Tibor Varga Tattoo

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Tibor Varga Tattoo Colour realism tattoo artist, painter & photographer based in Manchester at 🐺
Book via my website below ā¬‡ļø
tiborvargaart.com

11/01/2026

Mixing realism with graffiti is probably still my favourite kind of project. I’ve always liked working on designs where I can combine structure with some movement and this combo lets me pull from both worlds at once.

Doing graffiti for around 20 years shaped how I think about flow and energy, and then realism taught me control and subtlety - bringing the two together just feels natural at this point. I honestly find it hard to say no to projects like this.

So if you’ve got an idea that sits somewhere in that space, feel free to get in touch via the link in my bio.

I get asked about sleeves a lot, mostly about timing and what the process actually looks like. The short answer is that ...
07/01/2026

I get asked about sleeves a lot, mostly about timing and what the process actually looks like. The short answer is that they’re never rushed and they’re never random. We talk things through, figure out what makes sense for the space, and then build it over time. And I think watching everything come together session by session is still one of my favourite parts of tattooing.

If you’ve been thinking about starting something like this, feel free to send me a message and we can talk it through properly.

04/01/2026

I think doing things like painting and photography just gives you a different set of habits. Painting makes you comfortable with being precise and knowing when to stop. Photography trains you to notice how things sit together, what draws the eye first, and what doesn’t really add much. When I’m tattooing, those habits are already there, so a lot of decisions get made naturally.

From a client point of view, it usually means ideas get clearer quicker. There’s less guessing, less changing things last minute, and more confidence in the layout before we start. It’s not something I actively think about while working but rather the experience from other areas showing up in the process.

If this kind of approach sounds like something you’d be into, feel free to drop me a message and we can talk it through.

04/01/2026

I think doing things like painting and photography just gives you a different set of habits. Painting makes you comfortable with being precise and knowing when to stop. Photography trains you to notice how things sit together, what draws the eye first, and what doesn’t really add much. When I’m tattooing, those habits are already there, so a lot of decisions get made naturally.

From a client point of view, it usually means ideas get clearer quicker. There’s less guessing, less changing things last minute, and more confidence in the layout before we start. It’s not something I actively think about while working but rather the experience from other areas showing up in the process.

If this kind of approach sounds like something you’d be into, feel free to drop me a message and we can talk it through.

These are the kinds of projects I’d love to do more of this year šŸ™ŒNot trying to narrow anything down or put myself in a ...
01/01/2026

These are the kinds of projects I’d love to do more of this year šŸ™Œ

Not trying to narrow anything down or put myself in a box, just a few things that genuinely excite me and feel like where my head’s been at creatively.

That said, I’m always open to different ideas too. A lot of my favourite tattoos have come from conversations I didn’t expect or projects that started somewhere completely different.

Think of these as dream projects rather than a checklist. If something here resonates, cool. If you’ve got something totally different in mind, I’m just as happy to talk that through šŸ’Ŗ

31/12/2025

2025 felt like one of those years where a lot was moving at once on the work side. The studio stayed busy in a good way, the kind that forces you to stay organised and intentional so the work doesn’t slip, and I’m genuinely grateful to everyone who trusted me with larger, more demanding realism projects this year.

There were a few moments that really confirmed the direction I’m heading in, like winning Best Large Colour & Best of the Show at Tattoo Fest-Milton Keynes, and 2nd Best Realism at Tea Party, which was nerve-racking and motivating in equal measure, and spending time guest spotting in Spain, where a change of environment always helps reset things creatively.

Outside of tattooing, I got even more serious about photography this year and really pushed myself to develop those skills further. It became a way to spend more time doing what I enjoy most, whether that meant building reference for tattoo projects or just heading out shooting with friends and enjoying the process without pressure.

Painting continued to play a big role too, influencing how I think about colour, composition, and patience, and I managed to finish a couple of pieces that felt genuinely meaningful.

There was plenty going on behind the scenes as well – the kind of stuff I’ll leave for another time – but overall it feels like a year where things stacked in the right direction, even when it got intense. Heading into next year focused, motivated, and grateful to everyone who booked in, supported the work, or followed along šŸ™šŸ™šŸ™

I get asked abut this stuff a lot, especially because most of the work I do runs over a few days in a row.Sitting for co...
30/12/2025

I get asked abut this stuff a lot, especially because most of the work I do runs over a few days in a row.

Sitting for consecutive sessions is a bit different to a one-off tattoo, and how you prep for it genuinely makes the days easier and the work better. Nothing complicated, just the kind of things you don’t always think about until you’re halfway through day two.

All of that’s broken down in the slides. Worth a quick look if you’re planning something bigger, or saving for later if you know a longer project’s on your list.

This project is a really fun one for me šŸ™ŒIt started with an idea for an apocalyptic Manchester leg sleeve, but instead o...
29/12/2025

This project is a really fun one for me šŸ™Œ

It started with an idea for an apocalyptic Manchester leg sleeve, but instead of digging through random references, I went out and photographed the city myself. I’ve been doing street photography for years, so it felt natural to use the places and atmosphere I already connect with.

We then broke those photos down and built the design from there, which made the whole thing feel way more personal and intentional. Stuff like this is why I love doing fully custom work - it’s not just about the tattoo but rather where the idea comes from in the first place.

Follow along to see the progress on it over the next few months šŸ™

Address

Unit 14, 20-22 Mary Street
Manchester
M31DZ

Opening Hours

Monday 10am - 6pm
Tuesday 10am - 6pm
Wednesday 10am - 6pm
Thursday 10am - 6pm
Friday 10am - 6pm

Telephone

+447867316149

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