Canon and Rare

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Paul Cezanne’s Arbres et Maison; in fine collotype of 1943.
11/06/2026

Paul Cezanne’s Arbres et Maison; in fine collotype of 1943.

10/06/2026

Monet gave us a hidden view when he painted the church from across a hidden gorge (Gorge des Moutiers). This angle makes the church appear tiny and isolated on the cliff top, emphasizing the vastness of the sea and sky. The version most famous in the UK is the sunset view. The warm light from behind the church causes its solid stone form to dissolve into soft shadows, while the foreground foliage catches the final golden glow

07/06/2026

Ray Fawcett - Wetherby (1967); large oil on canvas. Fawcett was accomplished in the era of British Modernism and contemporary art. As such he developed an abstract style which shared context with contemporaries like Asger Jorn, Corneille and Ben Nicholson. No part of his composition is more important than any other, in comparison to his earlier style, which often tallied with the instinctive movement of the eye, vertically from the bottom

Juan Gris’ Nature Morte; in fine collotype of 1946. The nature morte series from this period marked the beginning of Gri...
07/06/2026

Juan Gris’ Nature Morte; in fine collotype of 1946. The nature morte series from this period marked the beginning of Gris’ highly influential Crystal Cubism phase. It was a period distinguished by its simplified geometric structures, metallic sheen, and flattened perspectives. Unlike other Cubists pushing toward more pronounced abstraction, Gris maintained a strict reverence for actual objects, studying the techniques of the Old Masters

06/06/2026

The ceramics capture Pablo Picasso's masterful ability to transform traditional, utilitarian functional forms into vibrant, modern sculptures. Following his move to the south of France in the post-war era, Picasso became deeply captivated by the expressive possibilities of clay, collaborating closely with Suzanne and Georges Ramié at the renowned pottery workshop in Vallauris

05/06/2026

Signed and inscribed by Picasso, this is a highly intimate association copy of historical significance. It is from the period of the beginning of their partnership. Kootz had closed his New York gallery to represent Picasso globally. He was the man responsible for introducing Picasso into American market after war. The association holds paramount importance in charting the post-war transatlantic art trade. Samuel Kootz was the literal gatekeeper of European Modernism in America

Henri Matisse’s Girl’ Head. Fine lithograph of 1925. Matisse collaborated with the publisher Dutilleux and the master pr...
05/06/2026

Henri Matisse’s Girl’ Head. Fine lithograph of 1925. Matisse collaborated with the publisher Dutilleux and the master printer workshop Daniel Jacomet & Cie in Paris to produce the Dessins de Henri Matisse portfolio in 1925. He did not want a traditional shiny or heavy ink print appearance. Instead, they utilized a rare, meticulous lithographic and stencil print transfer technique

Pablo Picasso’s Femme dans un fauteuil; in fine collotype of 1946.
04/06/2026

Pablo Picasso’s Femme dans un fauteuil; in fine collotype of 1946.

04/06/2026

When Marc Chagall painted Hommage à la fiancée (To My Fiancée, 1911) in Paris, he was intensely homesick for his fiancée, Bella Rosenfeld, who was still living back in Vitebsk (modern-day Belarus). His close friend, the avant-garde poet Blaise Cendrars, saw the painting in Chagall's studio and named it Hommage à la fiancée. Chagall loved the title because it perfectly captured the romantic longing he felt while working in exile. Find the art that matters at Canon & Rare

Pablo Picasso’s Femme au Chapeau Assise; in fine collotype of 1930
02/06/2026

Pablo Picasso’s Femme au Chapeau Assise; in fine collotype of 1930

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