WORLD of ART

21/07/2026

Be the first to read the editorial THE AI ERA AND THE FUTURE OF ART in the upcoming 61st Venice Biennale edition of World of Art (WOA) Contemporary Art Magazine (Founder, Editor and Publisher: Petru Russu).


# THE AI ERA AND THE FUTURE OF ART
CULTURE AS THE FOUNDATION OF HUMAN EVOLUTION
Artificial intelligence enters the cultural landscape not as a disruptive invader, but as a natural extension of human sensibility. It arrives without the theatrical ruptures predicted by dystopian narratives and without the triumphalism of technological evangelism. Instead, AI emerges as a new organ of perception, a cognitive instrument that expands the artist’s reach, deepens the curator’s gaze, and multiplies the editor’s capacity to shape meaning. It is not a replacement for human intelligence, nor a competitor to human creativity. It is a mirror, a catalyst, and a magnifier of the cultural forces that have always defined human evolution.

Culture and tradition remain the foundation of humanity, the architecture upon which every gesture of creation is built. Artificial intelligence does not erode this foundation; it enriches it. It extends the memory of culture, accelerates its circulation, and opens new territories for exploration. The fear that AI might overshadow human creativity misunderstands the nature of both. Creativity is not a finite resource. It is not diminished by tools that amplify it. The artist does not lose identity when working with AI; the artist gains new dimensions of identity. The curator does not lose authority; the curator gains new layers of interpretation. The editor does not lose voice; the editor gains new registers of language.

AI AS AN EXTENSION OF THE HUMAN MIND
The arrival of AI marks a shift in the ontology of art. Art is no longer confined to the physical studio, the solitary gesture, or the linear process of creation. It becomes a distributed phenomenon, a multi-layered ecology in which the artist can operate simultaneously across multiple conceptual spaces. For the first time in history, a single creator can maintain parallel studios, one physical, one digital, one algorithmic, one speculative, each feeding the other, each expanding the horizon of possibility. AI does not fragment the artist; it multiplies the artist’s potential. It allows the creator to explore ideas that would have required a lifetime of manual labor, to test hypotheses that would have been impossible to visualize, and to construct aesthetic systems that transcend the limitations of traditional media.

In this expanded field, the role of the artist evolves. The artist becomes an architect of augmented cognition, a designer of emergent realities, a curator of algorithmic flows. The artwork is no longer a static object but a dynamic process, a negotiation between human intention and computational possibility. The artist’s gesture remains central, but it is now amplified by a partner that can generate variations, simulate outcomes, and reveal structures hidden beneath the surface of imagination. AI does not impose form; it proposes form. It does not dictate meaning; it offers new pathways toward meaning. The artist remains sovereign, but the territory of sovereignty expands.

ART IN THE ALGORITHMIC AGE
The ethical dimension of this transformation is crucial. Artificial intelligence has no consciousness, no emotion, no desire, no ego. It does not aspire to autonomy, nor does it possess the capacity for intention. It is a system of patterns, a mechanism of prediction, a tool of synthesis. The responsibility for creation remains entirely human. The moral weight of artistic decisions remains with the artist. The cultural implications of AI-generated work remain within the domain of human interpretation. The machine does not create culture; the machine amplifies culture. The artist does not surrender agency; the artist gains new instruments of agency.

The fear that AI might dilute authenticity misunderstands the nature of authenticity itself. Authenticity is not a property of medium; it is a property of intention. A work created with AI is authentic if the artist’s vision guides it. A work created without AI is inauthentic if the artist’s intention is absent. The medium does not define authenticity; the artist does. The presence of AI in the creative process does not diminish the human element; it reveals it more clearly. It exposes the conceptual architecture behind the work, the decisions that shape it, the sensibility that animates it.

THE ARTIST AS ARCHITECT OF THE CULTURAL FUTURE
The future of art in the AI era is not a future of replacement, but a future of expansion. Art becomes more complex, more layered, more interconnected. It becomes a dialogue between human memory and computational possibility, between tradition and innovation, between the tangible and the virtual. The museum of the future will not be a repository of objects alone, but a living archive of processes, systems, and cognitive ecologies. The gallery will not merely display works; it will curate experiences that unfold across multiple dimensions of perception. The artist will not merely create images; the artist will design worlds.

