The Sir Denis Mahon Foundation

The Sir Denis Mahon Foundation The Sir Denis Mahon Foundation was created by Sir Denis in his lifetime.

It aims to continue his philanthropic work, his art historical research and his passionate promotion of young scholars, students and artists.

A new Book has just been published:Denis Mahon e la riscoperta della pittura emiliana del Seicento – “Denis Mahon and th...
11/08/2026

A new Book has just been published:

Denis Mahon e la riscoperta della pittura emiliana del Seicento – “Denis Mahon and the Rediscovery of seventeenth-century Emilian Painting” by Valentina Balzarotti – Editor: Fondazione 1563 per l’Arte e la Cultura

This is a truly remarkable work by the young scholar Valentina Balzarotti, bringing to light many aspects of Emilian art and of Denis Mahon’s scholarly career that were previously unknown to researchers, particularly as many of those who might have known them are no longer alive. The publication therefore serves as an important act of preservation, safeguarding an exceptionally rich and unique body of cultural knowledge for future generations.

The book traces the gradual rediscovery of seventeenth-century Emilian painting through the work of the British connoisseur and collector Denis Mahon (1910–2010). Drawing on a selection of previously unpublished letters, it reconstructs three decades of Mahon’s activity, from the 1930s to the late 1950s.
His correspondence with scholars such as Otto Kurz and Hylton Thomas sheds light on his intellectual formation, his early research on Guercino, and the development of his seminal book Studies in Seicento Art and Theory, published in 1947. The letters from the 1950s, meanwhile, reveal Mahon’s growing network of dealers, collectors, and museum curators worldwide, as well as his increasing authority as a scholar and his crucial contribution to the organisation of some of the most important post-war exhibitions of Italian art.
The correspondence with his mother Lay Alice Mahon also reveals the human element of this grand art historian that only a very few people who were very close to him had the privilege to witness.❤️



Title: Denis Mahon e la riscoperta della pittura emiliana del Seicento
Author: Valentina Balzarotti
Series: Alti Studi sull’Età e la Cultura del Barocco
Editor: Fondazione 1563 per l’Arte e la Cultura
Year: 2026
Pages: 508 pp.
Isbn: 9788899808655

The exhibition “Suggestioni” by Lorenzo Castello, promoted by   Carige, is presently shown at Palazzo Doria Carcassi in ...
02/07/2026

The exhibition “Suggestioni” by Lorenzo Castello, promoted by Carige, is presently shown at Palazzo Doria Carcassi in Genova until 31 July 2026.
Visiting the show, the art critic M. Montagnani wrote:
"A unique venue for a prestigious exhibition. Castello’s masterpieces represent his long life as an artist. His original expression and personal interpretation are the cornerstones that define his artistic practice. His art is the finest expression of universal beauty.”
Lorenzo Castello’s work is present in several public and private collections. His portrait of Sir Denis Mahon, painted in 2002, is on permanent display at the National Gallery in Dublin.

Leonardo Passeri’s Painting Entrusted to the Italian Football FederationThe Italian Football Federation (FIGC) has offic...
19/06/2026

Leonardo Passeri’s Painting Entrusted to the Italian Football Federation

The Italian Football Federation (FIGC) has officially received Stadio Interiore (Inner Stadium), an original painting by Italian artist Leonardo Passeri. The work was created for Calcio Special – Sport & Inclusion, a project promoted by the Cammini Camaldolesi Umbri Association that combines football, art and social inclusion.

The painting was formally presented to the FIGC as a symbol of the values that inspire the initiative: equality, participation, respect and personal growth through sport. Through his distinctive artistic language, Passeri explores football not only as a game, but as a space of encounter, humanity and shared experience.

As reported by the FIGC, the artwork will be permanently displayed at the Federal Technical Centre of Coverciano in Florence, the historic home of Italian football and the headquarters of the Italian national teams.

The project represents a meaningful encounter between art, sport and social commitment, demonstrating how culture can help promote inclusion and create positive social impact.

In the picture:
Leonardo Passeri – Artist
Marco Brunelli – FIGC General Secretary

Find out more:
https://www.sirdenismahonfoundation.com/sir-denis-mahon-foundation-spotlight/

Read the official article on the FIGC website:
https://www.figc.it/it/paralimpico/news/da-roma-a-gubbio-tre-giorni-vivaci-e-intensi-tra-calcio-inclusivo-arte-e-solidarieta-frwp3knq

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Studio Phantasma and Patricia Collins.One of the 21 Elephant sculptures created individually and decorated by Studio Pha...
04/06/2026

Studio Phantasma and Patricia Collins.

One of the 21 Elephant sculptures created individually and decorated by Studio Phantasma and Patricia Collins.
These artists designed the 21 beautifully decorated elephant sculptures as part of the Trail at Battersea Power Station, which supports the wildlife charity Family.

On the occasion of Milano Art Week (13–19 April 2026), Charles Russell Speechlys Europe hosted and sponsored an exclusiv...
21/04/2026

On the occasion of Milano Art Week (13–19 April 2026), Charles Russell Speechlys Europe hosted and sponsored an exclusive event at BKV Fine Art in Milan.
Suzanne Marriott, Partner and Head of Art and Luxury, joined the event.

Housed in an early‑20th‑century historic palazzo, BKV Fine Art is one of Milan’s finest gallery-exhibition spaces. The event offered the opportunity to explore the concept of "Being and Time”, a project that brought together two shows currently on display.

Vincenzo Agnetti. The Rules of the Portrait, curated by Marco Meneguzzo, presents 15 iconic felts from the artist’s early 1970s "Portraits" cycles, exploring themes of language and identity.

The Time of Landscape. Casts, Fragments, Fusions, curated by Gaspare Luigi Marcone, examines landscape as trace and stratification, a material embodying memory and transformation.

Though presented through different artistic languages and periods, the two exhibitions are united by a shared philosophical reflection on being, memory, and temporality.

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