrian’s ‘Chinatown Window Sample’ draws on the trellis as an ‘architecture of fear’, reflecting layers of political trauma experienced by the Chinese-Indonesian community.
Together, the works trace how vulnerability, memory, and trauma become embedded across the body, material, and built environment.
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PAVILION Seoul 2026
1–6 September 2026
KCS Seoul (K1 · K5 · K6)
147 Hangang-daero, Yongsan District, Seoul
Chinatown Window Sample: Pearl #3, 2025
risograph and dye cut on layers of paper
50 x 53 x 12,5 cm
Chinatown Window Sample: Auxetic, 2026
risograph and dye cut on layers of paper
50 x 53 x 12,5 cm
Chinatown Window Sample: Kawung #4, 2026
risograph and dye cut on layers of paper
50 x 53 x 12,5 cm
Chinatown Window Sample: Pearl #3, 2025
risograph and dye cut on layers of paper
50 x 53 x 12,5 cm
Chinatown Window Sample: Auxetic, 2026
risograph and dye cut on layers of paper
50 x 53 x 12,5 cm
Double Laceration , 2025
colored pencil and graphite on canvas
120 x 40 cm (each), 2 panels
Left:
I Remember How it Felt 03, 2026
borosilicate glass, stainless steel, plaswood, jewelry fitting
29 x 19 x 2.5 cm
Edition 2 of 2 + 1 artist’s proof (each unique)
Right:
I Remember How it Felt 02, 2026
borosilicate glass, stainless steel, plaswood, jewelry fitting
29 x 19 x 2.5 cm
Edition of 2 plus 1 artist’s proof (each unique)
I Remember How it Felt 02, 2026
borosilicate glass, stainless steel, plaswood, jewelry fitting
29 x 19 x 2.5 cm
Edition of 2 plus 1 artist’s proof (each unique)