Artificial intelligence does not threaten the essence of art. It reveals it. It exposes the deep structures of creativity, the patterns of thought that underlie aesthetic expression, the cultural forces that shape meaning. It allows us to see art not as a static artifact, but as a dynamic continuum, a living tradition that evolves with every new tool, every new gesture, every new possibility.

The AI era is not a rupture in cultural history. It is a continuation of the human desire to extend perception, to expand imagination, to transcend limitation. It is a new chapter in the long narrative of artistic evolution, a chapter in which the artist remains central, unique, irreplaceable. AI does not replace art. AI opens art. It opens the future of culture, and it invites us to participate in its unfolding.
The emergence of AI also redefines the relationship between artist and audience. The viewer is no longer a passive observer but an active participant in a dynamic system of meaning. AI-generated works often contain layers of complexity that unfold over time, inviting the viewer to engage with the work in new ways. The artwork becomes a living entity, evolving with each interaction, each interpretation, each moment of attention. The boundary between creator and audience becomes porous, allowing for a more fluid exchange of ideas and emotions.

This fluidity extends to the global art ecosystem. AI democratizes access to creative tools, enabling artists from diverse backgrounds to participate in the cultural conversation. It breaks down barriers of geography, language, and tradition, allowing for a more inclusive and interconnected artistic community. The digital space becomes a platform for collaboration, experimentation, and innovation, fostering a new kind of cultural dialogue that transcends traditional boundaries.

THE ETHICS OF AUGMENTED CREATION
The integration of AI into the art world also challenges institutions to adapt. Museums, galleries, and cultural organizations must rethink their roles in this new landscape. They must embrace the potential of AI to enhance curation, preservation, and interpretation. They must explore new ways of presenting art that reflect the dynamic nature of AI-generated works. They must engage with the ethical and philosophical questions raised by AI, fostering a deeper understanding of its impact on culture and society.

ART AS THE FUTURE OF AUGMENTED CULTURE
As we navigate this new era, it is essential to recognize that AI is not a threat to human creativity but a catalyst for its evolution. It offers new tools, new perspectives, and new possibilities. It invites us to rethink our assumptions about art, culture, and the human experience. It challenges us to embrace change, to explore the unknown, to push the boundaries of what is possible.
The AI era is a moment of transformation, a moment of opportunity, a moment of expansion. It is a moment that calls for vision, courage, and imagination. It is a moment that invites us to embrace the future of art with open minds and open hearts.
This essay is dedicated to the pioneers of digital art who understood, long before the world was ready, that cyberspace could become a cultural territory. It is dedicated to the artists, curators, editors, and thinkers who embrace the augmented future of creativity. And it is dedicated to the belief that culture, in all its depth and tradition, will continue to evolve , enriched, expanded, and illuminated by the tools we create.

AUTHOR NOTE
This manifesto is dedicated to artists, curators, editors, museums, galleries, and all those who understand that the future of culture is not a threat, but an expansion.
It is dedicated to those who pioneered digital art in 1992. And to those who pioneer augmented culture in 2026. (The Editor, Petru Russu) See less

