NICOLETTI

NICOLETTI NıCOLETTı is a contemporary art gallery based on 12a Vyner Street, E2 9DG, London, UK.

Tarek Lakhrissi is part of the exhibition ‘Here: Pride and Belonging in African Art’ National Museum of African Art in W...
25/08/2026

Tarek Lakhrissi is part of the exhibition ‘Here: Pride and Belonging in African Art’ National Museum of African Art in Washington DC, US. Curated by Kevin D. Dumouchelle and Serubiri Moses. Closing 30 August 2026.

We are here.

Artists’ voices are central to this exhibition, which is based on years of close collaboration and dialogue with African visual art practitioners who claim belonging in the LGBTQ+ community, however they define those terms. They are united by a simple, shared declaration: We are here and always have been and will be.

The exhibition is part of a larger research initiative, the Here Project, that seeks to document these voices. The artists in the Project practice across the entirety of the African continent and its global diaspora, using their work to speak their truths. Inviting us into their worlds, they share complex stories of openly claiming their identities, their histories, and their place. While their experiences are unique to them, they address issues that unite us all: the importance of family, of spirit, of standing up for oneself and others, of imagining the future, of making intimate connections, of finding belonging, of embracing potential, and above all, of experiencing joy.

Here is based on years of close collaboration and dialogue with these artists and their communities. Through their art, they invite us into their worlds, and share complex stories of openly claiming their identities, their histories, and their place. Here is in the largest exhibition on this subject to date, with nearly 60 artworks, demonstrating how they are a part of a larger story of African art history.

They are here. All that is left is for us to hear them.

طارق الأخرسي
Kevin D. Dumouchelle

Josèfa Ntjam is included in 𝘉𝘭𝘢𝘤𝘬𝘨𝘳𝘰𝘶𝘯𝘥 : 𝘮𝘶𝘳𝘮𝘶𝘳𝘦𝘴 𝘥𝘦𝘴 𝘮𝘰𝘳𝘯𝘦𝘴, a group exhibition curated by Cédric Fauq and Salma Mocht...
14/08/2026

Josèfa Ntjam is included in 𝘉𝘭𝘢𝘤𝘬𝘨𝘳𝘰𝘶𝘯𝘥 : 𝘮𝘶𝘳𝘮𝘶𝘳𝘦𝘴 𝘥𝘦𝘴 𝘮𝘰𝘳𝘯𝘦𝘴, a group exhibition curated by Cédric Fauq and Salma Mochtari at CAPC; Frac MÉCA; Bibliothèque Mériadeck, and Musée d’Aquitaine in Bordeaux, FR (11.06.26 – 28.03.27).

The exhibition brings together nearly fifty artists whose practices expand the forms memory can take, inhabiting the gaps of official history and creating from gestures and traces of resistance. Taking as its premise that the contemporary world cannot be understood without its blackground: the dark backdrop that persists within the very history of domination.

Josèfa Ntjam
𝘛𝘩𝘦 𝘜𝘯𝘥𝘦𝘳𝘤𝘰𝘮𝘮𝘰𝘯𝘴, 2025
Altarpiece composed of three larch frames with metal hinges, three photomontages printed on paper, and CNC engraving on the verso of side panels.
142 x 300 x 6 cm
55 7/8 x 118 1/8 x 2 3/8 in

Exhibition view: 𝘉𝘭𝘢𝘤𝘬𝘨𝘳𝘰𝘶𝘯𝘥 : 𝘮𝘶𝘳𝘮𝘶𝘳𝘦𝘴 𝘥𝘦𝘴 𝘮𝘰𝘳𝘯𝘦𝘴, Capc Musée d’art contemporain, Bordeaux (12.06.2026 – 03.01.27). Curators Cédric Fauq and Salma Mochtari. Photo by Arthur Péquin

Josèfa Ntjam
Cédric Fauq

Capc Musée d’art contemporain de Bordeaux

Josèfa Ntjam is included in 𝘉𝘭𝘢𝘤𝘬𝘨𝘳𝘰𝘶𝘯𝘥 : 𝘮𝘶𝘳𝘮𝘶𝘳𝘦𝘴 𝘥𝘦𝘴 𝘮𝘰𝘳𝘯𝘦𝘴, a group exhibition curated by Cédric Fauq and Salma Mochtari at CAPC; Frac MÉCA; Bibliothèque Mériadeck, and Musée d’Aquitaine in Bordeaux, FR (11.06.26 – 28.03.27).

