Fedor Aseev

19/10/2026

A N D O N C E A G A I N A B O U T N A I V E ...
(PART XXХIII, ADD-ONS)
TECTONICS AND INTEGRATION OF THE SELF-PORTRAIT.
For the most part, self-portraits in Naive art are paradoxically close to the classical academic canon: they are recognizable, anatomical, and tectonically precise. This is clearly demonstrated by the first two canvases in our carousel: [Slide 1] the severe self-portrait by Ivan Generalich (1953) and [Slide 2] the expressive image by Mikhail Larionov. Both works preserve flawless plasticity and are meticulously balanced in their light-and-shadow range. Their belonging to the Naive style is revealed not by facial deformation, but by the conventionality of the mis-en-scène or background, solved by the laws of flat backdrops. However, I consider the author's figure an indivisible part of the overall metaphysics of the environment, fully integrating it into the landscape. In my fresh canvas "The Time. Self-Portrait" [Slide 3], the face does not dominate the world but literally grows through the tectonic folds of the Borjomi mountains. The countenance becomes the earth itself, a monumental curtain locked between the sky and the river's flow, where a picnic, a figure with a kite, and a clock on a jacket are bound into a unified dreamlike narrative of time.

19/10/2026

Available now for purchase. (Sensitive content. Click to view.) Having all the benefits of the world over his head, a human will always be characterized by a conflict because of one fallen apple, which will be presented to him as a “forbidden fruit”, but in fact it will be a “apple of discord....

19/10/2026

19/10/2026

A N D O N C E A G A I N A B O U T N A I V E ...
(PART XXХII, ADD-ONS)
In world painting, regardless of the stylistic direction—be it academic realism, expressionism, or Naive art—the fundamental theory of space construction relies on just two key bedrocks: parallel (one-point) and angular (two-point) perspectives. The spatial difference between them is elementary: the parallel scheme fixes a single main vanishing point of all implied horizontal axes on the horizon line, whereas the angular layout deploys two independent points to the left and right sides of the observer. In Naive Realism, the absolute majority of masters practice precisely parallel perspective, subordinating even the most extreme clutter of canvas elements to it—a striking example being Camille Bombois’s canvas "Before Entering the Ring." However, contrary to established stereotypes, the founding fathers of the style masterfully utilized the complex angular method without losing the purity of the Naive language. One only needs to study Henri Rousseau’s "The Chair Factory in Alfortville" or Nikifor Krynicki’s "Mountain Landscape" to see how the angular vanishing vector organizes a strict, monumental architectonics.

18/10/2026

Available now for purchase. Tangerines in Georgia ripen very late, so the peak trade in them occurs in the middle and end of autumn. But this also has its advantages - Georgia always has its own fresh tangerines on sale for the New Year’s table. Unfortunately, the work had to be postponed due to t...

17/10/2026

A N D O N C E A G A I N A B O U T N A I V E ...
(PART XXХI, ADD-ONS)
The absolute majority of portraits in Naive Realism are monumentally static. In contrast to the academic school, where the head of a figure is rendered slightly smaller than life-size for the sake of spatial illusion, in Naive art it is intentionally enlarged. Look closely at Niko Pirosmani’s "Feast of Three Princes on the Lawn": the hypertrophied scale of the head is dictated by the need for meticulous delineation of facial features and the desire to assert the absolute significance of the sitter within the narrative. In our system, the exact quality in which a character excels over their surroundings is always magnified. Physical movement in Naive art is interpreted not through a turbulent plastic deformation of the body or environment, as in academicism, but through the fixation of an isolated freeze-frame snatched from the continuous film of time. To convey dynamics, it is enough for the artist to make a single, precise compositional shift away from absolute rest. A brilliant example of such a concise cinematic shift is Mikhail Larionov’s "Soldier on a Horse," where statics are overcome by a minimal yet highly expressive gesture of form.

17/10/2026

Available now for purchase. Summer is vacation time, but also a time for repairs and construction. Everyone wants to decorate their home themselves, but not everyone wants to stain their Hawaiian shirt with construction mix. For just 1/3$, the old man-cement will take a whole bag of cement and put i...

17/10/2026

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