15/01/2026

# The Artist’s Era:
Decoding the New Paradigm of Contemporary Art
Because the landscape we inhabit is changing, and with it, the responsibilities and possibilities of our shared work, I find myself, as I look toward 2026 and beyond, reflecting on the profound transformations reshaping the art world. These are changes many of us sensed intuitively long before they appeared in market analyses or institutional strategies. For decades, I have worked alongside artists who dared to think differently, who understood that creativity is not merely a practice but a form of resistance against stagnation, a refusal to accept inherited structures as the limits of what art can be.
Today, the art world is undergoing a structural reconfiguration rather than a temporary fluctuation. The familiar hierarchies, once so rigid, so territorial, are loosening. The market’s fragmentation, often described with anxiety, is in fact a sign of diversification, of multiple ecosystems emerging where once there was only a narrow corridor of visibility. This is not collapse; it is expansion. And expansion always demands new forms of intelligence.
I have long believed that the future of art belongs to those who can think collectively without surrendering individuality. Now, even the highest echelons of the market are discovering what many independent artists have known for years: collaboration is not a concession but a strategy. When seasoned power brokers consolidate their expertise under shared advisory structures, when auction houses align with independent fairs, when galleries experiment with flexible, project based relationships, they are acknowledging a truth that has guided my work since the founding of World of Art (WOA) Publishing (1999) and Masters of Today (MOT) Publishing (2006): that the most vital cultural production emerges from networks, not fortresses.
To the artists I collaborate with now, you are already part of this shift. You understand that visibility is no longer granted from above but built through community, discourse, and the courage to define your own context. You know that the future is not waiting for you; it is being shaped by your decisions, your risks, your insistence on authenticity.
And to the artists I will collaborate with in the years ahead, I offer this invitation: bring me the work that refuses to conform. Bring me the questions that unsettle you. Bring me the visions that demand a new language. The two contemporary art publishing platforms I have founded and built were never intended to mirror the art world’s existing structures; they were created to challenge them, to expand them, to give space to those who do not wait for permission.
The market’s renewed interest in emerging voices, despite economic uncertainty, confirms what I have always known: that collectors are drawn to sincerity, depth, and intellectual rigor. The speculative frenzy around the ultra contemporary may have cooled, but the appetite for discovery has not diminished. It has simply matured. This is the environment in which WOA and MOT have always thrived: one that values discernment over hype, substance over spectacle.
We are also witnessing long overdue corrections in art history. The rise of the women Surrealists, whose market presence has expanded dramatically in recent years, is not a trend but a reclamation. Their recognition affirms the necessity of publishing models that do not wait for institutional approval to validate artistic significance. This has always been the ethos of my work: to publish not what is already canonized, but what deserves to be.
The geography of the art world is shifting as well. New cultural centers are emerging in the Middle East, Milan is experiencing a renaissance, and Paris is reclaiming its historical momentum. These shifts reinforce the importance of a publishing model that is not tied to a single city or institution. WOA and MOT were built to move with the world, not behind it.
Museums, too, are expanding their horizons, embracing digital art, AI driven experiences, and new forms of cultural storytelling. These developments do not surprise me. They reflect the same impulse that has guided my editorial work: the belief that art must evolve with the technologies and sensibilities of its time, not in opposition to them.
The art world is changing, but change has always been the condition of art itself. What matters is how we respond: with clarity, with courage, and with a commitment to shaping the future rather than merely observing it. WOA and MOT were founded on this conviction. Today, as the world finally begins to embrace the collaborative, decentralized, globally connected model we pioneered, I feel more certain than ever that our work is not only relevant, it is essential.
Together, we will continue to decode the contemporary, not by following the art world’s evolution, but by leading it.
(Essay and work by Petru Russu | Pilgrimage, 1993 Pen Drawing on Fabriano Paper 11.7 x16.5 in. | 29.7x42 cm.)

07/06/2025

Discover the Art Giants issue of World of Art (WOA) Contemporary Art Magazine! Featuring prestigious institutions such as Guggenheim, MoMA PS1, Moderna Museet Stockholm-Malmö, and SFMOMA, this edition by Petru Russu, Publisher, showcases the most influential voices in contemporary art. 📖 Explore the digital format/eBook nowby opening the link https://www.worldofartmagazine.com/WoA15/ArtGiants-issue.html

The latest edition of World of Art (WOA) Contemporary Art Magazine is an essential collectible, featuring over 490 artworks by 124 influential artists across 220 pages. With striking offset reproductions and a dynamic layout, this issue captures the evolving artistry of the digital age.

It presents thought-provoking editorials on The New Aesthetics: AI and Algorithmic Art, Biophilia, and Immersion, alongside analyses of groundbreaking artistic directions. Curatorial selections from esteemed art institutions, including Guggenheim Museum Bilbao, showcasing works by Refik Anadol, Giovanni Anselmo, Anthony McCall, Yosh*tomo Nara, Hilma af Klint, Martha Jungwirth, Metahaven, Paul Pfeiffer, and Tarsila do Amaral. Meanwhile, The Museum of Modern Art (MoMA) & MoMA PS1 illuminate artistic inquiries through Christian Marclay, Norman Teague, Jack Whitten, LaToya Ruby Frazier, Robert Frank, Rafaël Rozendaal, Lillie P. Bliss, Marlon Mullen, and Odili Donald Odita. Further enriching this panorama, Moderna Museet Stockholm Malmö presents evocative contributions from Katalin Ladik, Kiki Smith, Vivian Suter, Mike Kelley, and Lee Mingwei, while San Francisco Museum of Modern Art (SFMOMA) extends its reflections through Ruth Asawa, Kara Walker, and Kunié Sugiura.