The exhibition brings together nearly fifty artists whose practices expand the forms memory can take, inhabiting the gaps of official history and creating from gestures and traces of resistance. Taking as its premise that the contemporary world cannot be understood without its blackground: the dark backdrop that persists within the very history of domination.

Josèfa Ntjam
𝘛𝘩𝘦 𝘜𝘯𝘥𝘦𝘳𝘤𝘰𝘮𝘮𝘰𝘯𝘴, 2025
Altarpiece composed of three larch frames with metal hinges, three photomontages printed on paper, and CNC engraving on the verso of side panels.
142 x 300 x 6 cm
55 7/8 x 118 1/8 x 2 3/8 in

Exhibition view: 𝘉𝘭𝘢𝘤𝘬𝘨𝘳𝘰𝘶𝘯𝘥 : 𝘮𝘶𝘳𝘮𝘶𝘳𝘦𝘴 𝘥𝘦𝘴 𝘮𝘰𝘳𝘯𝘦𝘴, Capc Musée d’art contemporain, Bordeaux (12.06.2026 – 03.01.27). Curators Cédric Fauq and Salma Mochtari. Photo by Arthur

On view at the gallery: Appau Jnr Boakye-Yiadom𝘗𝘢𝘵𝘦𝘯𝘵 3306𝘹 (𝘚𝘬𝘦𝘵𝘤𝘩 𝘧𝘰𝘳 𝘶𝘴𝘪𝘯𝘨 𝘊𝘢𝘳𝘰𝘶𝘴𝘦𝘭)14 July – 5 September 2026Thu – S...
13/08/2026

On view at the gallery:

Appau Jnr Boakye-Yiadom
𝘗𝘢𝘵𝘦𝘯𝘵 3306𝘹 (𝘚𝘬𝘦𝘵𝘤𝘩 𝘧𝘰𝘳 𝘶𝘴𝘪𝘯𝘨 𝘊𝘢𝘳𝘰𝘶𝘴𝘦𝘭)
14 July – 5 September 2026
Thu – Sat, 11 AM – 6 PM

📸
𝘗𝘢𝘵𝘦𝘯𝘵 3306𝘹 (𝘚𝘬𝘦𝘵𝘤𝘩 𝘧𝘰𝘳 𝘶𝘴𝘪𝘯𝘨 𝘊𝘢𝘳𝘰𝘶𝘴𝘦𝘭), 2026
Installation including a printed carpet, a 2’23 min HD film played on a cube monitior, speakers
152.4 x 228.6 cm | 60 x 90 in (perimeter)
Edition 1 of 3 + 1 AP

Presented in the second of room of exhibition, 𝘗𝘢𝘵𝘦𝘯𝘵 3306𝘹 (𝘚𝘬𝘦𝘵𝘤𝘩 𝘧𝘰𝘳 𝘶𝘴𝘪𝘯𝘨 𝘊𝘢𝘳𝘰𝘶𝘴𝘦𝘭), 2026, is an installation composed of a drum mat, a TV monitor and a pair of speakers. Used in previous exhibitions in which Boakye-Yiadom recorded himself and invited viewers to witness him learning to play the drums (e.g. Goldsmiths CCA, 2020; Frieze London, 2024), the mat features an image of a tropical Calophyllum inophyllum tree. Supporting a looping video documenting an unrealised proposal for his exhibition at NıCOLETTı, which was initially centring on a salvaged dry-cleaning carousel, the installation operates as a provisional studio within the gallery: a space of rehearsal, experimentation and productive failure.

This exhibition is part of the official programme of 𝘽𝙖𝙘𝙠𝙮𝙖𝙧𝙙 𝘽𝙞𝙚𝙣𝙣𝙞𝙖𝙡: 𝙀𝙖𝙨𝙩, an 8-week summer arts festival initiated by Whitechapel Gallery in collaboration with more than 40 local partners across East London (14 July – 6 September 2026). It follows Boakye-Yiadom’s three-year research as the inaugural recipient of the Donna Lynas Residency (2023–26), a partnership between Wysing Arts Centre, Modern Art Oxford, Somerset House and South London Gallery. During the residency, the artist developed a series of exhibitions informed by his study of musical instruments in the Bate Collection at Oxford University and the Pitt Rivers Museum, Oxford. Its final chapter, Modular Merger, is currently on view at Modern Art Oxford until 13 September 2026.

