Jessica Worrall Digital Collage

Jessica Worrall Digital Collage Digital Collage artworks by Jessica Worrall

ReinventionAnother piece from Jonathan Anderson’s first Dior collection. I love how his work plays with history both in ...
25/05/2026

Reinvention

Another piece from Jonathan Anderson’s first Dior collection. I love how his work plays with history both in terms of fashion and art with his designs often referencing both. Take this outfit with its beautiful brooch - a miniature painted by the artist Rosalba Carriera in around 1715. Carriera, an italian Rococo artist was best known for her miniature portraits and was one of the most successful women artists of her time, but as is often the case with women artists throughout history had become somewhat forgotten so it is a joy to see Anderson reinstate her. I really like how the texture and colours of the clothes seem to echo that of Carrieras work.

I’ve combined it with another work of reinvention if you will. This portrait of a young woman was painted by the french artist Louis Léopold Boilly, judging by the fashion in the early 19th century around 1810 maybe (its in a private collection so I don;t have exact details alas)
What’s interesting about it is that the subject has a cropped hairstyle which echoed the way in which the hair of the aristocracy was cut before they were guillotined, initially women wore it as a sign of mourning those who were executed, but it also became a symbol of rebellion against the towering wigs of the nobility.

So yes both fashion and art history reimagined, each informing the other. Wealth & Rebellion an eternal dichotomy...



I’ll add some links to more info on the hair styles etc in my stories. Def worth a read/listen!

HeatwaveSome older pieces I am very very partial to that seem appropriate for this hot weather which has even reached Gl...
24/05/2026

Heatwave

Some older pieces I am very very partial to that seem appropriate for this hot weather which has even reached Glasgow, although not quite as ‘intensely’ shall we say as further down south. But at least the sky is blue...

Details
1. Clothes - Gucci RTW 2021 with Rogier Van der Weyden’s 1460 Portrait of a Lady (now in the National Gallery of Art in Washington DC)
2. Clothes - Chanel 1994 with Pieter Souten’s 1626 Portrait of the Wife of Alexander van Capellan (her name was Emilia by the way!) (now in a private collection
3. Clothes - Jean Paul Gaultier RTW 2022 with Bernardino Licinio’s 1524 A Family Group (now in the Royal Collection)
4. Clothes - Chanel 2013 with this 1615 Portrait of Gertrude Sadler, Lady Astor by an unknown artist (now in a private collection)

Hope you all keeping cool and hydrated out there whether in a swimsuit and ruff or not....

🔥

FemininityI actually cannot believe that this is my first post this year! I’ve been working non stop in theatre and neve...
17/05/2026

Femininity

I actually cannot believe that this is my first post this year! I’ve been working non stop in theatre and never seemed to be able to find the space to think about my collage work, which I have missed more than I can say. So am so happy to now have a bit of time to make some work in

I’ve been keeping an eye on the years fashion trends and all the comings and goings in the fashion world. I’ve been somewhat dismayed by the decline in female representation at the top of the couture houses, it feels to me to be a step in the wrong direction. Its fascinating to me that so much of the ideas around femininity and of course desirability is still in the hands of men, albeit some of them are very talented, but thats not the point...

Anyway I was intrigued to see Jonathan Andersons first collection for Dior. It certainly plays with all the female tropes or perhaps cliches. WHether or not its a fresh take or an empowering one I have yet to make up my mind. What do you think?

The palette and textures and imagery reminded me of a lot of art, especially Ingres who I feel seems to capture a sense of women trapped inside an ideal. Or maybe thats just me projecting that onto it!

SO this new piece seems melancholic and fragile and ‘feminine’. In a good way or not. I’ll leave it to you to decide.

The original Ingres portrait is of Madame de Moitessier painted in 1851. The original is now in the National Gallery of Art in Washington DC.