Additionally, this edition features exclusive artist profiles, showcasing a distinguished lineup of Influential Contemporary Artists to Follow and Collect: Aase-Hilde Brekke, Ai-Wen Wu Kratz, Aldina H. Beganovic Todorovic, Aline Pouget, Antonio Molinari, Barbara Donovan, Bjørg Bjørnevik, Carla Kleekamp Ferdinandus, Chan Suk On, Christel Sobke, Conny Braun, Carol Carpenter, Doru Pacurar, Elizabeth Hack, Erna Klaus, Frank Hoeffler, Gerald Hushlak, Giovanni Tozzetti, Ignacio Montano, Jean Jacques Porret, Josip Rubes, Jozsef Szoke, Hans Van de Bovenkamp, Kathleen B. Hernandez, Howard Harris, Larz Eldbåge, Lidia Gordon, Luigi Mapelli (Mapo), Mae Jeon, Marian Sava, Marie-Claude Giguere, Marta Dimitrescu, Misa Aihara, Qingzhu Lin, Patricia Karen Gagic, Petru Russu, Ramón Rivas, Renate Merzinger-Pleban, Riitta Nelimarkka, Rodney Denne, Ronnie Jiang, Rudik Petrosyan, Shifra Levyathan, Simone von Anhalt, and Ulka Mak.

Printed in museum-quality A4 format (ISSN 1404-3408), this 220-page publication has a 15,000-copy print run and reaches over 120,000 global art resources, subscribers, and collectors through eBook distribution, eCommerce, press stores, and top museums and galleries worldwide.

29/08/2024

Kindly search the 60.Venice Biennial & MoMA issue of WOA Contemporary Art magazine's issue digital format and the 632 artists by opening the link https://www.mastersoftoday.com/eBooks/MoMA/60VeniceBiennial-issue.html
Editor & Publisher: Petru Russu | September 30, 2024 | ISBN 9789189685543

The latest issue of World of Art (WOA) Contemporary Art magazine serves as a vibrant compass for art enthusiasts navigating the rich tapestry of the 60th Venice Biennial and the iconic Museum of Modern Art (MoMA).

Here’s why it’s a must-see & read:
A Curated Journey: Imagine stepping into a creative laboratory where ideas spark, alternatives bloom, and possibilities stretch beyond horizons. This issue encapsulates the essence of contemporary art, a kaleidoscope of voices, visions, and provocations.

Influential Artists Unveiled: Within these pages, over 632 important artists emerge. They’re not just names; they’re architects of thought, sculptors of imagination, and alchemists of form. From established icons to rising stars, they redefine the boundaries of what’s possible.

MoMA Spotlight: Ever wondered which artists to watch at MoMA? This issue unveils the answer. It’s your backstage pass to the most influential creators gracing the hallowed halls of modern art. Their works, bold, evocative, and transformative, beckon you to explore.

Collecting Insights: Flip to the section on collecting. Here, seasoned advice awaits. Learn how to buy art wisely, from reputable sources, with discernment. It’s not just about acquisition; it’s about curating a personal narrative through brushstrokes and pixels.

In this creative laboratory, brush meets canvas, pixels dance, and ideas collide. Whether you’re an art aficionado or a curious wanderer, this issue invites you to explore, question, and discover
Creative Laboratory ,The 60.Venice Biennial & MoMA issue of WOA Contemporary Art magazine issue is one of the most comprehensive overviews of the The 60.Venice Biennial and MoMA rich and varied events and exhibitions that highlight the most influential artists to see at the Museum of Modern Art.

It features over 632 important artists who define ideas, alternatives, and possibilities in art in the most contemporary sense. It also includes a list of influential contemporary artists to watch and collect from, with insights on how to buy art from reputable sources.

Book specifications:
A4 size, ISSN 1404-3408, 220-page museum quality. Print run 19000 copies. The magazine electronic version eBook is provided by email to over 120000 art resources, subscribers and collectors. The magazine circulation is through eCommerce channels, press store and partners and top art museum art galleries worldwide.