Appau Jnr Boakye-Yiadom

𝘗𝘢𝘵𝘦𝘯𝘵 3306𝘹 (𝘚𝘬𝘦𝘵𝘤𝘩 𝘧𝘰𝘳 𝘶𝘴𝘪𝘯𝘨 𝘊𝘢𝘳𝘰𝘶𝘴𝘦𝘭), 2026
Installation including a printed carpet, a 2’23 min HD film played on a cube monitior, speakers
152.4 x 228.6 cm | 60 x 90 in (perimeter)
Edition 1 of 3 + 1 AP

Nicoletti is delighted to announce its programme overview (August – October 2026) ✨
05/08/2026

Nicoletti is delighted to announce its programme overview (August – October 2026) ✨

Nicoletti is delighted to announce it’s programme overview (August –October 2026)
04/08/2026

Nicoletti is delighted to announce it’s programme overview (August –October 2026)

‘Patent 3306x’, a solo exhibition by London-based artist Appau Jnr Boakye-Yiadom is open at the gallery all summer. This...
30/07/2026

‘Patent 3306x’, a solo exhibition by London-based artist Appau Jnr Boakye-Yiadom is open at the gallery all summer. This exhibition is part of the official programme of 𝘽𝙖𝙘𝙠𝙮𝙖𝙧𝙙 𝘽𝙞𝙚𝙣𝙣𝙞𝙖𝙡: 𝙀𝙖𝙨𝙩, an 8-week summer arts festival initiated by Whitechapel Gallery in collaboration with more than 40 local partners across East London (14 July – 6 September 2026).

📷

Appau Jnr Boakye-Yiadom
Neon Pothos: prefers bright, indirect light to maintain its
vibrant, glowing chartreuse foliage. Although it can
tolerate lower-light conditions, its leaves may gradually
lose their bright neon colour and become a deeper green, 2026
Artist proof for an edition of photographs of
Boakye-Yiadom’s house plant taken each time the artwork
is sold, floor map of the place where the photograph of the
plant was shown on the reverse. Inkjet print on
Hahnemühle, glass and metal frame.
Framed: 52 x 42 cm | 20 1/2 x 16 1/2 in
Unframed: 15 x 10 cm | 5 7/8 x 4 in
Edition unlimited (until the artist and/or the plant dies)

Appau Jnr Boakye-Yiadom
Whitechapel Gallery

Julie BénaLure11 June – 6 September 2026Part of the 14th Organ Vida FestivalCurated by Barbara Gregov, Lovro Japundzic &...
24/07/2026

Julie Béna
Lure
11 June – 6 September 2026
Part of the 14th Organ Vida Festival
Curated by Barbara Gregov, Lovro Japundzic & Lea Vene
MSU – Museum of Contemporary Art
Zagreb, Croatia, HR

For more than two decades, Julie Béna has been building a world inhabited by a troupe of eccentric, unsettling, and comic characters. Court jesters, doubles, human and non-human, ghostly and sometimes monstrous figures migrate between films, performances, sculptures, and installations. Partly rooted in the artist’s childhood spent alongside her mother’s travelling theatre troupe, ideas of mobility, collective creation, and temporary belonging continually reappear throughout her work.

For the 14th edition of Organ Vida, she presents Lure, a travelling circus spectacle centred around a tent-like, site-specific installation conceived for the Museum of Contemporary Art of Zagreb. The circus becomes both motif and narrative framework through which visitors encounter bizarre twists, thrilling transformations, and hidden structures composing the spectacle.

Serious about not taking things too seriously, Béna employs exaggeration, theatricality, and even bad taste to expose the absurdity of social norms and the mechanisms shaping our desires, traumas, and pleasures.

