About Art Nouveau

About Art Nouveau Blog about my Journey into
getting to know Art Nouveau:
http://aboutartnouveau.wordpress.com

Blog about a Journey into finding out everything there is to know about Art Nouveau. http://aboutartnouveau.wordpress.com

Curator: Olga Harmsen
http://maisonartnouveau.nl

Lafcadio Hearn, Emil Orlik & JapanYakumo Koizum, born Patrick Lafcadio Hearn (27 June 1850 – 26 September 1904) was a Gr...
22/06/2026

Lafcadio Hearn, Emil Orlik & Japan

Yakumo Koizum, born Patrick Lafcadio Hearn (27 June 1850 – 26 September 1904) was a Greek and Irish writer, translator, and teacher whose work played a significant role in the introduction of the culture and literature of Japan to the mainstream Western world.

Hearn was born on the Greek island of Lefkada but moved to Dublin, where he was abandoned first by his mother, then his father, and finally by his father’s aunt (who had been appointed his official guardian).

At the age of 19, he immigrated to the United States, where he found work as a newspaper reporter, first in Cincinnati and later in New Orleans.

From there, he was sent as a correspondent to Martinique in the French West Indies, where he stayed for two years, and then in 1890 to Japan, where he would remain for the rest of his life.

In Japan, Hearn married Setsuko Koizumi, with whom he had four children. His writings about Japan offered the Western world an introduction to Japanese culture.

After his passing, with authorization of the original publishers in Boston, the US, an official German translation was published with illustrations by Emil Orlik.

Orlik (21 Juli 1870 - 28 September 1932) was a painter, etcher, lithographer and woodcarver and member of the Wiener Secession.

After completing his military service in Prague, he returned to Munich where he worked for the magazine Jugend. He spent most of 1898, travelling through Europe, visiting the Netherlands, Great Britain, Belgium, and Paris.

During this time he became aware of Japanese art, and the impact it was having in Europe, and decided to visit Japan to learn woodcut techniques.

He left for Asia in March 1900, stopping off in Hong Kong, before reaching Japan, where he stayed until February 1901.

I have discovered these books online recently and now that they have arrived, I cannot wait to read them! They are covered in wonderfully soft parchment and beautifully illustrated by Orlik. Gilt edges, gold splattered end papers and gold stamping on the cover. A treasure in my book collection!

Ver Sacrum, the official journal of the Vienna Secession, is being brought back to life in a restored English edition.Fi...
20/06/2026

Ver Sacrum, the official journal of the Vienna Secession, is being brought back to life in a restored English edition.

First published in Vienna in 1898, Ver Sacrum was the official publication of the movement shaped by Gustav Klimt, Koloman Moser, Josef Hoffmann, Joseph Maria Olbrich, and many other artists of the period.

This new edition restores, translates, and redesigns the first issues as hardcover collector’s books, preserving the original layouts, textures, ornament, and visual character of the publication.

For anyone interested in Art Nouveau, the Vienna Secession, and the history of design, this is a rare opportunity to experience one of the most important art journals of the modern visual age in English.

Now live on Kickstarter. (If you want a private link for a discount code, please write discount in the comments below and I will send you the link)

Yesterday, Oradea celebrated World Art Nouveau Day with heaps of free activities for everyone interested in Art Nouveau ...
14/06/2026

Yesterday, Oradea celebrated World Art Nouveau Day with heaps of free activities for everyone interested in Art Nouveau heritage.

I was invited to join the activities, and for me the day started with a talk about Oradea Art Nouveau by Deodath Zuh, at the abandoned cinema inside the Black Eagle Palace.

After that interesting talk, we had a tour of the building, behind the scenes. The cinema needs to be restored urgently, but even in its current state, it is easy to imagine what a spectacular cinema it once was!

During the day, I wandered the city center, as there were lots of free activities to enjoy. Like concerts, workshops for kids (ceramics, stained-glass, painting) guided tours of the town etc.

At the end of the afternoon, a lecture on Japonism in Central Eastern Europe by Matthew Rampley was scheduled at the Casa Darvas-Laroche. That was right up my alley and I really enjoyed that lecture.

Over diner Deodath, Matthew and I continued our discussions about Japonism and Art Nouveau in general as we couldn’t get enough of the subject.

I topped off this wonderful day back where I started: at the Black Eagle Palace for the fabulous light show projected at the stained glass panel of the black Eagle. It was mesmerizing, honestly! A perfect way to end the day.

I still owed you the the pictures of the 2nd symposium-day. Just to get your attention I put a picture of the Schmidl Ma...
09/06/2026

I still owed you the the pictures of the 2nd symposium-day. Just to get your attention I put a picture of the Schmidl Mausoleum up front! (More about that soon)

The cladding of Art Nouveau buildings
Theory, history & practice of architectural covering materials: ceramics, hydraulic cement tiles, terrazzo, metlachi and more.
International Symposium
1-2 June 2026, Budapest

Yesterday was the first day of this interesting symposium in Budapest I am attending. It was a long and hot day, but most of the speakers had a very interesting story to tell. (And pictures to show!)

Organised within the Creative Europe project “Art Nouveau as a New EUtopia” (2024–2027), this second international symposium (following the 2024 Brussels edition) will explore how surface materials shape Art Nouveau buildings as a Gesamtkunstwerk: colour schemes, visual harmony, design processes, technologies and regional specificities.

3 thematic sections
• The “clothing” principle in Art Nouveau architecture (Semper and beyond)
• Ceramic and cement tile manufactories: overviews & case studies
• Architectural ceramics as a moment of transition: materials, innovation, ornament and industrialisation

Looking forward to today for the rest of the program!


