25/08/2022
Interview with Stephen Collison
🦒 What Brought You to, then Kept You in, Budapest?
I used to work in finance for IBM, and they sent me to Budapest to manage a team. I pretty much fell in love with the city on the first day, and hoped to stay at least beyond my one-year assignment. 13 years later and I still call Budapest my home: finance gave way to film-making – but now I do a bit of both, and spend a bit more time in the UK too.
🦒 Can You Tell Us About Your Creative Journey?
I've always been creating and performing ever since I was a kid, but the scientific side of my brain won out over the artistic initially, so I first pursued a corporate career. But with a friendly and open creative community in Budapest, along with accessible venues, the right side of my brain got the upper hand through filmmaking, photography, music, acting, stand-up, improv, writing and podcasting.
🦒 How Did You Get Involved With Provocative Giraffe?
Friend and long-time Provocative Giraffe stalwart, Esther Holbrook, told me about her involvement with a writer/performer show, so I attended their next performance and discovered that I knew almost everyone on the roster! The Michael Wertenberg-penned opening skit seemed to have been written with my sense of humour in mind, and the ensuing line up of subtle, irreverent and unobtrusive gems seemed to fill a well-needed gap in the Budapest live circuit. Michael, who had seen my infamous 'lamp' performance, offered me a place in the troupe, and the rest is history!
🦒 Can You Tell Us About Your Writing Process and Ethos?
My motto is: 'Everything is writing. Except writing itself, which is anything but writing!'. By this I mean that ideas and planning are at the heart of everything we do creatively, and the actual process of writing is merely conveying it in a form for it to be used or consumed – which can often be a mechanical and arduous task. I'd love to go back and tell my 12-year old self that those little camcorder skits I was coming up with, that was all writing! But I'm a tireless proponent of 'perfect' writing: a good idea is one thing, but there's a 'right' way in terms of form and ex*****on.
🦒 What Have You Recently Read or Seen That's Impressed You?
I only saw Antoine Fuqua's Training Day for the first time recently, which blew my mind. David Ayer's writing (and Denzel Washington's performance) is extraordinary – maintaining the ambiguity of the Alonzo character almost until the final act. I read John Wyndham's The Day of the Triffids last year and now have a new favourite book! The narrative is expertly constructed, and, like all great genre, it explores every possible facet of the conceit. The play God of Carnage also greatly impressed me, in the way that it used phone calls as an extra source of exposition – in the otherwise closed-dialogue restriction of the stage play.
🦒 What Are Your Plans for the Near Future?
I've shot half of my debut feature film, but life (and continuity issues – I'm acting in it too!) keep getting in the way of finishing it. I've made a pact with myself to rule out all other creative endeavours until it's done. Well, all except Provocative Giraffe!