Today is all about strong women in denim as its press night for a very special theatre show I’ve been working on about t...
28/04/2026

Today is all about strong women in denim as its press night for a very special theatre show I’ve been working on about the Lee Jeans Sit In - a seven month fsit in that took place at the Lee Jeans factory Greenock in 1981 by the mainly female workforce fighting for their jobs. Its an amazing story that has been brought to life by an amazing company, one I have been very proud to have been a part of. If you are in Scotland I totally recommend you try and see it! I’ll link to it in my stories. In celebration of the show and the denim in it I thought this work might be appropriate to reshare these works that feature denim in them. The first piece is Schiaparelli from 2022 which I paired with an Allori portrait of Isabella de Medici from 1570 (now in the Carnegie Museum of Art in Pittsburgh) The second piece is from AWAKE Mode which I have paired with a Moroni portrait of Luisa Vertova Giovanni from 1560 (now in the Musee D’Arts in Nantes)

Final few days of my exhibition The Power of Costume at the lovely Citizens Theatre, Its been such a joy to have my work...
22/04/2026

Final few days of my exhibition The Power of Costume at the lovely Citizens Theatre, Its been such a joy to have my work there for so long and seen by so many people. Hope those that saw it enjoyed it!

Finally working on some new collages now after a long time away in theatre land so watch this space!






Addressing the IssueInstead of writing about todays piece I am going to link to two articles that I think explain far mo...
16/12/2025

Addressing the Issue

Instead of writing about todays piece I am going to link to two articles that I think explain far more eloquently the connections between these two images and why I put them together.

The clothing is by the indomitable and always inspiring Rei Karakubo from her Fall RTW 2024 collection. There is an excellent precis of both the collection and the thinking behind it here by https://www.vogue.com/fashion-shows/fall-2024-ready-to-wear/comme-des-garcons

I’ve combined it with this portrait of the glorious Caroline Norton painted by Frank Stone in 1845. Suffice to say if you don’t know about Caroline Norton then you should and even a cursory read of the Wikipedia page for her will tell you just how important and ground breaking she was. https://en.wikipedia.org/wiki/Caroline_Norton

And one more link because when I read this I thought about how important strong female role models are needed now more than ever. Its from the excellent .choat in the Guardian and makes for very depressing but vital reading. https://www.theguardian.com/world/2025/dec/16/five-key-moments-in-the-assault-on-the-rights-of-women-and-girls-in-2025

Oh and the original portrait of Caroline is in the National Portrait Gallery in London

Historic Hand me downsI love this 2025 Fendi dress. Apparently SIlvia Venturini Fendi was inspired to design it after he...
02/12/2025

Historic Hand me downs

I love this 2025 Fendi dress. Apparently SIlvia Venturini Fendi was inspired to design it after her granddaughter found and subsequently wore a dress in a similar design that Silvia had originally worn herself in the 80s and which she describes as always making her amazing when she wore it. What she added in this new design was a pocket for the wearers mobile phone hidden beneath the peplum. Theres something beautiful in this. This merging of old and new which of course is very close to my heart. It also reminds me of how enlightening it is to see how young people react to both the past, its fashions and styles etc and what they see as relevant or not and why. SO much about fashion for me personally has been tied up in my own feelings about femininity and how this ties in with the objectification of women - I know I avoid wearing certain types of clothing as I don’t want it to be ‘misinterpreted’ or I just feel downtight vulnerable and exposed in. But I’m always amazed about how to some young women this is just ridiculous. They dress only to please themselves in whatever form that takes. This is the kind of hand me down, or hand me back perhaps I need!

I’ve combined the FEndi outfit with this lovely portrait of an unknown young woman painted sometime in the 16th century by Santi di Tito. She looks like a young Kate Moss to me. Obviously this Fendi outfit would have been a complete scandal for any 17th century girl to have worn but I think she looks like she is enjoying wearing it.

The original portrait is now in a private collection so alas not on public view

If you like my work please check out my prints (the perfect Christmas present for any fashionistas!) details in my bio or DM me

Historic Hand me downsI love this 2025 Fendi dress. Apparently SIlvia Venturini Fendi was inspired to design it after he...
02/12/2025

Historic Hand me downs

I love this 2025 Fendi dress. Apparently SIlvia Venturini Fendi was inspired to design it after her granddaughter found and subsequently wore a dress in a similar design that Silvia had originally worn herself in the 80s and which she describes as always making her amazing when she wore it. What she added in this new design was a pocket for the wearers mobile phone hidden beneath the peplum. Theres something beautiful in this. This merging of old and new which of course is very close to my heart. It also reminds me of how enlightening it is to see how young people react to both the past, its fashions and styles etc and what they see as relevant or not and why. SO much about fashion for me personally has been tied up in my own feelings about femininity and how this ties in with the objectification of women - I know I avoid wearing certain types of clothing as I don’t want it to be ‘misinterpreted’ or I just feel downtight vulnerable and exposed in. But I’m always amazed about how to some young women this is just ridiculous. They dress only to please themselves in whatever form that takes. This is the kind of hand me down, or hand me back perhaps I need!