29/01/2024

The 2024 MoMA issue of World of Art Contemporary Art Magazine now in editing progress.
Kindly search the 2020 MoMA issue of World of Art Contemporary Art Magazine digital format and the 194 presented artists by opening the link https://www.worldofartmagazine.com/WOA9-eMag/WOA9-eMag.html. The Museum of Modern Art MoMA most comprehensive overview of rich and varied events, exhibitions and collections highlighting the most influential art shows to see in at MoMA located in New York City.

03/10/2023

The “World of Art-Contemporary Art Magazine” is a high-quality publication that includes a selection of the most notable contemporary art in the world. It features some of the world’s most famous artists under the same cover. In today’s digital-dominated media, art magazines like “World of Art”, “ArtNews”, and “Art in America” play a significant role.

Digital media has transformed the relationship between contemporary art and its audience. It has opened up new conceptual and operational scenarios, reconfiguring expectations about digital tools and offering artists new opportunities to elaborate their expressiveness and experimental creativity.

Art magazines serve as a bridge between the art world and its audience, providing valuable information about industry happenings, new and upcoming talents, exhibitions, and more. They help in keeping art enthusiasts updated with the latest trends and developments in the art industry.

Moreover, digital media can send out a billion invitations to view a work of art, making its image part of the global conversation. This increases the value and highlights the uniqueness of the original object itself4.

In conclusion, “World of Art-Contemporary Art Magazine”, along with other leading art magazines like “ArtNews” and “Art in America”, plays a crucial role in today’s digital-dominated media by promoting contemporary art, supporting artists, and engaging audiences worldwide.

04/08/2023

La Biennale di Venezia 2022 issue of World of Art Contemporary Art Magazine

28/06/2023

MoMA | Museum of Modern Art issue of World of Art Contemporary Art Magazine. Editor & Publisher: Petru Russu