Julie Béna lives and works between Prague and Paris. Raised in a travelling theatre and shaped by early acting experiences, she builds her artistic reflections at the intersection of theatre, literature, and popular culture. Working across performance, sculpture, film, and installation, she appropriates everyday imaginaries and transforms them into fictional poetic, romantic, or epic narratives. Her work has been exhibited in numerous international institutions, with recent presentations including exhibitions at the Centre Pompidou, Fondation Pernod Ricard, and Palais de Tokyo in Paris, M Leuven in Belgium, Institute of Contemporary Arts London, and Magasin CNAC in Grenoble.

Julie Béna

Lovro Japundžić
Organ Vida
msu zagreb

CHRIS DORLAND – Chrome ShelterOn view until October 4, 2026, at the Museum gegenstandsfreier Kunst Otterndorf, GermanyCu...
23/07/2026

CHRIS DORLAND – Chrome Shelter
On view until October 4, 2026, at the Museum gegenstandsfreier Kunst Otterndorf, Germany
Curated by Wilko Austermann - Curator

Chrome Shelter is the first institutional solo exhibition in Europe by New York–based artist Chris Dorland. Featuring works from 2016–2026, the exhibition brings together painting, installation, and digital imagery, exploring perception and the visual language of the digital age.

Chris Dorland
Museum gegenstandsfreier Kunst

‘Patent 3306x’, a solo exhibition by London-based artist Appau Jnr Boakye-Yiadom is now open at the gallery. This exhibi...
22/07/2026

‘Patent 3306x’, a solo exhibition by London-based artist Appau Jnr Boakye-Yiadom is now open at the gallery. This exhibition is part of the official programme of 𝘽𝙖𝙘𝙠𝙮𝙖𝙧𝙙 𝘽𝙞𝙚𝙣𝙣𝙞𝙖𝙡: 𝙀𝙖𝙨𝙩, an 8-week summer arts festival initiated by Whitechapel Gallery in collaboration with more than 40 local partners across East London (14 July – 6 September 2026).

Titled after a patent filed in 1821 by Thomas L. Jennings following his invention of dry scouring – the precursor to modern dry cleaning – Patent 3306x centres on an installation of T-shirts bearing a painted fish copied from a nineteenth-century taxonomic illustration. Originally conceived as a scientific diagram intended to record newly ‘discovered’ species, the image embodies the classificatory ambitions of Victorian natural history and, more broadly, the colonial impulse to catalogue the world. Transferred onto an everyday garment, the fish shifts from scientific record to unstable symbol of discovery, circulation and appropriation. Printed on porous white cotton, the image will gradually fade over time, allowing the material itself to register the work’s continued life beyond the exhibition.

The reverse of each shirt features an inverted list of songs that incorporate recorded s*x sounds. Spanning the mid-1960s to the present and compiled as a growing archive, these references trace the emergence of this musical device following the s*xual revolution while pointing to the contemporary economies of streaming, fandom and digital cataloguing. Juxtaposing the disciplinary language of scientific taxonomy with the circulation of mass-cultural ephemera, Boakye-Yiadom places seemingly incompatible systems of knowledge on the same garment. In both cases, the artist seems less concerned with what is classified than with the persistent cultural desire to classify.

📷

Appau Jnr Boakye-Yiadom
Patent 3306x, 2026
39 cotton t-shirts, wooden dowels, metal cables
T-shirts: 80 x 72 cm (each) | 31 1/2 x 28 3/8 in (each)
Installation: dimensions variable

Appau Jnr Boakye-Yiadom
Whitechapel Gallery

Installation views of ‘breaking / briseadh / wa’aidom’, a duo show by Tyler Eash and Laura Ní Fhlaibhín BRITTA RETTBERG ...
17/07/2026

Installation views of ‘breaking / briseadh / wa’aidom’, a duo show by Tyler Eash and Laura Ní Fhlaibhín BRITTA RETTBERG in Munich. Open until 29 July.

Tyler Eash and Laura Ní Fhlaibhín find common ground in shared concerns that encompass experiences with Anglo-colonial history and a return to Indigenous worldviews. The exhibition emphasizes solidarity among peoples as well as their animal, plant, mineral, and spiritual kin, and visualizes acts of active remembrance and the revival of ancestral spirits.

Tyler Eash

Address

London Borough Of Hackney

Opening Hours

Tuesday 11am - 6pm
Wednesday 11am - 6pm
Thursday 11am - 6pm
Friday 11am - 6pm
Saturday 11am - 6pm

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