The cladding of Art Nouveau buildings Theory, history & practice of architectural covering materials: ceramics, hydrauli...
02/06/2026

The cladding of Art Nouveau buildings
Theory, history & practice of architectural covering materials: ceramics, hydraulic cement tiles, terrazzo, metlachi and more.
International Symposium
1-2 June 2026, Budapest

Yesterday was the first day of this interesting symposium in Budapest I am attending. It was a long and hot day, but most of the speakers had a very interesting story to tell. (And pictures to show!)

Organised within the Creative Europe project “Art Nouveau as a New EUtopia” (2024–2027), this second international symposium (following the 2024 Brussels edition) will explore how surface materials shape Art Nouveau buildings as a Gesamtkunstwerk: colour schemes, visual harmony, design processes, technologies and regional specificities.

3 thematic sections
• The “clothing” principle in Art Nouveau architecture (Semper and beyond)
• Ceramic and cement tile manufactories: overviews & case studies
• Architectural ceramics as a moment of transition: materials, innovation, ornament and industrialisation

Looking forward to today for the rest of the program!


The Cladding of Art Nouveau BuildingsNext week, I’ll be traveling to Budapest for a very interesting Symposium about Art...
25/05/2026

The Cladding of Art Nouveau Buildings

Next week, I’ll be traveling to Budapest for a very interesting Symposium about Art Nouveau façades, organised by the Museum of Applied Arts, Budapest and the Réseau Art Nouveau Network.

Most interesting topics and very knowledgeable speakers on the program, so this is something to look forward to. Will I see you there?

If you read about this symposium for the first time, it is not too late to register and book your flights!
The symposium is free of charge, but registration is mandatory. You can register via this link: https://forms.gle/HC4gab5D7UX6vgb49

Inside the Fantastical World of Art Nouveau JewelryDiamond-dusted dragonflies, mermaid muses, and moonlit flowers—welcom...
25/05/2026

Inside the Fantastical World of Art Nouveau Jewelry
Diamond-dusted dragonflies, mermaid muses, and moonlit flowers—welcome to the magical world of Art Nouveau.
By: Meredith Lepore for Natural Diamond .com

If you’ve ever fallen under the spell of jewelry with organic lines, colorful enamel or mythical female figures, you can probably thank Art Nouveau. Though the movement emerged in Europe in the late 19th century, it was heavily shaped by Japonisme, the obsession with Japanese art and design that swept the continent after Japan reopened to international trade in the 1850s. At the time, Art Nouveau felt radically modern. It broke away from the rigid symmetry and ornate formality of Victorian jewelry in favor of fluid lines and fantasy.

Suddenly, jewelry was filled with nature-inspired motifs that felt mysterious and alive. Designers embraced intricate enamelwork and unconventional materials alongside natural diamonds and gemstones, while visionary jewelers like René Lalique, Louis Comfort Tiffany, Georges Fouquet, and Henri Vever pushed jewelry into entirely new creative territory.

Read the whole story at the source? Link in first comment below.

Exhibition alert! Exhibition Art nouveau - Art déco. Marseille at the Heart of Styles, Château Borély, Marseille, France...
19/05/2026

Exhibition alert! Exhibition Art nouveau - Art déco. Marseille at the Heart of Styles, Château Borély, Marseille, France. 8 May 2026 - 25 April 2027.
For the first time, Château Borély is dedicating an exhibition to a major period in Marseille's decorative and industrial arts. Amid plant motifs, Mediterranean influences, and geometric modernity, nearly 180 works (loans from prestigious institutions such as the Musée d'Orsay, the Musée du Mobilier National, the Musée des Beaux-Arts or the Musée des Textiles de Lyon) reveal a facet of Marseille’s heritage still largely unknown to the general public. The exhibition traces nearly fifty years of creativity, from 1889 to 1937. It explores the transition from the nature-inspired curves characteristic of Art Nouveau to the more streamlined and geometric forms of Art Deco.
(More info: follow link in first comment. )

18/05/2026

Exhibition Alert!

The forgotten British Art Nouveau – the Royal Arcade in NorwichAlthough British artists and architects laid the foundati...
11/05/2026

The forgotten British Art Nouveau – the Royal Arcade in Norwich

Although British artists and architects laid the foundations for the Art Nouveau style, the fame of Art Nouveau from Vienna, Paris and Brussels overshadowed the innovations from the British Isles. However, the Royal Arcade in Norwich is a fine example of this forgotten modernist style. Animal and plant motifs create a fairy-tale composition, whilst the architectural forms are reminiscent of medieval castles. Unfortunately, this extraordinary style never conquered the world, or even Britain itself.

Pioneers of Art Nouveau
The English had already realised by the 1880s that a revolution in architecture should draw inspiration from nature. Artists such as William Morris and Walter Crane created the Arts and Crafts movement, which rejected the industrial reality of the Victorian era and sought a return to nature. Their inspiration was, of course, vegetation, but also the Middle Ages and Oriental art. At the same time, these influences spread to Scotland, where the first truly Art Nouveau architectural designs were developed. Thus, from the romantic yet subdued Arts and Crafts movement, the expressive and more fairy-tale-like Modern style was born.

The Glasgow School of Art in Scotland was to British Art Nouveau what the École des Beaux-Arts in Paris was to the Beaux-Arts style. The architect Charles Rennie Mackintosh was the most important figure in the new style, and it was he who combined Japanese influences with the picturesque castles of Scotland. However, as Art Nouveau gained popularity across Europe, the Modern style also spread south to England, where George Skipper, known for his eclectic style, designed buildings in Norwich...

Continue reading on the original website: link in first comment.

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