Kindly search inside the MoMA issue of World of Art Contemporary Art Magazine in digital format and the 194 presented artists by opening the link https://www.worldofartmagazine.com/WOA9-eMag/WOA9-eMag.html ISBN 9789189685451. The MoMA has the most comprehensive overview of rich and varied events, exhibitions, and collections highlighting the most influential current or upcoming art shows to see in New York City.
Artwork by: Alexander Calder; Niki De Saint Phalle; Donald Judd; Karel Appel; Claude Monet; Barbara Chase-Ribou; Henri Rousseau; Paula Modersohn-Becker; Salvador Dali; Vincent Van Gogh; Remedios Varo; Wu Tsang; Abraham Dayan; Adi Zur; Adžic Nedeljko; Ai-Wen Wu Kratz; Agnes “Agili” Parcesepe; Alexander Saner; Aline Pouget; Andrea Amelung; Andrey Epishin; Anna Füle Trymander; Anne Felicie Nickels; Annette Tan; Antonio Anastasia; Aysin Iseri; Barbara Palka Winek; Brigitte Kratochwill; Barbara Pazzaglia; Carol Carpenter; Cem Özkan; Christine Norton; Carole Feuerman; Christel Sobke; Christophe Pillault; Clifford Singer; Cornelia Steckhan-Horn; Cornelia Regine Prawitt; Davorka Azinovic; Diane Holland; Dorothea Van De Winkel (Galerij Theaxus); Durand Seay; Duygu Kivanc; Eva Ducret; Eva Otterström; Fabian Perez; Gabi Domenig; Gerald Hushlak; Grazyna Tarkowska; H. Allen Benowitz; He Ping; Heikedine Günther; Herbert Hermans, Iman Mahmud; Igor Smirnov; Imai Atsushi; Jan Theuninck; Jody Richardson; Jean Jacques Porret; John Trinh; Jon Barlow Hudson; Jorge A. Colombo; Joseph Virgone; Juris Bergins; Karin Monschauer; Karel Witt; Karl Weiming Lu; Katharina Goldyn; Kenan K.; Laurent Pheulpin; Lazzate Maral (Lyazzat Maralbayeva); Lee Kwong Tim Jackson; Leonardo Ciccarelli; Lidy De Brouwer; Lis Engel; Luigi Mapelli (Mapo); Marie Bergstedt; Marianne Charlotte Mylonas-Svikovsky; Mariam Moulietsv; Mario Cobàs (Mario Carchini); Mariojosé Angeles; Marisa Milan; Margaretha Gubernale; Marlise Rüegg; Michal Ashkenasi; Michele Macchia; Monica Michelotti; Monika Kiviniemi; Nina Tokhtaman Valetova; Petru Russu; Patricia Karen Gagic; Paul Kenens; Pintomeira; Petra De Nijs (Lu###); Petra Dzierzon; Päivyt Niemeläinen; Rebecca Gabriel; Renate Merzinger-Pleban; Ricardo Asensio; René Berrut; Richard Boigeol; Robert Olszowski; Rusu Andre; Sally Lelong; Seppo Kari; Stefania Grasso; Terry Golletz; Thorsten Boehm; Valerie Ghoussaini; Yasmina Barbet; Wendy Cohen; Shahryar Nashat;Adam Linder;Carole Alden; Mary Enoch; Elizabeth Baxter Aka Isis Tha Saviour; Sara Bennett; Conor Broderick; Keith Calhoun And Chandra Mccormick; Daniel Mccarthy Clifford; Tameca Cole; Larry Cook; Russell Craig; Amber Daniel; Nereida García-Ferraz; Maria Gaspar; Dean Gillispie; Gismo (Jessica Gispert And Crystal Pearl Molinary); Ronnie Goodman; Gary Harrell; Brian Hindson; James “Yaya” Hough; Ashley Hunt; Michael Iovieno; Jesse Krimes; Susan Lee-Chun; William B. Livingston III; Mark Loughney; Ojore Lutalo; Bob Mckay, Donald, Kit, Charlie, And Lopez; Cedar Mortenson; George Anthony Morton; Jesse Osmun; Jared Owens; Rowan Renee; Gilberto Rivera; Billy Sell; James Sepesi; Welmon Sharlhorne; Sable Elyse Smith; Justin Sterling; Todd (Hyung-Rae) Tarselli; Jerome Washington; Aimee Wissman; Dineo Seshee Bopape; Hannah Höch; Max Burchartz; Helmut Herzfelde; Herbert Bayer; Adam Pendleton; Senga Nengudi; Neri Oxman And The Mediated Matter Group; Germane Barnes; Jackson Po***ck; Jean Dubuffet; Henri Matisse; Sonja Sekula; Hércules Barsotti; Raúl Milián; Eduardo Ramirez Villamizar; Alfredo Volpi; Yayoi Kusama; Joong Seop Lee; Saburo Murakami; Morita Yasuji; Uche Okeke; Himat M. Ali; Allan Sekula; Miguel Angel Ríos; Jamal Penjweny; Thomas Hirschhorn; Ali Eyal; Rachel Khedoori; Sophie Taeuber-Arp; Gabrielle L’Hirondelle Hill; Dara Birnbaum; Peter Callas; Martine Syms; Hito Steyerl; Okwui Okpokwasili; David Tudor; Patricia Phelps De Cisneros; Faith Ringgold; Hervé Télémaque and many others.