I’ve combined the FEndi outfit with this lovely portrait of an unknown young woman painted sometime in the 16th century by Santi di Tito. She looks like a young Kate Moss to me. Obviously this Fendi outfit would have been a complete scandal for any 17th century girl to have worn but I think she looks like she is enjoying wearing it.

The original portrait is now in a private collection so alas not on public view

If you like my work please check out my prints (the perfect Christmas present for any fashionistas!) details in my bio or DM me

EndingsIts the last few weeks for my Power of Costume: Who are You Wearing? exhibition currently on view at the Citizens...
01/12/2025

Endings

Its the last few weeks for my Power of Costume: Who are You Wearing? exhibition currently on view at the Citizens Theatre in Glasgow. Do come along if you up/down this way and please let me know what you think!

Oh and some of the collage artworks in the exhibition are now for sale so if you are interested in them just DM for details etc

Details of works

1: Clothes: Prada 2025
Portrait: Portrait of Baertje van Adrichem, Jacob Willemsz. Delff, 1593 (now in the Museum Boijmans Van Beuningen)
2: Clothes: Dior 2024
Portrait: Portrait of Hillegond Coninck, Jan van Teylingen, 1638 (now in the Westfries Museum, Hoorn)
3: Clothes: Versace 2021
Portrait: Portrait of a Lady, Nicolaes Eliaszoon Pickenoy, 1635 (now in National Gallery, Copenhagen)
4: Clothes: Phoebe Philo 2023
Portrait: Portrait of Alda Gambara, Altobello Melone, 1543 (now in the Pinocoteca di Brera in Milan)
5: Clothes: Dior 2024
Portrait: Portrait of Maria van Oosterwijck, Wallerant Vaillant, 1671 (now in the Rijksmuseum in Amsterdam)
6: Clothes: Avavav/Adidas 2025
Portrait: Portrait of Laura Battiferri, Bronzino, 1560 (now in the Palazzo Vecchio in Florence)
7: Clothes: Simone Rocha for Jean Paul Gaultier 2024
Portrait: Portrait of Giovanna Tornauoni, Domenico Ghirlandaio, 1490 (now in the Thyssen-Bornemisza Museum, Madrid)
8: Clothes: Dior 2017
Portrait: Self Portrait, Artemesia Gentileschi, 1630 (now in the Palazzo Barberini in Rome)
9: Clothes: Melitta Baumeister 2025
Portrait: Self Portrait, Sofonisba Anguissola, 1560 (now in the Musée Condé in Oise, France)
10: 3D printed Ruff (made by ELKA Studios )








Thanks to

Age of Beauty cont’dThis piece follows on from my previous one in that it features a slightly older woman than usually s...
23/11/2025

Age of Beauty cont’d

This piece follows on from my previous one in that it features a slightly older woman than usually seen in a lot of 16th century portraits of women. The portrait is thought to be of a woman called Luisa Vertova Agosti and was painted in 1560 by the Italian artist Giovanni Battista Moroni. I love how beautifully he has captured the beauty of her face and all the experience in it - the hint of crows feet around her eyes, the lines on her forehead, things so rarely seen in portraits of this time. I also love the way the two flowers are tucked into her hair behind her ear. A simple adornment. Its possible the flowers are there to symbolise her loyalty or faithfulness - usually why they appear - but I like to think they might also be a whim of Luisas...

Anyway to me its refreshing to see a portrait of a woman showing a face that doesn’t deny her age and experience. It reminds me of how refreshing it is to see a more mature model in fashion, something again that to me occurs way to rarely. Style, beauty and the power of self expression should be there for everyone regardless of age or anything else and the more we can see this the better so I just love this outfit designed by Natalia Alaverdian for her AWAKE Mode label, one of the few labels to consistently use older models both in their campaigns and catwalk. I wish other houses would follow her example more.

The original portrait can be seen in the Musee d’Arts in Nantes.

Address

Glasgow

Alerts

Be the first to know and let us send you an email when Jessica Worrall Digital Collage posts news and promotions. Your email address will not be used for any other purpose, and you can unsubscribe at any time.

Contact The Establishment

Send a message to Jessica Worrall Digital Collage:

Share

Category