Alex Stoker

Alex Stoker Place and Prose
Exploring the duality of Stoke-on-Trent through a fusion of art and poetry

On Wednesdays, at work, we host discussion groups. This is where clients can come along as we discuss/debate different t...
10/06/2025

On Wednesdays, at work, we host discussion groups. This is where clients can come along as we discuss/debate different topics that have been part of public discourse.

A few weeks back we discussed the closure of Moorcroft Pottery, and how the loss of industry effects local identity, culture, and perceptions of heritage.

It was a great discussion, and I was particularly struck with the input from one of our volunteer cooks.

She had worked in the pottery industry for her whole career, before retiring, and, as she told her stories, I was encapsulated by the joy, pride, purpose, and meaning that emanated from her.

I began to think of people I have known to own the sorts of expensive pieces she created, and, whilst it was a source of some joy and pride, I realised that it meant so much more to the creator than it did the owner.

Of course, as always, my mind turned to ideas of class 🤣

When I asked questions that probed this concept, it was clear that the feelings of pride and experiences of comradery eclipsed the possibility of her viewing her labour as being exploited.

I thought this posed and interesting question for left-wing commentators in the area. With industry being such a key element in our history, how do we balance leftist perceptions of labour against celebrating our heritage?

With all of these thoughts swirling, I sat down and expressed it in this piece

Burslem (1898)
09/06/2025

Burslem (1898)

Minton & Hollins
08/06/2025

Minton & Hollins

The 05:10 to workThere's no poem with this one, I just like the image
07/06/2025

The 05:10 to work

There's no poem with this one, I just like the image

Towpath ThoughtsWhen thinking about the duality of the Potteries, not many things encapsulate it like our canal network....
06/06/2025

Towpath Thoughts

When thinking about the duality of the Potteries, not many things encapsulate it like our canal network.

I was kayaking along the Trent and Mersey when I was struck by this. As I paddled, I looked left to the towpath and saw spring bursting out from the banks - the new buds emerging from the hedgerow, ducklings swimming along behind their parents, and a barge moored with its owners relaxing on the side of the canal with a barbecue.

To my right was an old abandoned factory, crumbling into the water, once as full of life as the hawthorn bushes, but now standing as a monument to entropy.

With these thoughts swirling around my head, I sat down and expressed it with this piece

About me
06/06/2025

About me

Diverting PowerInspired by a walk to Chatterley Whitfield, I started reading about the area's mining heritage. My mind w...
06/06/2025

Diverting Power

Inspired by a walk to Chatterley Whitfield, I started reading about the area's mining heritage.

My mind was filled with images of fire and smoke, of sweating brows and aching muscles, dirty skies and a landscape strewn with railway tracks.

The whole mental image was almost post- apocalyptic - filthy, noisy, dangerous.

Personally, I don't think the job would appeal to me, but it struck me that there seemed to be a real sense of pride in mining communities.

I remembered speaking with my Gran about her dad, who died young in his 50s but never regretted his work in the pits. For him, there seemed to be real purpose in doing the graft that helped to power a rapidly changing world. An almost fatherly instinct.

With all of these thoughts swirling, I sat down and expressed it in this piece.

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