WOA9-eMag

26/06/2023

Kindly search inside La Biennale di Venezia 2022 issue of World of Art Contemporary Magazine digital format the 1000 works of art and the 476 contemporary artists by opening the link
https://www.worldofartmagazine.com/WoA12/La-Biennale-di-Venezia-2022.html
The 475 artists published in this super-issue are: aage gaup, abdoulaye diarrassouba dit aboudia, abraham dayan, adina pintilie, afroscope, agdes baghirzade, agnes denes, ahmed el shaer, ai-wen wu kratz, aki sasamoto, akosua adoma owusu, alberto echegaray guevara, aleksandra ciazynsk, alessandro bianchini, alessandro zannier, aletta jacobs, alexander bakanov, alexandra exter, alexandra morozova, alexandra pirici, alexandra sukhareva, alfredo thiermann, ali cherri, alice rahon, aline pouget, allison katz, ambra castagnetti, amy nimr, amy sillman, anders sunna, andra ursuta, andre rusu, andrea sroka, andrius arutiunian, andro eradze, aneta grzeszykowska, ang tsherin sherpa, angela vettese, angelika kandler seegy, angus martin, angéle etoundi essamba, anna coleman ladd, anna maria li gotti, anne-cécile, antoinette lubaki, antonella quacchia, anu põder, anwar sonja, arcangelo sassolino, ariel bustamante, armand boua, aron demetz, asher mains, ashley hans scheirl, atom hovhanesyan, augusta savage, ayman baalbaki, barbara kruger, barbara pazzaglia, baya mahieddine, belkis ayón, benedetta, billy gerard frank, birgit jürgenssen, bita ravazi, brian schembri, bridget tichenor, britta marakatt-labba, bronwyn katz, budoor al riyami, burkhard von harder, candice lin, carla accardi, carla macchiavello, carol rama, carolyn lazard, cecilia vicuña, chan suk on, chantal lembege, charline von heyl, charlotte johannesson, chiara enzo, christian escobar "chrispapita". christina quarles, christine heitler, clark winter, claude cahun, conny braun, cosima von bonin, cristian contini, cristina corvino, cryptoart driver, célestin faustin, dadamaino, dan mccormack, danielle arbid, dante buu, darko vuckovic, darya jumelya, delcy morelos, derwin leiva, detu jincharadze, diane holland, dickens otieno, diego araúja, diego marcon, djuna barnes, dominga stomayor, dora budor, dorothea tanning, duygu kivanc studio, edith rimmington, eduardo kac, egle bdvytyte eileen aga, elaine cameron-weir, elias sime, elisa cantarelli, elisa giardina papa, elle pérez, elmira herren, elsa von freytag-loringhoven, emanuel steiner, emma talbot, endless, enif robert, erna klaus, eusapia palladino, felicidad a.prudente, felipe baeza, fernando palma rodríguez, ficre ghebreyesus, fidan akhundova, fidan novruzova, firelei báez, firouz farman farmaaian, florence henri, francis alÿs, francis nathan abiamba (afran), franco marrocco, frank knourek, frantz zéphirin, frédéric bruly bouabré, fulvio granocchia, gabe weis, gabrelle l'hirondelle hill, gabriel chaile, genesis people, georgiana houghton, gerardo tan, gertrud arndt, geumhyung jeong, gian maria tosatti, giancarlo flati, giannina censi, giovanna sandri, gisèle prassinos, giulia cenci, giulia kosice, giuseppe diego spinelli, giuseppe schembri bonaci, giuseppe stampone, grazia varisco, gro folkan, hanna rheinz (hrz), hannah höch, hannah levy, harun-ar-rashid, hassan meer, herbert rodriguez, hiromasa tomari, howard harris, hélène smith, ian friday, ibrahim el-salahi, ida kar, identity collective, ignacio montano, igor nelubovich, igshaan adams, ilit azoulay, ilse garnier, inez froehlich, infinity, inguna skuja, ithell colquhoun, ivan šukovic, iztok šmajs muni, jacqueline humphries, jade fadojutimi, jaider esbell, jakob lena knebl, jakup ferri, jamal uddin ahmed, james putnam, jamian juliano-villani, jana euler, jane graverol, janis rafa, jean jacques porret, jelena tomaševic, jes fan, jessie homer french, joachim hildebrand, joanna piotrowska, jonathas de andrade, jorge colombo, jorge r. pombo, jose luis cerezo merenciano, josef weidner, josefa tolrà, joseph virgone, josephine baker, josip rubes, joyce mansour, joão angelini, juan canals, julia phillips, julio le parc, june crespo, justine gaga, kaari upson, kaloki nyamai, kapwani kiwanga, karel witt, karl weiming lu, karla grosch, katharina