Wen Kwong Chung

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有時候一幅作品多用了點時間, 自己就像消失了一樣, 但急着完成又會失去足夠的觀察, 滿足了別人失去了自己, 所以短暫消失一下是有幫助的Sometimes when I spend a little more time on a piece,...
31/03/2026

有時候一幅作品多用了點時間, 自己就像消失了一樣, 但急着完成又會失去足夠的觀察, 滿足了別人失去了自己, 所以短暫消失一下是有幫助的

Sometimes when I spend a little more time on a piece,
I feel like I disappear into it. But if I rush to finish, I lose the chance to truly observe.
Satisfying others often means losing a part of myself.
So, disappearing for a short while can actually be helpful.

需要練習的是觀察, 其他隨意點就好The thing that needs practice is observation.Everything else can be a bit more casual.
17/03/2026

需要練習的是觀察, 其他隨意點就好

The thing that needs practice is observation.
Everything else can be a bit more casual.

每次一小步，總會發現新方向。Take one small step at a time—you'll always find a new path opening up.
10/03/2026

每次一小步，總會發現新方向。

Take one small step at a time—
you'll always find a new path opening up.

沒有思考的練習只是重複，沒有練習的思考只是空想。兩者交替一次，就前進一小步。Practice without thinking is just repetition.Thinking without practice is just day...
03/03/2026

沒有思考的練習只是重複，
沒有練習的思考只是空想。
兩者交替一次，就前進一小步。

Practice without thinking is just repetition.
Thinking without practice is just daydreaming. Alternate between the two once, and you take one small step forward.

現場寫生是一件有趣的事情, 盡管模特兒如何專業, 衣服袖摺的變化卻始終不一樣, 可以變的是自己的心態去適應它Live sketching is always interesting.No matter how professional th...
25/02/2026

現場寫生是一件有趣的事情, 盡管模特兒如何專業, 衣服袖摺的變化卻始終不一樣, 可以變的是自己的心態去適應它

Live sketching is always interesting.
No matter how professional the model is, the folds in the sleeves are never quite the same each time. What can change is my own mindset—to adapt to it.

觀察形態、決定構圖、寫意下筆、再收放捕捉焦點，發覺說明方法往往比真正下筆來得不容易。Observing form, deciding composition, painting freely with intent, then refini...
23/02/2026

觀察形態、決定構圖、寫意下筆、再收放捕捉焦點，
發覺說明方法往往比真正下筆來得不容易。

Observing form, deciding composition, painting freely with intent, then refining to capture the focus
I find that explaining the process is often much harder than actually putting brush to paper.

畫班示範作品教學相長，現場未有足夠時間處理的效果，嘗試去完成它，獲益的一定會是自己。Demonstration piece for classTeaching and learning go hand in hand.The effects...
11/02/2026

畫班示範作品
教學相長，現場未有足夠時間處理的效果，
嘗試去完成它，獲益的一定會是自己。

Demonstration piece for class
Teaching and learning go hand in hand.
The effects that couldn't be fully resolved in the limited live session—
trying to finish them, the one who benefits most is always myself.


人像寫生最希望有漂亮的模特兒，但同時也充滿了挑戰，心情難免戰戰兢兢。The best thing about portrait sketching is a beautiful model, but it also comes with s...
26/01/2026

人像寫生最希望有漂亮的模特兒，
但同時也充滿了挑戰，心情難免戰戰兢兢。

The best thing about portrait sketching is a beautiful model, but it also comes with so many challenges
my heart always races a little.


模特兒看著書悠閒地坐下，我看著模特兒的形象繪畫，是否也有人看著我創作？The model sits leisurely with her book,I paint her image as she reads.Is someone out ...
26/01/2026

模特兒看著書悠閒地坐下，
我看著模特兒的形象繪畫，
是否也有人看著我創作？

The model sits leisurely with her book,
I paint her image as she reads.
Is someone out there watching me create? Watercolor, a few hours.


現代女劍客，白天掛著笑臉，晚上殺氣浮現。她穿著和服拿著刀擺了架勢，守護她的意志，我只有用畫筆記錄下來。 Modern swordswomansmiling by day, edge at night.She posed in kimono...
05/01/2026

現代女劍客，白天掛著笑臉，晚上殺氣浮現。
她穿著和服拿著刀擺了架勢，守護她的意志，
我只有用畫筆記錄下來。

Modern swordswoman
smiling by day, edge at night.
She posed in kimono, sword in hand,
guarding her will.
All I could do was record it with a brush.

#水彩 #水彩畫 #現場寫生

又一張現場速寫。模特兒穿藍色外套，頭巾紅色，躺著休息。水彩，大概三小時。 安靜的下午，就這樣過去了。 Another live sketch.Model in blue jacket, red hood, lying down rest...
22/12/2025

又一張現場速寫。
模特兒穿藍色外套，頭巾紅色，躺著休息。
水彩，大概三小時。 安靜的下午，就這樣過去了。

Another live sketch.
Model in blue jacket, red hood, lying down resting.
Watercolor, about three hours. Quiet afternoon, just like that.

畫面上的她，拿著槍，眼神冷冽。現實中的她，坐在十步之外，專業地扮演她的角色。同一距離，兩種世界。水彩把這一刻凝結——不是把人畫得像，而是把「現場的空氣」留下來。 On canvas: she holds a gun, gaze ice-c...
24/11/2025

畫面上的她，拿著槍，眼神冷冽。
現實中的她，坐在十步之外，專業地扮演她的角色。
同一距離，兩種世界。
水彩把這一刻凝結——不是把人畫得像，而是把「現場的空氣」留下來。

On canvas: she holds a gun, gaze ice-cold.
Ten steps away: the same woman, sitting there, professionally playing her role.
Same distance, two worlds.
Watercolor freezes this moment—not making her look identical, but trapping the exact air of this room, this light, these 90 minutes.

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