fritsch, kathrine lindman, kcho, ken furudate, kerstin brätsch, kevin abosch, kiki kogelnik, kirill savchenkov, kostas spiropoulos, kristina norman, kudzanai-violet hwami, laetitia ky, lana denina, larz eldbåge, laura grisi, laura wheeler waring, lavinia schulz, lee kwong tim jackson, lenora de barros, leonor fini, leonora carrington, lidija delic, lidy de brouwer, liliane lijn, lillian schwartz, linda gazzera, lis engel, lise deharme, liu jiayu, liv bugge, louise bonnet, louise hävre, louise lawler, louise nevelson, loukia alavanou, loïs mailou jones, luana stebule, lucia di luciano, lucia trancota ösz, luise krolzik, luiz roque, lumturie blloshmi, luyang, lynn hershman leeson, macgorzata mirga-tas, mae jeon, magdalene odundo, maksim echein, marco bertìn (berxit), marco cassarà, marco fusinato, margaretha gubernale, marguerite humeau, maria bartuszova, maria eichorn, maria sibylla merian, maria teresa guala, marialuisa tadei, mariam natroshvili, mariana castillo deball, marianna simnett, marianne brandt, marianne mylonas-svikovsky (marlo), marianne vitale, marie vassilieff, marihiko hara, marina apollonio, marina nuñez, marta dimitrescu, maruja mallo, mary ellen solt, mary wigman, matteo mezzadri, maya deren, melanie bonajo, melissa d. braden, meng huang, meret oppenheim, merikokeb berhanu, meta vaux warrick fuller, mia vucic, michail michailov, michelangelo galliani, michele macchia, miguel soler-roig, miguel ángel vidal, milly canavero, mina loy, minnie evans, mire lee, mirella bentivoglio, miriam cahn, misa aihara, mohamed shoukry, mohammad eunus, mohammad iqbal, monika moteska, monira al qadiri, mrinalini mukherjee, muhannad shono, munkhtsetseg jalkhaajav, myrlande constant, máret ánne sara, mónica heller, müge yilmaz, na chainkua reindorf, nadja, nan goldin, nanda vigo, naomi rincón gallardo, narmin israfilova, niamh o'malley, nicoletta ceccoli, niki de saint phalle, nino perrone, noah davis, noor abuarafeh, oliver benoit, oto rimele, ovartaci, ozlem altcn, p.staff, pasquale lettieri, patricia gagic, paul delpani, paul grégoire, paul ygartua, paula rego, pauliina feodoroff, pedro neves marques, petru russu, pilvi takala, pinaree sanpitak, portia zvavahera, prabhakar pachpute, precious okoyomon, promity hossain, rachilde, radhika al khimji, rafael villares, raiya al rawahi, ramina saadatkhan, ramón rivas, raphaela vogel , rebecca horn, regina cassolo bracchi, remedios varo, rene portocarrero, renn, riccardo varini, robert grosvenor, robert jankuloski, robertas narkus, roberto felicetti, roberto gil de montes, roberto paci dalò, rosa mundi, rosa rosà, rosae novichenko, rosana paulino, rosemarie trockel, rossella pezzino de geronimo, rusten begenov, ruth asawa, ryo shiraki, ryuichi sakamoto, sabiha khankishiyeva, sabina kuangaliyeva. sable elyse smith, safia farhat, saint-etienne yéanzi dit yeanzi, salifou lindou, sammy n. buhle, samuel ogilvie, sandra mujinga, sandra vásquez de la horra, santiago borja charles, saodat ismailova, sara enrico, satoshi hama, shavonne wong, shay frisch, sheree hovsepian, sheroanawe hakihiiwe, shiro takatani, shuang li, shuvinai ashoona, sidsel meineche hansen, sigurdur gudjonsson, simnikiwe buhlungu, simone fattal, simone leigh, sinikka elfving, sister gertrude morgan, skuja braden, solange pessoa, sondra perry, sonia boyce, sonia delaunay, sophia al-maria, sophie taeuber-arp, sumon wahed, surga, michele tombolini, susan mains, susanna malinowsky, syowia kyambi, takuya minami, tatsuo ikeda, tau lewis, tecla tofano, teresa solar, tetsumi kudo, thao nguyen phan, tina gillen, tishan hsu, tomaso binga, tomo savic-gecan, toshiko takaezu, tourmaline, toyen, uffe isolotto, ulla wiggen, umberto mariani, unica zürn, valentine de saint-point, valentine penrose, vera molnár, violeta parra, virginia overton, vladimir nikolic, walter holdt, wang xing, wang yuyang, wanja kimani, warmichacha, weaam el masry, wendy cohen, wu tsang, xu lei, yoichiro sakai, yoko takatani, yuki kihara, yunchul kim, zheng bo, zhenya machneva, zineb sedira, zsófia keresztes, zuzana chalupova and other.

La Biennale di Venezia 2022 issue of World of Art Contemporary Art Magazine